Here's a hint—it's for keeping something warm, it'll be really useful in about eight months, and by then we'll have the same last name.
Above: the front cover of Our Flesh Was Cheap by Eve Linkletter, 1959, for Fabian Books. Linkletter, whose photo appears on the back cover, wrote a handful of books with sensational titles, such as Dime-a-Dance Hustler, B-Girl Decoy, Lesbian Orgies, and The Gay Ones.
We've heard that Our Flesh Was Cheap is far better than it looks. It's a first-person narrative about an eighteen-year-old Tijuana prostitute named Rosa, and the American woman who brings her San Diego with fake papers and gives her a job as maid. Unfortunately, though Rosa tries to let go of her past, her past doesn't want to let go of her. We may buy this one if it appears at a reasonable price.
You paid the cover charge to get in. Now you have to pay the uncover charge or get out.
The brush behind this cover for Wade Miller's 1946 debut thriller Deadly Weapon was paperback vet Bob Abbett, and it's one of his better pieces in a portfolio filled with top efforts. The book is good too. It's about an Atlanta detective who drives to San Diego to avenge the death of his partner, and as befits such a concept, features excellent Sam Spade-like repartee between main character Walter James and a local cop named Austin Clapp. Some of the action is centered around a burlesque theatre and its headlining peeler Shasta Lynn, but the deadly weapon isn't a femme fatale, as implied by the art, but Walter James himself. The man is hell on wheels. He even uses his car to ram another auto and its occupants over a cliff. Overall, Deadly Weapon is well written, well paced, and well characterized (if a bit saccharine in the romantic subplot). Wade Miller—who was really Bob Wade and Bill Miller acting as one—started his/their career on a good note with this one.
We wonder if anyone warned her she was running out of sidewalk?
Because we're always seeing the ridiculous in even the most innocuous situations we can't stop imagining U.S. actress Leigh Snowden continuing to walk looking over her shoulder until she falls off the end of the sidewalk. Which would be ironic because she was famous for her graceful walk. These three promo images were originally made in 1956 as a single triptych to demonstrate precisely that grace. We've helpfully broken the original composite down to its constituent elements. Does Snowden look unusually graceful? Sure, we guess so—right up until the faceplant.
The full story is on the rear: Leigh Snowden demonstrates the walk which started her on the road to movie stardom. Jack Benny gave the first slight shove to the young actress who not long ago was singing in the choir in Covington, Tenn. He took her along as feminine interest for a performance of his tv show at the naval base in San Diego, early in 1955. All she did was walk on. Twenty thousand sailors let out with whistles and wolf calls which were heard in Hollywood. Leigh, unknown a few days earlier, had her choice of 11 studios and independent producers.
Laura Gemser makes an emancipation proclamation.
As you've deduced from the above Italian poster for La via della prostituzione, also known as Emanuelle and the White Slave Trade, we've performed a quick turnaround to Laura Gemser, last seen two days ago. In this flick she plays a journalist, a role she inhabited often, and heads to exotic Nairobi with sidekick Ely Galleani. In a Nairobi market Gemser sees a man hurrying a woman through the throng. She'd seen the same pair in the airport, except then the woman was in a wheelchair and the man was pushing it. Gemser asks her local tour guide, “Do you know that man?” His response: “That one? Only by sight. I only know that he's American, and that he comes on business, but I don't know what kind of business. Someone mentioned white slavery. But why do you ask?” Did you just cringe a little? We did too, but we get it—the white kind is far more important than the regular kind, init?
Anyway, while were still marvelling over the sad but somehow uproarious tone deafness of those dialogue exchanges, Gemser was busy jetting from Nairobi to New York City to find more info about this American slaver. After promising her editor the biggest scoop of her career, she manages to charm her way into a slave auction taking place—in an amazing stroke of luck—right there in the Big Apple. She watches as girls as young as seventeen are sold to hairy-knuckled jetsetters, including that mysterious Yank, played by hirsute Italian Gabriele Tinti. Now that she knows the basic shape of the wrongdoing taking place, she needs evidence. How does she gather it? That's right—by infiltrating the slave racket as product. She's accepted as a high priced prostitute, and from NYC she's off to San Diego to work in a private club, where she hopes to blow the racket wide open.
You may be asking yourself, Wait, how is this all voluntary for her if it's a slave ring? That question is never fully answered. Somehow, though, she's accepted in the game as a freelancer, while all the other girls seem to be wholly owned chattel. It doesn't matter. This is sexploitation cinema, and what matters are nudity and sex, which means that mixed into the confounding plotline are an amazing number of sex scenes, which consist of cast members slithering softcore style against each other like salamanders while soporific music drifts across the soundtrack. It's all very silly, but the entire point of these films is to create gauzy eye candy, not dazzle you with cinematic mastery or make social statements more than a micron deep. Emanuelle and the White Slave Trade fulfills all the requirements of the genre, not brilliantly, but certainly adequately. It premiered in Italy today in 1978.
Totally lifelike. Just like a real woman. Limited warranty. Do not get wet—shock danger. Possible choking hazard. Vendor not liable for injuries resulting from friction burns.
Above, the rather interesting cover for Jack Kahler’s Rubber Dolly, published by San Diego based PEC, aka Publishers Export Co., in 1966. So, what you get here is the owner of a Hollywood advertising agency called Premium Art who is surrounded by beautiful women 24/7 yet builds the most lifelike love doll ever made. Why? Well, he’s never satisfied. His name is Sam Bollen, after all. Hah hah. Ball-en. Anyway he builds his dolls—"so lifelike in action and substance they shocked even hardened business executives"—and everything is peachy at first, but he soon has problems of various bizarre sorts and even runs afoul of Hollywood communists. Amazing that Kahler could fit that in, but he was a genius—we’re talking about the same guy who came up with Passion Sauce (not be confused with The Lust Lotion). Though rubber doll sleaze may seem fringe, Rubber Dolly was actually a reissue of Kahler's successful Latex Lady from two years earlier. And of course this isn't the first mechanical love doll we've had on the site. The art is uncredited. Go figure.
The swordfish and the sorcerers.
Two photos of the American nuclear test codenamed Swordfish, which was a rocket launched atomic depth charge, detonated in the Pacific Ocean about 400 miles west of San Diego, today in 1962.
Yes, you’re definitely fabulous, but I said to bring a wetsuit, not a jumpsuit.
Nightmare Cruise, aka The Sargasso People, was written by Wade Miller, who was not an actual author, but rather a pseudonym for collaborators Robert Wade and Bill Miller. The two also wrote as Will Daemer, Whit Masterson and Dale Wilmer. During the ’40s and ’50s they published about three-dozen novels, including Kitten with a Whip, which became a celebrated piece of camp cinema starring Ann-Margaret. They also wrote Badge of Evil, which was adapted into Orson Welles’ Touch of Evil, a film usually considered the last true noir produced. Miller died prematurely of a heart attack in 1961, but by then the duo’s place in pulp history was assured. Wade continued writing, eventually winning the Private Eye Writers of America’s 1988 Lifetime Achievement Award, and 1998 City of San Diego Local Author Achievement Award. We’ll discuss his noteworthy solo output at a later date.
The headlines that mattered yesteryear.
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
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