Vintage Pulp Jan 14 2017
EXERCISING CAUTION
We better enjoy this place while it lasts. Once men find out they'll try anything short of a military siege to get in.

Above, a cover for Lesbian Gym from Brandon House, by Peggy Swenson, aka Richard Geis, copyright 1964. This one caught our eye because the Pulp Intl. girlfriends are always mocking the guys in their gym, whose apelike nature—so they tell us—emerges rather strongly there. We can't comment because we don't go to the gym. We do a bit of heavy lifting at the local bar, though. Good thing we're naturally skinny. A couple of sources attribute this cover to Fred Fixler, but we think they're wrong. Keep this in the uncredited bin.

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Vintage Pulp Sep 11 2014
ALPHA BEST
Faced with this position surrender is the only option.

Here you see a pose that appears over and over in vintage paperback art—one figure looming menacingly in the foreground as a second cowers in the triangular negative space created by the first’s spread legs. This pose is so common it should have a name. We’re thinking “the alpha,” because it signifies male dominance and because of the a-shape the pose makes. True, on occasion the dominator isn’t male, sometimes the unfortunate sprawled figure is depicted outside the a-shaped space, and sometimes the art expresses something other than dominance, but basically the alpha (see, that just sounds right, doesn’t it?) has been used scores of times with only minor variation. You’ll notice several of these come from subsidiaries of the sleaze publisher Greenleaf Classics. It was a go-to cover style for them. We have twenty examples in all, with art by Bob Abbett, Robert Bonfils, Michel Gourdon, and others.

 
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Vintage Pulp Jul 22 2014
QUICK FIXLER
Fred Fixler once again elevates Brandon House sleaze with virtuosic art.

A few years ago we shared eight Fred Fixler covers he had painted for Brandon House. Today we thought we’d fill out the collection a bit with another group of Fixlers, above. Some of these you can see elsewhere online, whereas others you can’t, but they all fall into that our-website-is-not-complete-without-them category we’ve mentioned before. Problem solved. Over time Fixler has become one of our favorite paperback illustrators, and these pieces show why. In fact, they’re probably way too good for an imprint like Brandon House, which published books like The Rape Machine and Sex on Welfare. It’s proof that even excellent artists often barely manage to make a living in this crazy world of totally upside down values. You can see the other Fixler collection at this link.

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Vintage Pulp May 30 2013
SLUMBER PARTY OF FIVE
So, let me show you what I meant when I said I wanted us all to come early tonight.

Above is a cover for 1963’s Pajama Party, a book written by Peggy Swenson, who was in reality Richard E. Geis. Interesting fellow, Geis—he specialized in beatnik and counterculture sleaze, churning out lightweight novels like Bongo Bum, Beat Nymph, and Like Crazy, Man, and was indicted for obscenity over a novel called Three-Way Apartment. This was in 1964. Geis went to trial twice, first in California, then in federal court in Iowa. He was convicted but the case made its way to the U.S. Supreme Court where the panel overturned the verdict, thus making Geis’s Three-Way Apartment one of those forgotten but important books that helped free publishing from the grip of reactionary prudes. After Geis’s close call with the feds he must have felt artistically liberated, because his writing promptly went to the far ends, so to speak, of taste. Some titles: Anal Husbands and Deviant Wives, The Endless Orgy, Women and Bestiality, and, our two favorites—Orality ’69 and its sequel Orality ’70. Pajama Party was not so notable a book as those—five co-eds have a sleepover that involves a pillow fight, skinny-dipping, a striptease contest and a game of dares, before finally getting down to a little Sapphic lust—but we really like the Paul Rader cover, so there you go.

On a different subject, we got a couple of reader pulp submissions with no art, which tells us our little uploader (located in the righthand sidebar, for those who don't know) is probably malfunctioning. This may have had something to do with the several hours of down time we had a couple of weeks ago that cost us several posts (since restored). But don't worry. The Black Bomber will have it working properly again in a jiff, because that's what he does, at which point we'll let you know and hopefully get resubmissions of those reader offerings. Thanks as always for your patience.

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Vintage Pulp Jun 21 2010
RADER LOVE
Strange games and things.

Every once in a while, we like to feature Paul Rader as a reminder what a virtuosic illustrator he was. So here’s another aggregate post, this one of assorted steamy Midwood pulp covers by Rader, circa 1960s. As a side note, you may have noticed our pulp uploader is malfunctioning at the moment, but we’ll get that fixed as soon as we can. Anyone with contributions, please hold, thanks. 

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History Rewind
The headlines that mattered yesteryear.
May 22
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
May 21
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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Reader Pulp
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