Headquarters, my gas mask has failed! I'm throwing a grenade! How the hell does this thing work? Over!
George Gross art fronts this January 1956 issue of Hanro Corp's bi-monthy magazine Man's Illustrated. It's an interesting image, but here's where we show our age, or lack of industrial background, or something, because we have no idea what the hell Mr. Flinty Eyes on the cover is holding. Hand grenade? Gas mask? Some kind of steampunk style microphone? Combo of all three? Well, not knowing is not a problem. We still like the image.
It's been a while since we featured this magazine, but we're glad to get back to it because inside this issue there's art from Walter Popp and Rudolph Belarski, and a nice feature on Rear Window actress Georgine Darcy, who we've talked about once or twice before. As far as written content, you get plenty of war and hunting action, of course, but we were drawn to, “The Hottest Town North of the Border,” an investigative piece by journo B.W. Von Block. What town is he talking about? Montreal, which apparently back in ’56 was the one of the best places in the world to get your ashes hauled. These type of stories, which were standard in old men's magazines, always give us a laugh because with their breathless focus on subjects like legal prostitution, nude beaches, and dusk-to-dawn nightclubs they show how repressed the U.S. was compared to so much of the world. It still is, actually. Trust us, we've been around, lived abroad for a long time now, and greatly enjoyed the more permissive societies in which we've resided—including our current one. The U.S. does have many good points, though, one of which is that no country's inhabitants preserve its popular media so prodigiously—which is why we have so many vintage books and magazines to share on Pulp Intl. in the first place. We've pondered many times why Americans hoard more than other cultures and we've finally come up with an answer: garages. Two thirds of Americans have garages. So here's to American garages. They give millions the joy of being their own museum curators.
The list of sensory superlatives quickly runs short.
Here yet again is Marilyn Waltz, also known as Margaret Scott, an early Playboy centerfold and popular pin-up model we've featured a few times. This Technicolor lithograph, entitled “Visions of Beauty,” is from 1952, and as you can see below more than one image of her posing against this velvet backdrop was published. The litho below was entitled “Lovely as a Rose.” Like many women who posed nude back then, Waltz had Hollywood aspirations, but her entire cinematic output consisted of a single role in the 1954 b-flick Love Me Madly, aka Love My Way, aka The Wild Sex. The film is forgotten, if not lost, but it's notable—for us anyway—because her co-star was Georgine Darcy, perhaps better known as Miss Torso from Alfred Hitchcock's Rear Window. With Waltz and Darcy on the same set the filmmakers probably needed a fire brigade on standby in case the sound stage burst into flames. You can see everything we have on Waltz by clicking her keywords below.
I better enjoy this while I can. Seems like one day this will be seriously frowned upon.
Look at that smile. When a smile like that occurs behind a telephoto lens it can only mean one thing. In Rear Window James Stewart spends quite a bit of time scanning his neighbors with the ole 400mm. And who does he soon see? Why, hot-bodied dancer Georgine Darcy across the courtyard doing kegels and glowing with sweat. Could you even make a movie character like Stewart's pervy photog sympathetic today? We doubt it. Everyone knows he'd be posting his shots on bigtitneighbors.com. Don't bother looking, by the way. We made that up.
Of course, if you watch the movie you realize there are nuances to Stewart's behavior. Main nuance: he's confined to a wheelchair and has nothing to do but stare out the window. Think of his situation this way. You know how you're waiting for someone in a restaurant and you keep watching the door? And there's a woman sitting between you and the door and you keep glancing at her too because you can't help it? And she's doing kegels and glowing with sweat? And you're shooting her with a long lens? That's totally okay, right? Um, it isn't? God, but these are slippery times.
This is a Dior blouse you've managed to ruin, FYI, just in case you have anything resembling a human soul.
The lead character in Peter Rabe's Stop This Man is a jackass, but he isn't a rapist. This cover by Darcy, aka Ernest Chiriacka, does capture his essential nature, though, as he's bossy as hell and sees woman mainly as objects to be possessed or manipulated. When he intrudes into the back room of a club and encounters a female employee changing clothes he intimidates her into continuing so he can see her naked. As often happens in mid-century crime novels, she decides this makes him a real man and falls for him. It's not rape but it's definitely rapey. But of course us modern readers are aware of this going in, right? The sexism, the racism, all the rest, are features of 1950s crime literature. Each person needs to decide whether there's something to be gained in the fiction despite its affronts to societal values.
In Stop This Man lots of people are trying to stop Tony Catell, but not from harassing women. They want to thwart his criminal master plan. In mid-century crime fiction the main character is often in possession of an ill gotten item he expects to open the gateway to a better life. It may be money or bearer bonds or a rare diamond. Here the item is a thirty-six pound ingot of stolen gold. Catell hopes to fence it but the trick is to find an interested party who will give him a good price. Did we forget to mention that it's radioactive? There's always a catch, right? People who come into extended contact with this brick of gold die, but that doesn't stop Catell. He wraps it in an x-ray technician's lead lined apron and travels from Detroit to L.A. seeking a buyer for this lethal hunk of heavy metal.
