Vintage Pulp Dec 6 2019
FINE FEATHERED END
If you make enemies they'll always eventually strike back.


Above, an alternate cover for Whit Masterson's 1956 L.A. mystery Dead, She Was Beautiful. This edition from Corgi Books appeared in 1957, and the art is by Jack M. Faulks, a new name to us. He took an interesting route with this. The art could be depicting the same woman alive and dead (note the blurb: “more dangerous dead than alive”), or it could be depicting two different women of similar appearance. Either works, in terms of the story. Which is to say, yes, a character is shot in the back with an arrow, and yes, that character later turns out to have a twin. Spoiler alert. So you have a cool cover that's more clever than it seems at first. We'll keep an eye out for more from Faulks. And let's all keep an eye out for stray arrows. 

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Vintage Pulp Jan 24 2019
LEAVE A GOOD-LOOKING CORPSE
If you could ask the ones who did it we suspect they'd say dying young is overrated.


Above, a nice front for Dead, She Was Beautiful by Whit Masterson, aka Wade Miller, who in turn was actually William Miller and Robert Wade writing in tandem. This one has an unusually interesting set-up. A divorce detective is hired by a man to follow his unfaithful wife, and the detective is shocked to discover the woman is his ex-wife. This is in Los Angeles, which immediately raises the question of how such a bizarre coincidence could happen in a city of millions. Well, it isn't a coincidence, which becomes clear when the wife/ex-wife is killed by being shot in the back with an arrow. The cops think the detective may have done it, especially because he hated his ex, so what you get here is the time-honored scenario of a private op who has to solve a crime or take the fall for it. We'd describe this as decent, but nothing special. The cover art is by Barye Phillips, and the copyright is 1956.

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Vintage Pulp Oct 14 2009
EVIL GENIUS
Orson Welles makes a run to the border.
It has the most famous one-take tracking shot in cinema history, it’s the last of the official film noirs (unless you’re one of those Kiss Me Deadly purists), and it was directed by distinguished filmmaker Orson Welles. It was called Touch of Evil, and above you see its moody Swedish laguage poster. Though the film has its flaws, the technical prowess on display is indisputable. At this point film noir was a well-charted phenomenon in which Welles had already dabbled when he made Lady from Shanghai and The Stranger. This time out, he wanted to fully explore the possibilities of shadow the way a painter might explore the possibilities of oils. Everyone knew black-and-white was on the way out. Touch of Evil was Welles’ commentary on the style. He was showing the world what was possible, and by extension, what might be impossible using color.

The casting of Charlton Heston as Ramón Miguel Vargas has been thoroughly discussed pretty much everywhere, and those criticisms are understandable. Certainly, an actor such as, say, Ricardo Montalbán would have shone where Heston merely sufficed, but 1958 audiences would have disliked lily white Janet Leigh being hooked up with an actual Latino actor. People overlook that when they criticize Heston's casting. Welles made a racial statement by swapping the ethnicities of the central couple from Whit Masterson's source novel, in which the cop was white and his wife was Mexican. That's as far as he was willing to go. Cinema mirrors the age in which it was produced. It’s okay to use our modern world as a prism through which to examine the circumstances around an old film, but it’s best do so respectfully, because somewhere in the future people with their own prisms will be looking upon our age, and it won’t look so good to them. Touch of Evil played in Sweden for the first time today in 1958.

 
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Vintage Pulp May 22 2009
WHAT A UNITARD
Yes, you’re definitely fabulous, but I said to bring a wetsuit, not a jumpsuit.


Nightmare Cruise, aka The Sargasso People, was written by Wade Miller, who was not an actual author, but rather a pseudonym for collaborators Robert Wade and Bill Miller. The two also wrote as Will Daemer, Whit Masterson and Dale Wilmer. During the ’40s and ’50s they published about three-dozen novels, including Kitten with a Whip, which became a celebrated piece of camp cinema starring Ann-Margaret. They also wrote Badge of Evil, which was adapted into Orson Welles’ Touch of Evil, a film usually considered the last true noir produced. Miller died prematurely of a heart attack in 1961, but by then the duo’s place in pulp history was assured. Wade continued writing, eventually winning the Private Eye Writers of America’s 1988 Lifetime Achievement Award, and 1998 City of San Diego Local Author Achievement Award. We’ll discuss his noteworthy solo output at a later date.

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History Rewind
The headlines that mattered yesteryear.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
May 17
1974—Police Raid SLA Headquarters
In the U.S., Los Angeles police raid the headquarters of the revolutionary group the Symbionese Liberation Army, resulting in the deaths of six members. The SLA had gained international notoriety by kidnapping nineteen-year old media heiress Patty Hearst from her Berkeley, California apartment, an act which precipitated her participation in an armed bank robbery.
1978—Charlie Chaplin's Missing Body Is Found
Eleven weeks after it was disinterred and stolen from a grave in Corsier near Lausanne, Switzerland, Charlie Chaplin's corpse is found by police. Two men—Roman Wardas, a 24-year-old Pole, and Gantscho Ganev, a 38-year-old Bulgarian—are convicted in December of stealing the coffin and trying to extort £400,000 from the Chaplin family.
May 16
1918—U.S. Congress Passes the Sedition Act
In the U.S., Congress passes a set of amendments to the Espionage Act called the Sedition Act, which makes "disloyal, profane, scurrilous, or abusive language" about the United States government, its flag, or its armed forces, as well as language that causes foreigners to view the American government or its institutions with contempt, an imprisonable offense. The Act specifically applies only during times of war, but later is pushed by politicians as a possible peacetime law, specifically to prevent political uprisings in African-American communities. But the Act is never extended and is repealed entirely in 1920.
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