This is a nice cover for 1957's Lucile et la volupté, by Albrecht Jhonn for Les Presses de la Nuit. The woman here holding a paint brush against a blank white background looks rendered in mostly colored pencils, with a watercolor assist in the hair. We like the suggestion that she painted the author's name, but the signature that matters here is that of prolific cover artist Jef de Wulf, who signed this mostly empty piece on the lefthand edge. He and certain other French illustrators worked in a simple style compared to most of the names in U.S. paperback art, but there's a breeziness to their output that we enjoy. Obviously, French illustrators like Aslan, Jean David, René Caillé, and others are comparable to anyone, and their highly accomplished art is collectible, but French publishers were also willing to embrace this sort of sparse, spacious visual style. 

Like clockwork, it's time once more for Jef de Wulf, one of the most reliable paperback illustrators of the mid-century era. Every cover he painted, for whatever company employed him, was stylish and unique. He was automatic. Here's an example of him at his best on this 1952 cover for Faudra cracher au bassinet, by André Helena writing as Kathy Woodfield, for Éditions la Dernière Chance's series Le Roman Noir Féminin. We don't know anything else about the novel except that the title translates as “you'll have to spit in the bassinet,” which is French slang meaning to give reluctantly. It only makes sense once you know that “bassinet” doesn't just mean a baby's bed, as it does in English, but also a church collection dish. Eew. We give unreluctantly more de Wulf here, here, and here. 

Above is a cover from French publisher Éditions R.R., for Secrets, by author René Roques. Easiest way to get published: own the publishing company. We discuss that and other things about Roques in a bit more detail at this link. The art here is by Jef de Wulf, whose work we've shared numerous times. We love him. There's a lightness and ease to his pieces that few paperback artists achieve. We'll have more from him later. 

Éditions R.R. specialized in beautiful covers, and this one continues the trend. The art is by Jef de Wulf, and it fronts Dit oui, Madame by René Roques. You can't tell, but this is about a woman who falls in love with a robot. And he's a French robot, so he shares his feelings, which is more than you do. Roques actually got racy enough here that the book was banned shortly after publication in 1957. Still, we bet it wasn't as wild as this mechanical lover novel. Or for that matter this one. They say robots are going to take all our jobs. Add sex to the list.