Illustrator J. Oval was a Brit named Ben Ostrick who painted under both his pseudonym and real name. His crisp illustrations helped make Pan Books, which debuted in 1944, one of the most eye-catching mid-century imprints. Pan is still around as part of Britain-based Macmillan Publishers, which is in turn owned by the Georg von Holtzbrinck Publishing Group of Germany. Many of Oval’s pieces for Pan were paired with works so obscure they’re almost impossible to find today, but above you see a good-sized collection, including a few we managed to turn up that haven’t been widely seen. With few exceptions they all use the same formula, though he would occasionally deviate by painting a fully rendered background, or populating a scene with more than one or two figures. You can see a couple more Oval covers in our collection of Asia-influenced paperback art here, and we also shared a small collection of his work back in 2011 that you can find here. 

Here’s a nice cover for Patrick Quentin’s, aka Hugh Wheeler’s murder mystery The Man with Two Wives, which was published in hardback in 1955, and appeared in this paperback edition in ’59. In the story, a man’s wild child first wife reappears to complicate his orderly existence with his second. His problem gets worse when his first wife’s lover is killed, and the only way he can get her off the hook is by admitting to the police—and his current wife—that he was with the first wife when the murder happened. Complicated? No doubt. An interesting bit of trivia: the flim rights were bought by David Niven, but he never managed to get the project made. The art here is by Robert McGinnis.

Above, seven excellent if morbid paperback covers showing a favorite pose of pulp artists—the beautiful supine dead woman with (just to make it extra creepy) nice cleavage. It's amazing how similar these covers are. Art is by Maurice Thomas, Rudolph Belarski, Willard Downes, George Geygan, Harry Schaare, and unknowns. 

Update: We were also sent another example in this style by a reader. Check here.

Samuel Cherry cover art for Q. Patrick’s Cottage Sinister, published in 1933. Patrick is yet another one of those pseudonyms for multiple authors. Writing under that name—as well as the names Patrick Quentin, Quentin Patrick, and Jonathan Stagge—was a quartet of authors consisting of Hugh Callingham Wheeler, Richard Wilson Webb, Martha Mott Kelly, and Mary Louise White Aswell. We know. This pulp stuff gets really complicated sometimes.