|Vintage Pulp||May 14 2018|
Gemser gets freaky on the island of brotherly love.
La spiaggia del desiderio is another Laura Gemser sexploitation epic, third in what would become a long series of Emanuelle movies, and the first to truly jump the shark. A bit of backstory: Author Emmanuelle Arsan wrote the original Emmanuelle character, based on herself, in 1967, and saw it become the erotic film Emmanuelle starring Sylvia Kristel. It premiered in France in June 1974 and was a worldwide smash by that autumn. But Italian production company Aquila Cinematografica had managed to film and rush release a knock-off entitled Amore libero that hit cinemas in Rome by August of 1974. The movie starred Gemser as a character named Emanuelle—with one 'm'. This film too was something of a success, in the sense that it made money while costing far less.
After the success of the French Emmanuelle its makers decided to cash in with a sequel. Trinacra Films and Orphée Productions kicked France to the curb and made Emmanuelle II with an eye toward the large U.S. market, where their sophomore entry eventually had its world premiere in December of 1975. While shooting this sequel they apparently figured the more Em(m)aunelles the better and cast Laura Gemser as a sexy masseuse in order to pair her up—naked—with Kristel. The spirit of cooperation is admirable, but certainly what this casting decision did was give Gemser's Emanuelle just as much legitimacy as Kristel's Emmanuelle.
At the time Gemser was enjoying this cameo appearance in Emmanuelle II she had already made or was about to make a sequel to her Amore libero. We use that uncertain terminology because the French Emmanuelle films were higher budget productions and took longer to film and post-produce, which means even though Gemser's sequel hit cinemas before Emmanuelle II, it's possible it was filmed after and rammed through post to get to audiences first. In any case, Gemser's sequel, already cynically thieving the original Emmanuelle concept, was titled to take advantage of the burgeoning blaxploitation wave. Emanuelle negra it was called—Black Emanuelle.
Gemser was off and running and would eventually make more than a dozen Emanuelle films, each more preposterous than the previous. Amore libero and Emanuelle negra featured Gemser playing an Emanuelle who, like the original character written by
Emmauelle Arsan, enjoyed sexual adventures in exotic tourist destinations. But La spiaggia del desiderio is a lost world flick that features her living on an isolated island with her father and brother in primitive bliss. We suspect the entire script was written to avoid high budget location work and unnecessary characters.
In any case, it's just Gemser, her dad, and her bro on this uncharted spit of tropical sand off the coast of Venezuela, until a shipwreck victim washes up and brings with him a host of problems. Because, you see, Gemser plays a game with her brother, a very pleasurable game that she—in her innocence—doesn't realize is known as incest in the civilized world. When she begins to play the game with the newcomer that's when things go terribly wrong. Think of it as The Blue Lagoon years before that movie appeared, but with brotherly love thrown in to provide an excuse to philosophize about cultural norms.
The main plot question becomes this: does the newcomer try to get Gemser to realize what she's doing is wrong, or is it really society that's wrong to judge true love? And secondarily, should he take her away to civilization, or would the real world destroy all that is innocent and wonderful about her? This is deep shit, folks. In our view, Gemser should leave the island—a few civilized cheeseburgers might actually do her good. She's 5' 7” and goes—maybe—115 soaking wet, so she really does look like she's been living on coconuts and crabs for years. But for her fans it's about her whole package, even if that package looks underfed.
We can't recommend La spiaggia del desiderio. There's just nothing much going on here. We suspect the film was toned down because of the (completely unneeded and distasteful) incest angle, a problem her production company might not have foreseen until it was too late. Like: “Uh, huddle up people—we just learned we can't show Laura boning her brother without being slapped with an injunction.” Thus with Gemser's nude frolicking reduced to a bare minimum, there's not much to sustain interest. If we were you we'd give this particular Emanuelle a pass. La spiaggia del desiderio premiered in Italy today in 1976.
ItalyVenezuelaAquila CinematograficaLa spiaggia del desiderioEmmanuelle on Taboo IslandLaura GemserEmmanuelle ArsanSylvia Kristelposter artcinemasexploitationmovie reviewnudity