What the hell are you two snickering about? You never seen a guy polish his tommy gun before?
Harry Schaare does nice work on a cover for W.R. Burnett's thriller High Sierra, copyright 1950 from Bantam Books. If anybody snickered it was probably Schaare himself. He had to know how masturbatory this looked, right? Or maybe it's just us. Anyway, this book obviously became a celebrated gangster film noir starring Humphrey Bogart, but the source material is electric. We read it years ago and it stuck with us. Highly recommended.
Okay, okay. I wanted pizza, but we'll order the damn Thai food instead.
You don't know pressure until the Pulp Intl. girlfriends have applied it, believe us. We'd almost rather face what the protagonist of Charles Francis Coe's Pressure deals with—going from an obscure lawyer trying to scrape by to a crucial cog in an organized crime cartel. It's a bit Breaking Bad in the sense that he initially does it for his family, but ends up alienating them. The pressure really mounts when he decides he has to get out or lose everything. The book first appeared in 1951 and the above Signet edition came in 1952, with cover work by Harry Schaare.
Well, he says his name is Manny Slaughter, but for some reason I don't think he's as harmless as he seems.
Elizabeth Daly fashioned herself as a U.S. version of Agatha Christie, writing the same kind of mysteries but setting them in New York City. We gather that she was even Christie's favorite mystery author, which is quite an accolade. Murder Listens In is seventh in Daly's Henry Gamadge series—the main character being a sleuth who writes mystery novels—and he's drawn into this puzzle by a crumpled note with his name and address on it found by a postman outside an Upper East Side mansion, and is soon dealing with a client who insists on anonymity to the point of throwing him notes out a window. Someone in this house filled with distant relatives and servants is in deep trouble, and Gamadge, with the help of his wife Clara and his sidekick Schenck, has to figure it out before someone (else) dies. Exceedingly well reviewed, and deservedly so. Originally published in 1944 as Arrow Pointing Nowhere, with this Bantam paperback appearing in 1949 graced by Harry Schaare cover art.
These are people who definitely pay attention to the poles.
When you look at lots of paperbacks sometimes a common thread suddenly jumps out at you that went unnoticed before. Such was the case a few weeks ago when we noticed the large number of characters on mid-century covers leaning against poles—light poles, telephone poles, sign poles, etc. We suggested someone should put together a collection, but of course we really meant us, so today you see above and below various characters deftly using these features of the urban streetscape as accessories. Art is from Benedetto Caroselli, Harry Schaare, George Gross, Rudolph Belarski, James Avati, et al. You can see a couple more examples here and here.
When girl meets girl sparks fly.
Above and below is a small percentage of some of the thousands of lesbian themed paperback covers that appeared during the mid-century period, with art by Paul Rader, Fred Fixler, Harry Schaare, Rudy Nappi, Charles Copeland, and others, as well as a few interesting photographed fronts. The collection ends with the classic Satan Was a Lesbian, which you’ve probably seen before, but which no collection like this is complete without. Hopefully most of the others will be new to you. Needless to say, almost all were written by men, and in that sense are really hetero books reflecting hetero fantasies (fueled by hetero misconceptions and slander). You can see plenty more in this vein on the website Strange Sisters.
Lady, if you don't start cooperating, you're going to be sorry, you hear me? Now for the last time—pull my finger!
The 1959 mystery Crime Cop was written by Larry Holden, which was a pseudonym used by author Lorenz Heller. Why he didn't want to call himself Lorenz Heller is the real mystery, as that's about as writerly a name as one could hope to have. Actually, he did publish under his own name one time when he debuted in 1937, but soon chose new identities, including Burt Sims, which was reserved for his television writing. In this novel cops Flavin and Gilman hunt a strangler. The cover art, which is battered but beautiful (just like us!), is by Harry Schaare.
I'm sorry for bringing you here, baby. The travel guides didn't make the Day of Blood sound nearly so violent and terrifying.
William Vance's Day of Blood looks like a western at first glance, but it's actually set in Kenya against the backdrop of a looming uprising by the Mau Mau, whose “maniacal leader had vowed to kill all the whites in Kenya on sight.” What nerve, right? Some people just refuse to take invasion, land theft, and mass subjugation lying down. This one has all the hallmarks of mid-century fiction set in Africa—rugged and world weary hero, sexually desperate women ranging from rapacious to virginal, and, of course, wrongheaded tribal locals trying to ruin the colonial party. Not our thing, but for readers willing to look past the obvious shortcomings, these types of books often offer solid entertainment. 1961 copyright on this one, with nice art from Harry Schaare.
Remember that time I pinned you down and shoved an earthworm in your mouth? That’s a bit ironic now, isn’t it?
Brother and Sister is Donald E. Westlake writing incest sleaze under the pseudonym Edwin West, telling the story of a twenty-one-year-old meathead and his nubile teen sister who, er, come together on a deeper level after the accidental deaths of their parents. They hump like rabbits for a few weeks, deal with a villainous uncle, then morality triumphs and they die in the end. The male character here is in the Air Force, which is appropriate, because Westlake must have written this on autopilot. The Harry Schaare cover art shows a much older guy than the punk-ass troublemaker in the story, but it’s still quite nice. 1961 copyright.
For better or worse, in sickness and health, women in pulp don’t have a heck of a lot of choice about it.
Pulp is a place where the men are decisive and the women are as light as feathers. We’ve gotten together a collection of paperback covers featuring women being spirited away to places unknown, usually unconscious, by men and things that are less than men. You have art from Harry Schaare, Saul Levine, Harry Barton, Alain Gourdon, aka Aslan, and others.
Actually, you are going to feel a thing. It’s going to be a lengthy procedure, too.
Sleaze fiction is rife with novels about dodgy doctors and here’s another one from Stuart Friedman, succinctly titled The Surgeons, from Monarch Books, 1962, with cover art from Harry Schaare. This is the second Friedman/Schaare pairing we’ve posted. The other is the infamous Fathers and Daughters, which you can see here. Actually, while we’re on the subject, maybe check out a few of our other bad doctor novels here, here, and here. Oh, and here too.
The headlines that mattered yesteryear.
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle
commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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