Vintage Pulp Jul 17 2021
EXCEPTIONALLY GRIFTED
It's a dog sucker dog world out there. Or something along those lines.


It's been more than a year since we read anything from the prolific Orrie Hitt, and that's too long, for though he may not be a literary master, he's always interesting. In 1957's The Sucker, a tough and amoral hustler named Slade Harper gets involved in an auto parts business, decides to cut out the owner, and bed his beautiful business partner as a bonus. Pretty soon Harper and the femme fatale are in the plot together, but the owner of this automotive concern may not be quite as gullible as he seems, and it's not so clear who's the sucker and who's the suckee. Wait, that's wrong. Would it be a... sucker and a sucked? A sucker and a suckered?

Doesn't matter. The point is Hitt's tale of round robin cons is better than usual for him. It's impressively hard-boiled, basically an attempt to channel James M. Cain, and not a bad one, all in all. Hitt often wrote ridiculous sleaze but this is solidly in the crime category, with a bit of kinkiness mixed in just so you know he hasn't gone soft. Erm... so to speak. The one aspect of The Sucker we didn't like were the portentous chapter endings that popped up at regular intervals. Here's an example where Slade Harper is about to do the nasty with a disabled beauty to whom he's taken a shine:

It's alright,” I said, staring at the metal wheelchair. “I won't be sorry at all.”

And I wasn't.

Here's another one, with a different woman:

Wait for me,” I said.

At my place?

You know where.”

I know where,” she whispered.

And she did.

It's just a stylistic flourish, a way of ending each chapter with emphasis, but it still feels like overkill. However, in his career Hitt had some misses, so we have to call this one a triumph, considering his spotty oeuvre. The book also has one of the more striking covers you'll find on a Hitt novel, painted by Warren King, whose work verges on impressionistic, particularly in the patch of grass his two figures have chosen to recline upon. Those wheat yellows and sky blues are beautifully combined. He's really grown on us, and if Hitt can maintain at least the level of writing he does here in The Sucker, so will he.
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Vintage Pulp Jun 6 2021
TOTALLY DOPE
Some people just can't say no.


Above is an alternate cover for N.R. de Mexico's classic drug sleaze novel Marijuana Girl, a surprisingly good tale of addiction and redemption we wrote about last year. That edition was from Uni Books and had a photo cover. This Beacon edition has a nice painted cover, which is signed but illegible. Have any idea whose signature this is below? Drop us a line.
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Vintage Pulp May 7 2021
WHIPPING AND HANDLING
This is one tough dame. I think it's time we tried Thai food, a few glasses of white wine, and a back rub.


No! Not the back rub! Anything but that! It'll work, though. And once she starts talking she'll give up the details on everyone. Occasionally you read a book and it isn't anything like you expected. We knew A.E. Van Vogt was a science fiction writer, but we figured that—like others in his literary niche—he dabbled in crime or sleaze fiction early in his career. And perhaps he did, but not with this book. It starts with a quasi-detective character believing he's rescuing a woman from whip wielding villains, but soon takes a left turn to involve secret Central American cults and an ancient marble house that bestows its inhabitants with eternal life, with the protagonist of course refusing at every step to believe what he's seeing. It's a fascinating concept, but Van Vogt forgot to piece his tale together in a way that allows the narrative to gel. We give it major points for weirdness, but demerits for execution. Interesting effort, though. The cover art on this Beacon edition from 1960 is by Gerald McConnell.

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Vintage Pulp Apr 5 2021
NO REST FOR THE WICKED
Wait, you can sleep in it too? Huh. I never thought of that.


Suburbanites romp across the moist landscape of sexual liberation in Dean McCoy's 1962 novel No Empty Bed for Her, which is nicely descriptive for the title of a sleaze novel. With characters named Biff Kincaid, Carol, Charlie Bixby, et al, this is as milquetoast as the cast of a book gets, but it's written in ernest, as frustrated wife Glenna ends up on a cross country trip with her boozehound husband Hunt, and finds herself more interested in cheating every time he screws up. Which he does with almost hilarious frequency. Will this pampered housewife give in to a rough hewn trucker's charms? Would it be a sleaze novel if she didn't? Most of the sex action, though, takes place not in bed but in the trucker's sleeper cab. We'll say this much for McCoy—he gives these books his all. This is his best since Sexbound.

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Vintage Pulp Aug 12 2019
RED HOT PLANET
Ditch the spacesuit, big boy, and I'll give you a totally different kind of terrain to explore.


This cover for Cyril Judd's 1961 Mars based sci-fi novel Sin in Space makes the book look like ridiculous sleaze but there's serious ambition here. We discerned this in the first five pages thanks to the undefined jargon, numerous made-up place names, and copious technical language that's supposed to understood through context. The nomenclature of life on Mars, the minerals that are mined, Mars Machine Tool, greeners, marcaine, and much more, are all woven together by Judd (a pseudonym for Cyril Kornbluth and Judith Merril) in an attempt to create a believable alternate reality of a human colony on Mars.

Earth has numerous problems and independence is thought by Mars colonists to mean an escape from those issues. But the colony has a few problems of its own. Most importantly, a stash of drugs has gone missing and if it doesn't reappear the consequences, both political and existential, will be dire. Meanwhile, even though forty years of colonization has turned up no Martian life, sightings of so-called “brownies” are on the upswing, but are dismissed as fantasies. Do these brownies exist? Well, they're more likely to turn up than the rampant sin of the book's title. Check out this passage, which we've edited a bit for brevity:

You got born into a hate-thy-neighbor, envy-thy-neighbor, murder-thy-neighbor culture. Naked dictatorship and leader worship, oligarchy and dollar-worship. Middle classes with their relatively sane families were growing smaller and being ground out of existence as still more black dirt washed into the ocean and more hungry mouths were born and prices went higher and higher. How long before it blew up? The damned, poverty-ridden, swarming Earth, short of food, short of soil, short of metals, short of everything except vicious resentments and aggressions bred by other shortages.”

Does that sound like sleaze to you? Us either. Sin in Space is a serious book, but far less interesting than it should be, considering the fertile setting. Put it in the wildly misleading bin thanks to its title and the cover by artist Robert Stanley. We mentioned the drugs subplot. That's so far in the background it barely qualifies as a plot driver. The sin of the title actually refers to the fact that a reporter writes an article falsely telling everyone on Earth the Martian colony is a hotbed of vice, thus threatening its status. That's still not a good reason for the sensational title or titillating art, but we don't really mind. A piece of sleazy art—even misplaced—always brightens the day. 

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History Rewind
The headlines that mattered yesteryear.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
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