|Sex Files||Apr 3 2020|
|Vintage Pulp||Mar 8 2020|
|Vintage Pulp||Oct 16 2019|
|Vintage Pulp||Mar 22 2019|
So in The Thin Man Hammett was portraying Nick Charles not as the upper crust dilettante William Powell made famous in the film version, but as a tough guy outsider. People are a bit afraid of him. Filmgoers were definitely not afraid of pencil mustached William Powell. Hammett wanted the written Charles to possess street cred, to be a person who had been places and seen things others had not. Hammett was going for a different type of detective in more ways than merely his drinking habits. Charles' maverick role is just a little extra flavor in an already entertaining novel. The actual mystery is difficult to follow, but even so we highly recommend this if you haven't read it.
|Femmes Fatales||Jun 4 2017|
|Intl. Notebook||Jan 16 2015|
Today, once again, the U.S.’s premier film noir festival begins in San Francisco. Well, we aren’t impartial—we used to live in Berkeley, just across the Bay, and San Fran was our nocturnal playground—but we think the Noir City Film Festival is the best, that its locale the Castro Theatre is awesome, and that San Francisco, with its iconic hills, clanking cable cars, and rogue fogs, is the also the best possible host city. This year the art produced for the festival in its thirteenth year references worn pulp paperbacks, which we can appreciate, and we also love the festival line-up.
The extravaganza opens with Woman on the Run, a film we discussed recently. Apparently the last known print burned in a fire, and this year’s showing represents the culmination of years of restoration work. Since the film was in the public domain, we imagine some secondary sources existed and needed to be tracked down and cobbled together. Other classics to be screened include Clash By Night, The Thin Man, Shockproof, Cry Terror!, and twenty others. Hopefully a few of our Bay Area friends will attend the festival and report back. And to Pulp Intl. readers in that part of the world, this is your official reminder—any chance to see film noir on a big screen is an opportunity not to be wasted.
|Vintage Pulp||Mar 26 2013|
There have been many covers for Dashiell Hammett’s great novel The Thin Man. This is one of the best..
Update: A reader sent in an email not long after we posted the above pointing out that the artist copied Robert Maguire's cover art for Jack Webb's The Brass Halo. Though not completely identical, it's fair to say the second artist more or less just changed the colors and reversed the image. In fact, maybe he just changed the colors, since the reversal could have been done during the pre-press process. There are many examples of copying out there. We even dedicated a previous post to it. We also shared a collection that featured one copy in a group of eight covers. With this third example we have a mind to dig into the phenomenon a bit more. We're really curious now who the copycats are. We'll get back to you later on it, assuming we find out anything. Thanks to Miga for writing in and locating the below image.
|Intl. Notebook||Feb 4 2011|
In an announcement bound to excite and intrigue pulp and literature fans the world over, magazine editor Andrew Gulli has slated for publication fifteen previously unknown Dashiell Hammett short stories. Gulli found the writings in the archives of the Harry Ransom Centre, a literary memorabilia storehouse based at the University of Texas, in Austin.
Gulli says he has no idea why the works ended up at the Ransom Centre, and he can offer no historical context for the works, since all are undated. He plans to publish the first of these new stories, entitled “So I Shot Him,” in his crime fiction magazine The Strand, with the others possibly to appear later as a book-length collection.
Hammett’s many works include classics such as The Maltese Falcon and The Thin Man, and as a stylist he established many techniques that later became foundational in pulp writing. As far as the quality of the new works goes, Gulli has said in an interview with The Guardian newspaper that, “There are some very, very good pieces of fiction here. Some of them are classic Hammett and fit in with the style we know and others are very different and go off to places that were a different direction for him.”