Above: a few pages from the French burlesque publication Cancans de Paris, the seventh time we've taken a look at this mag, with this example dating from September 1965. As always there are mainstream celebrities mixed in with the peelers, including Carroll Baker, Brigitte Bardot, Elke Sommer, Kim Novak, Sean Connery, Sophia Loren, Gina Lollobrigida, and French born ballerina Ludmilla Tchérina. At the top of panel two there's also a minor Raymond Brenot illustration. See some major ones here, and just click the Cancans keywords below if you want to see more issues. 

Above, a beautiful poster for John Huston's love-it-or-hate-it comedic African film Beat the Devil, which premiered in the U.S. today in 1954 and starred Humphrey Bogart, Gina Lollobrigida, Jennifer Jones, and Peter Lorre. This poster, while cool, is completely misleading. Beat the Devil is not an adventure. When it was made there was no category for it, but today such movies are called "camp." Only over time have audiences come to understand it. We wrote about it awhile ago and shared a Belgian poster, here. 

The UPI photo above was shot today in 1959 and shows Italian actress Gina Lollobrigida hula hooping between takes on the set of United Artists' biblical epic Solomon and Sheba. La Lollo was apparently a big fan of the hula hoop—according to the info on the back of the photo she owned this one and brought it from her home in Rome. Interestingly, she was costumed almost exactly like this—in a glittery bra and skirt while showing a bare midriff—in 1950's Vita di cani, 1952's Les belles de nuit, and wore a circus performer's outfit of very similar style in 1956's Trapeze. Her most famous physical trait was her hair (lollo rosso lettuce is so named because it resembles the curly 'do she wore for much of her career), but it seems producers preferred her navel. Can't say we blame them.

Tempo was a pocket-sized celeb and pop culture magazine published bi-weekly out of Atlanta and New York City by Sports Report, Inc. We don’t know how long it lasted—this one is vol. 7, issue 9—but we know we’ve never seen one dated before 1953 or after 1958. When Dane Arden appeared on the cover of this one from today in 1956, she was already famous thanks to her appearance as Playboy’s centerfold just the previous month. But she had posed under her real name Elsa Sørensen, and back then that may have kept most Playboy readers from realizing Sørensen and Arden were the same person. We have no idea if that was her intention, or why she’d have wanted to do it, but it’s curious. Our guess is that Playboy wanted an exclusive association with her Sørensen identity, and pressed her to choose a new name for future modeling. Or perhaps she thought of magazines like Tempo as lower class, and didn’t want to diminish her Playboy image. Strange, considering Tempo had been around longer, but possible. Or maybe she simply thought Elsa Sørensen was a little too Danish sounding for Hollywood. But there’s no evidence she ever had an interest in movies, and if she did wouldn’t she have been sacrificing much of the useful recognition she’d gained as a Playboy centerfold? All we can say is it’s one of history’s little mysteries. Hmm… that has a nice ring. Think we’ll claim that one—History’s Little Mysteries™. More Dane/Elsa below, plus Brigitte Bardot, Shirley Falls, Erroll Garner, Sabrina, the Cleveland Browns, Anita Ekberg, et al.

We were going to post nothing today, but even a fine red wine, twenty pages of good fiction, and the attentions of the wonderful Pulp Intl. girlfriends occupy only so many Saturday hours, so above and below you see the cover and contents of the French burlesque and entertainment magazine Cancans de Paris, named after the high-kicking stage dance of 19th-century Montparnasse music halls. This issue appeared this month in 1965 and features Gina Lollobrigida, Verna Lisi, Sandra Dee, ballerina Ludmilla Tchérina, and others.

Above, La Vie Parisienne #202 of October 1967—more than one hundred years into its existence by this point—with an uncredited cover star, and interior photos of Gina Lollobrigida, Dany Carrel, Terry Martine, Jane Fonda, Slovenian actress Sceila Rozin, aka Spela Rozin, and other celebs. There’s also a shot of Talitha Pol from Barbarella, and some of you may remember she married the fast living John Paul Getty, Jr. (he of the kidnapped son, though not Pol’s) and later died of a heroin overdose. You also get some truly excellent ink illustrations by the diverse James Hodges, not to be mistaken for contemporary artist Jim Hodges. James Hodges was a French pin-up artist of the 1960s who also became a magician and illustrated magic books, painted playing cards, and designed stage sets. See more from La Vie Parisienne here.

Exclusive was a digest sized monthly published out of New York City by the appropriately named Digest Publications, Inc. It launched in March 1954, had the usual mix of celebs, scandal, and crime, and folded after two years. This issue has everyone from playboy Shep King to Italian actress (and former Pulp Intl. femme) Sylvana Pampanini to showgirl Julie Bryan, as well as an interesting crime photo essay the editors—distastefully—decided to title “Sexclusive.” That’s not a smart choice when referring to sexual assault. But moving on, the good thing about these pocket magazines is the text was large relative to the page size, which means that when scanned the articles are easily readable even on our website. That being the case we won’t bother describing the contents any more than we already have. We’ve scanned about twenty-five pages below if you’re interested, and we’re going in search of a glass of ice-cold white wine. Enjoy.