Vintage Pulp Mar 4 2015
TOUCH OF EVIL
Um, I think we’re going to need some revisions to this script.

Above, the cover of Amy Harris’s 1962 novel Touch Me Gently, in which a woman’s personality changes after she’s attacked and violated during a midnight dip in the local swimming hole. The virgin-to-vengeful-vamp transformation triggered by a rape is an all-too-common scenario found everywhere from sleaze fiction to ’70s sexploitation cinema to Japanese pinku films. On the one hand it’s always highly distasteful; on the other it acknowledges the existence of these terrible events and allows women violent revenge. In terms of artistic merit, you have to judge on a case-by-case basis. But that’s what it’s always about with difficult subjects, isn’t it? Done right, valuable understanding can result. The cover art by Paul Rader is excellent. No problem understanding that at all. 

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Vintage Pulp Jan 22 2015
NAME BRAND PULP
What’s in a name? Everything, if it’s the title of a vintage paperback.

Above and below you will find a large collection of pulp, post-pulp, and sleaze paperback fronts that have as their titles a character’s first name. There are hundreds of examples of these but we stopped at thirty-two. The collection really highlights, more than others we’ve put together, how rarely vintage paperback art focuses on male characters. The prose is virtually all male-centered and male-driven, of course, but because the mid-century paperback market was male-driven too, that meant putting women on the covers to attract the male eye. We tell our girlfriends this all the time, but they still think we just don’t bother looking for male-oriented vintage art. But we do. For this collection we found two novels that have male characters’ names as their titles, and we looked pretty hard. If we had to guess, we’d say less than 5% of all pulp art is male-oriented. In any case, the illustrations come from the usual suspects—Barye Phillips, Robert McGinnis, Jef de Wulf, Paul Rader, et al., plus less recognized artists like Doug Weaver. Thanks to all the original uploaders for these.

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Vintage Pulp Nov 1 2014
OFF THE MENU
Tonight I think I’m in the mood for a big, juicy piece of meat.


Paul Rader once again demonstrates his genius with this cover for Brad Curtis’s Man Trap, brought to us by always reliable Midwood Books, 1963. Curtis was a pseudonym used by Giles A. Lutz, predominantly a writer of westerns who made a few forays into thrillers. What we really like about this cover are the spangles in the background hinting at some wonderful nocturnal metropolis, doubtless rife with sex, sin, and other worthy pursuits. Pretty nice, too, how Rader slipped his signature—in this case a single “R”—onto the back of the menu. 

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Vintage Pulp Sep 15 2014
EASY RADER
I think it’s really cute when a guy wears pajamas, but I have something even more comfortable you can slip into.

This is one of the prettiest Paul Rader covers we’ve seen, which is really saying something considering he painted this and this. But this stellar turquoise and gold effort for Joan Ellis’s Sooner or Later may be our favorite Rader yet. Note how the placement of the girl’s elbow suggests an erection on her tormented brother-in-law. Joan Ellis was in reality author Julie Ellis, and she also wrote as Linda Michaels, Jill Monte, and Susan Richard. She went on to author serious fiction, but even if those later books were better written, we bet none of them looked as appealing as this.

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Vintage Pulp Jul 7 2014
BRUSH FIRE
Blaze consumes acres of grassland. Authorities seek cause.

Above, the cover of March Hastings’ The Heat of the Day, one of many lesbian themed novels published by Midwood-Tower. It’s the story of two girls whose blackened skeletons are found in a fire-scorched field. Well, not really. It’s actually about two girls who meet at a summer camp and develop a scorching attraction for each other. 1963 on this one, with art by Paul Rader. 

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Vintage Pulp Dec 5 2013
DOCTOR IN THE BLOUSE
Well, yes, it’s unorthodox, but I’ve found this to be just as accurate as using a stethoscope.

Actually, if the doctor tried to speak at this point it would sound like, “Mmmph mmmph mmmph,” and nurses don’t wear blouses, but hey, coming up with more than two-thousand headers isn’t easy. Anyway, Loren Beauchamp was a pen name of award-winning sci-fi author Robert Silverberg, and his Nurse Carolyn, one of many sleaze novels he wrote to pay the bills, first appeared in 1960. The above cover is from the 1963 second edition and was painted by Paul Rader.

Update: We got an email about this cover from Ruben: "Just wanted to let you know that today's book cover, Nurse Carolyn, was likely painted by Stan Borack, though I'm not 100% certain. However, I AM absolutely certain that it is NOT a Paul Rader cover."

Thanks for writing in, Ruben. Our info comes from the comprehensive website Vintage Sleaze Paperbacks, which writes: "Rader also did the cover for the second edition, which is less striking but still Rader." So at this point we'll throw it to the masses. Anyone have definitive info about this one?

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Vintage Pulp Jul 6 2013
NOT SAFE FOR WORK
They’re having a hard day at the office in more ways than one.

