Vintage Pulp Feb 8 2022
PUT THE BLAME ON MAME
She used the oldest game to become the newest player.


Once again art makes the sale, as we bought this copy of The Revolt of Mamie Stover thanks to its Robert Maguire cover. The blonde femme fatale is of course the Mamie of the title, an aspiring actress run out of Hollywood upon threat of death and booked onto a freighter headed for Honolulu, there to descend into the oldest profession and become a famed wartime prostitute known as Flaming Mamie. The story details her efforts to earn a mint, procure for herself a piece of Honolulu, and buy her way to respectability against terrific opposition from Oahu's Anglo bluebloods.

But there was something about the book that we couldn't put a finger on at first. If we'd read it in 1951 when it was originally published, it might have been clearer, we figured, but as it stood we weren't sure what underlying point Huie was trying to make until halfway through, when—aha!—we realized The Revolt of Mamie Stover is an allegory for the liberal assault against old world American values. At least that's the conclusion we reached. Just to be sure we double-checked on the internet and—aha!—allegory, liberal assault, and so forth.

However, like certain other mid-century novelists considered to be sociologically incisive at the time, Huie was working from incomplete information. The worth, order, and ever escalating prosperity he suggests industrious white men created out of primitive chaos are ending with a whimper under the assaults of climate change, soil depletion, de-industrialization, species extinction, tax evasion, unregulated financial speculation, and cynical war. Raping nature is simply a counterproductive enterprise. The science on that is settled. Trickle down economics don't trickle. That's settled too. Those industrious men built nothing that wasn't going to collapse anyway due to the laws of physics and corrupt economics.

But as we said, Huie couldn't have known that, so within his allegory America is going to hell in a handbasket due to the aforementioned liberal democratization. Or more to the point—give everyone equal rights, and the ungrateful bastards will actually use them to change things. Mamie Stover, barred from all the nice sectors of Honolulu because of her supposedly shameful profession, revolts against and smashes the prohibitions imprisoning her in second class citizenship—and as a result opens the door for native Hawaiians to burst their confines too and ruin whites-only Waikiki Beach.

Huie presents a choice between an orderly but racially repressive society and a disorderly democratic society, but he gets the reasons for disorder wrong. Disorder derives from deprivation, not democratization. Few people get bothered over what others achieve or possess if they feel themselves to be getting a fair shake. But make them feel they've been cheated and they'll assign blame. This is really what the industrious men figured out: the underclasses normally look upward for reasons their lives aren't improving, but it can be prevented if some of them can be made to feel they've been fucked over by others of them. If a racial element can be injected too, all the better. Once discord is established, even people who know better have to join the fight, if only to defend those unfairly under attack.

But while The Revolt of Mamie Stover is built around a moribund allegory, Mamie's personal story makes it a page turning book. You root for her—though it should noted she's no true protagonist. Huie gives readers a masterclass in racism, expressed repetitively and explicitly. Hawaiians, Japanese, Chinese, and other peoples you'd see around the islands are referred to mainly by slurs—not typical anti-Asian slurs, butrather by that age-old slur for African Americans. Nice, right? It pops up, we'd estimate, fifty times in a short book. And Mamie is even more racist-mouthed than the rest. Once she gains access to the tony districts of town, she plans to punch down on all these undesirables. And she's going to enjoy it, she makes clear. She's prostituted herself to gain status—why should she care about anyone who wasn't willing to sacrifice as she did?

A tale this ideological naturally makes you wonder what the author's personal beliefs were. Huie was complicated. While working as a journalist he involved himself in one of the most infamous racist murders of his era, and not in a good way. But he counted among his acquaintances Zora Neale Hurston and Roy Wilkins. He was probably not a bigot by 1950s standards, but in writing about class and race he was uncompromising, and his foundational assumptions about society were wrong. He could have written The Revolt of Mamie Stover with far less ugliness and it would have worked fine, but that never would have occurred to him. He saw ugly realism and reflected it. In that way he was a true writer. Before you read the book—if indeed you do—you'll have to consider that.

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Vintage Pulp Aug 16 2015
OSTRICK RECIPE
J. Oval’s style was as clean and vivid as a master chef’s.

Illustrator J. Oval was a Brit named Ben Ostrick who painted under both his pseudonym and real name. His crisp illustrations helped make Pan Books, which debuted in 1944, one of the most eye-catching mid-century imprints. Pan is still around as part of Britain-based Macmillan Publishers, which is in turn owned by the Georg von Holtzbrinck Publishing Group of Germany. Many of Oval’s pieces for Pan were paired with works so obscure they’re almost impossible to find today, but above you see a good-sized collection, including a few we managed to turn up that haven’t been widely seen. With few exceptions they all use the same formula, though he would occasionally deviate by painting a fully rendered background, or populating a scene with more than one or two figures. You can see a couple more Oval covers in our collection of Asia-influenced paperback art here, and we also shared a small collection of his work back in 2011 that you can find here. 

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History Rewind
The headlines that mattered yesteryear.
July 05
1942—Spy Novelist Graduates from Spy School
Ian Fleming, author of the James Bond novels, graduates from Camp X, a training school for spies located in Canada. The character of Bond has been said to have been based upon Camp X's Sir William Stephenson and what Fleming learned from him, though there are several other men who are also said to be the basis for Bond.
1989—Oliver North Avoids Prison
Colonel Oliver North, an aide to U.S. president Ronald Reagan, avoids jail during the sentencing phase of the Iran-Contra trials. North had been found guilty of falsifying and destroying documents, and obstructing Congress during their investigation of the massive drugs/arms/cash racket orchestrated by high-ranking members of the Reagan government.
July 04
1927—La Lollo Is Born
Gina Lollobrigida is born in Subiaco, Italy, and eventually becomes one of the world's most famous and desired actresses. Later she becomes a photojournalist, numbering among her subjects Salvador Dali, Paul Newman and Fidel Castro.
July 03
1931—Schmeling Retains Heavyweight Title
German boxer Max Schmeling TKOs his U.S. opponent Young Stribling in the fifteenth round to retain the world heavyweight boxing title he had won in 1930. Schmeling eventually tallies fifty-six wins, forty by knockout, along with ten losses and four draws before retiring in 1948.
1969—Stones Guitarist Is Found Dead
Brian Jones, a founding member of British rock group Rolling Stones, is found at the bottom of his swimming pool at Crotchford Farm, East Sussex, England. The official cause of his death is recorded as misadventure from ingesting various drugs.
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