Catell is kind of radioactive too, actually, in the sense that he's bad news through and through. He plans to sell his killer treasure, but has no idea the radiation is turning it into mercury. It's a cool set-up for a thriller by the experienced Rabe. You may be thinking 1952's Kiss Me, Deadly did it first, but Spillane's novel does not have the radioactive suitcase made famous by the movie adaptation, so this could be—could be, because we haven't read every book out there—the first time this nuclear gimmick appeared. It was originally published in 1955, which means it's also possible the nuclear angle was influenced by Kiss Me Deadly the film, which appeared in May the same year. But while Stop This Man is cleverly set up and is as hard-boiled as any crime novel we've come across, overall we felt it should have been executed at a higher level.
In the naked city there are a million reasons to kill and die.
In Dead End two crooked cops end up with a million dollars in dirty money and decide to ditch their jobs and flee the country. But their law enforcement colleagues are after them, so first they hole up in an old Prohibition hideout to let the heat dissipate. How long will they stay in this little room? As long as it takes. The older cop Doc suggests months. The younger cop Bucky is going crazy in days. You know for a certaintly that this partnership isn't going to end well. Lacy is up and down as a writer but this is him on the upswing. Originally published as Be Careful How You Live in 1959, this Pyramid paperback appeared in 1960 with cover art by Ernest Chiriacka.
James Stewart sees the sights without ever leaving his apartment.
Belgian movie posters are often quite beautiful. We've already shared frameworthy examples for Vanessa and A Thousand and One Nights, as well as a few others, and above you see a promo for Alfred Hitchcock's classic Rear Window. The movie premiered in 1954 and first played in Belgium today in 1955, where it was titled Fenêtre sur cour, which means “window on the courtyard.” The poster was printed by S.P.R.L. Belgique and the artist is Wik, someone who is simultaneously well represented in vintage poster circles while being a total mystery. We plan to dig around, see if we can find more info on this person.
Everyone has a favorite Hitchcock movie. Rear Window is ours. The story, the stars, and the look of the film are all great, and the idea of everyone's lives under a microscope foreshadows the world in which we live in today. Raised shades aren't needed, though—metadata tells corporations and governments more than a glance in a window ever could. In Rear Window, once Jimmy Stewart realizes he is able to spy, he does it even though he knows it's wrong, and once he suspects a crime has been committed, any sense of guilt disappears—instead he feels entitled to intrude. Maybe that's why today's digital spies always claim to be ferreting out crime—because they know most people will accept that as an excuse.
But you don't need us to analyze Rear Window. More qualified writers have gone over every frame of the film. Instead we've decided to show you below what Stewart was looking at, thanks to series of promo images we managed to locate. Thus you see, from top to bottom, the rear courtyard which encompasses the story, the newlyweds Rand Harper and Havis Davenport, the murder suspect Raymond Burr, Miss Torso played by Georgine Darcy, Miss Lonely Hearts played by Judith Evelyn, and Grace Kelly with sidekick Thelma Ritter digging for body parts in the garden. If you haven't seen the film, definitely watch it. You'll have fun.
She had a torso like no other.
And here's a photo to soothe any frayed nerves after our commentary in the previous post. You're looking at Georgine Darcy. She had a mildly successful career in show business, but only one role of hers really matters—Miss Torso from Alfred Hitchcock's top notch thriller Rear Window. If you haven't seen it don't be scared. Darcy is not nicknamed Miss Torso because she ends up dismembered or anything like that (no, that's a different character in the movie). Darcy is so named because James Stewart watches her dance, dress, flirt, and do other fun things with her perfect body. Yes, he's a voyeur, but he's wheelchair bound and bored. If it were us, we'd have no excuse at all.
Darcy Glinto was yet another writer who ran afoul of contemporary morals squads.
The moment we saw these two versions of 1950's Road Floozie by British author Darcy Glinto, aka Harold Ernest Kelly, we asked one question—why are they so expensive? The sellers were both asking five hundred dollars. That seemingly has to do with the novel being pulled from circulation and republished with certain passages stricken, making the original difficult to find. What was so offensive in 1950? Certainly the idea that a woman would choose life on the road, moving from place to place, sometimes man to man, would have been uncomfortable. But Glinto was probably done in by the double rape of the main character by two truckers, one white, one black. In America, in 1950, black hands on white female flesh was a no-no, in literature and real life. Heck, it’s still a no-no today, in certain backwaters. As his career went on, Glinto/Kelly continued to have legal troubles in both the U.S. and Britain, and eventually he closed Robin Hood Press, which he owned, and sold the rights to the name Darcy Glinto. He moved to the Canary Islands and later died there in 1969.
The headlines that mattered yesteryear.
1938—Archbishop Denounces Dance Music
The Archbishop of Dubuque, Francis J. L. Beckman, makes headlines in the U.S. when he attacks swing music as a degenerated musical system destined to gnaw away at the moral fiber of young people. His denouncement follows on the heels of the music being banned in Germany due to its African and Jewish origins.
1993—Vincent Price Dies
American actor Vincent Price, who had achieved the height of his fame acting in low budget horror movies, and became famous again as the macabre voice in Michael Jackson's song "Thriller," dies at age 82 of complications from emphysema and Pariknson's disease.
1929—Stock Market Crashes
Black Thursday, a catastrophic crash on the New York Stock Exchange, occurs when the value of stocks suddenly declines and continues to decline for a month. The event leads to a subsequent crash in world stock prices and precipitates the Great Depression. This after famous economist Irving Fisher had declared that stock prices had reached a permanently high plateau.
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying
. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
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