Where would sleaze fiction be without Midwood Books? The company was launched in 1957 by Harry Shorten, and the sub-genre of office sleaze quickly became one the new company’s linchpins. Below are some examples of these books, with art by the always excellent Paul Rader and others. Thanks to all the original uploaders.


 
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Vintage Pulp Jul 4 2013
STOLEN KISSES
If it feels good just do it.

You never forget your first kiss, right? Pulp and sleaze paperback covers have always been a medium for this form of affection, and so today we have for you below some of the most memorable kisses we’ve encountered over the years. A couple of these are from triplexbooks.com, a site we’ve already mentioned as worth a look. Art by Paul Rader, Louis Carrière, Ernest Chiriaka and others. Enjoy.


 
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Vintage Pulp May 30 2013
SLUMBER PARTY OF FIVE
So, let me show you what I meant when I said I wanted us all to come early tonight.

Above is a cover for 1963’s Pajama Party, a book written by Peggy Swenson, who was in reality Richard E. Geis. Interesting fellow, Geis—he specialized in beatnik and counterculture sleaze, churning out lightweight novels like Bongo Bum, Beat Nymph, and Like Crazy, Man, and was indicted for obscenity over a novel called Three-Way Apartment. This was in 1964. Geis went to trial twice, first in California, then in federal court in Iowa. He was convicted but the case made its way to the U.S. Supreme Court where the panel overturned the verdict, thus making Geis’s Three-Way Apartment one of those forgotten but important books that helped free publishing from the grip of reactionary prudes. After Geis’s close call with the feds he must have felt artistically liberated, because his writing promptly went to the far ends, so to speak, of taste. Some titles: Anal Husbands and Deviant Wives, The Endless Orgy, Women and Bestiality, and, our two favorites—Orality ’69 and its sequel Orality ’70. Pajama Party was not so notable a book as those—five co-eds have a sleepover that involves a pillow fight, skinny-dipping, a striptease contest and a game of dares, before finally getting down to a little Sapphic lust—but we really like the Paul Rader cover, so there you go.

On a different subject, we got a couple of reader pulp submissions with no art, which tells us our little uploader (located in the righthand sidebar, for those who don't know) is probably malfunctioning. This may have had something to do with the several hours of down time we had a couple of weeks ago that cost us several posts (since restored). But don't worry. The Black Bomber will have it working properly again in a jiff, because that's what he does, at which point we'll let you know and hopefully get resubmissions of those reader offerings. Thanks as always for your patience.

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Intl. Notebook Nov 27 2012
AFTER THE STORM
NYC vinyl dealer is still picking up the pieces after Hurricane Sandy.

We received an email a couple of days ago from a reader named Joe R., who pointed us toward an item about Norton Records, a New York City based vintage vinyl dealer whose Brooklyn warehouse was hit pretty hard by Hurricane Sandy (above you see a photo taken of the building just after the storm). According to Norton’s website, most of their catalog stock was destroyed by floodwaters. Like many other vintage vinyl dealers, they also have a pretty nice stack of sleaze fiction, so you collectors out there might want to take a look at their selection. We’ve uploaded a few covers right and below, including Dale Koby’s Sin Lens (art by Paul Rader), Milton Geller’s Don’t Like Me—Love Me!, and Frank Gavin’s Crossfire. The prices are lower than you would typically find on, for instance, Ebay (where we came across a couple of items from Norton’s catalog going for over $30, which is more than double what they charge). If you bought something you’d be supporting a business at a time of struggle, plus it’s officially holiday season again, and nothing says Christmas quite like a sleaze paperback. Thanks, Joe, for sending this item over. Norton Records warehouse photo by Nick Cope

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History Rewind
The headlines that mattered yesteryear.
March 31
1930—Movie Censorship Enacted
In the U.S., the Motion Pictures Production Code is instituted, imposing strict censorship guidelines on the depiction of sex, crime, religion, violence and racial mixing in film. The censorship holds sway over Hollywood for the next thirty-eight years, and becomes known as the Hays Code, after its creator, Will H. Hays.
1970—Japan Airlines Flight 351 Hijacked
In Japan, nine samurai sword wielding members of the Japanese Communist League-Red Army Faction hijack Japan Airlines flight 351, which had been en route from Tokyo to Fukuoka. After releasing the passengers, the hijackers proceed to Pyongyang, North Koreas's Mirim Airport, where they surrender to North Korean authorities and are given asylum.
March 30
1986—Jimmy Cagney Dies
American movie actor James Francis Cagney, Jr., who played a variety of roles in everything from romances to musicals but was best known as a quintessential tough guy, dies of a heart attack at his farm in Stanfordville, New York at the age of eighty-six.
March 29
1951—The Rosenbergs Are Convicted of Espionage
Americans Ethel and Julius Rosenberg are convicted of conspiracy to commit espionage as a result of passing nuclear secrets to the Soviet Union. While declassified documents seem to confirm Julius Rosenberg's role as a spy, Ethel Rosenberg's involvement is still a matter of dispute. Both Rosenbergs were executed on June 19, 1953.

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