Vintage Pulp Oct 29 2019
PAST DUE
Actually, I'll pay first. I once bought a television on installments and I can tell you easy financing is a scam.


This cover illustration from Robert McGinnis features one of his more famous elongated femmes fatales. He's also cleverly included iconic detective art objects such as a pistol, a martini glass, a smoldering cigarette, and a tumbler of some amber liquid or other, and with some nifty positioning he's placed all these items clearly in view why keeping the poses of his stylized figures easy and balanced. And for good measure his femme has lost a heel, which invites speculation as to how that happened. That's GGA (good girl art) at its best.

Could Robert Kyle's, aka Robert Terrall's, aka Brett Halliday's 1960 thriller Kill Now, Pay Later possibly be as good as its cover art? That's a big ask. Too big, really, though the book is pretty good. Kyle's franchise detective Ben Gates is hired to guard gifts at a high society wedding, but someone slips a mickey into his coffee and he's in la-la land while two murders and a robbery occur. As a matter of self preservation he has to solve the crimes or his chances of securing more work will be pretty slim. After all, who'd hire a detective that passes out on the job?

So Gates delves into the mystery, unravels a complicated plot, and handles the advances of three beautiful women. We think of these babe-magnet detectives as the male analogue to the dewy maidens of romance novels. As male wish fulfillment goes, Kill Now, Pay Later gets the job done, offering up a tough and competent protagonist and an engaging assortment of secondary personalities. This was third in the Gates series after Blackmail, Inc. and Model for Murder. We'll probably try to locate those. Kyle/Terrall/Halliday knows how to entertain a reader.

diggfacebookstumbledelicious

Vintage Pulp Sep 16 2019
THE IMPERFECT STORM
Elements and people mix dangerously in Theodore Pratt's weather driven drama.


We ordered Theodore Pratt's Tropical Disturbance long before hurricane season arrived, but as the timing worked out we read it during Dorian, and the news reports reminded us of what the author sometimes didn't. The main plot device here is a love triangle between a rich clod, a poor everyman, and a beautiful virgin who both of the guys would be better off without. Pratt didn't intend for the third to be true. He lost his way because of his desire to contrive a specific type of conflict. But the problem is we don't think a woman who's dating one man can begin dating another, deliberately keeping both on the hook, and act all oops-gee-whiz when everything goes pear-shaped. More importantly, we don't think the author can expect her to remain a sympathetic character the way he obviously intends.

Occasionally it's instructive to think about fictional situations with characters swapped or reimagined, just to be sure you're making objective judgments, and again, we don't think a man who's dating one woman, then starts dating another while telling the first she just has to wait around until he makes up his mind, would be labeled anything but a tremendous douche. But Tropical Disturbance is a good book anyway. When the anticipated hurricane finally comes those sequences are vivid and effective, and because Pratt has maneuvered all three members of his love triangle into the same house to weather the storm, almost anything can happen—and does. 1961 on this, with uncredited art, but which the experts say is by Robert McGinnis.

diggfacebookstumbledelicious

Vintage Pulp Feb 17 2019
MODESTY BECOMES HER
O'Donnell shows how sex, violence, and style are supposed to be done.


First of all, we recognize that Peter O'Donnell set down his comic strip character Modesty Blaise in book form almost a decade after the Ficklings created Honey West, but we don't think O'Donnell had any advantages. We don't think his way was paved by earlier sexy heroines, or that he was working under fewer constraints because the permissive ’60s were underway. He simply had a better feel for how to titillate readers. But while his 1965 Blaise debut, entitled simply Modesty Blaise, was erotic, it was also carefully plotted, scenically enthralling, and technically convincing. For example, Blaise and her partner Willie Garvin discuss calibres of weapons, preferred approaches to combat, and the logistics of dealing with adversaries in a way that not only feels natural, but lends credibility to what is at its core a preposterous premise.

The premise: Modesty Blaise is an orphan who, abandoned somewhere in the near east, rises from the life of a street urchin to become the biggest crime kingpin in the Mediterranean. She has help along the way, learning how to fight, shoot, organize, roleplay, meditate, dominate men, and generally survive in a brutal world. There's an edge of harsh realism to this fantasy. Her backstory contains two rapes, a gunshot wound, and beatings, but she perseveres to become a feared, almost mythical figure of the criminal underworld, known by name to many but personally only to Garvin, her partner, protector, sounding board, and trainer, who like her is a former street crook.

Modesty Blaise picks up after Blaise and Garvin have retired with a pile of money but are bored. The British government comes calling with a proposal: work for them under minimal management and return to the life that thrilled them, this time on the side of law and order. The government wants Blaise to stop the theft of a pile of diamonds and
prevent a potential international incident. They know a man named Gabriel plans to steal them but they don't know how, where, or when. Blaise and Garvin first work preventatively at a distance, but soon realize the only chance they have is to infiltrate Gabriel's deadly organization and be on hand when the theft is carried out.

In the tradition of James Bond, each Blaise villain tends to employ a particularly unusual henchman, and in this case it's a woman, speculated to be hermaphroditic, definitely sadistic, named Mrs. Fothergill, a martial arts expert and slavering loon. The eventual showdown between Blaise, with her analytical mentality, and Fothergill, who's dense but animalistically clever, doesn't disappoint thanks to O'Donnell's descriptive skills, which allow him paint the action in a step by step way that makes it cinematically easy to picture. He may have picked up this ability from visualizing and writing the Modesty Blaise comic strip, or he may have had it all along. In any case, more writers need the gift.


O'Donnell would write twelve more Blaise books, several of which are—within the constraints of the erotic adventure genre—excellent. When we say erotic we don't mean sex defines the narratives. Blaise is merely a red-blooded beauty in the bloom of youth who happens to be free of inhibitions and possessed of strong appetites. Some of the eroticism is wrapped in action. In The Silver Mistress there's a great climax set beside an underground lake where she evens the odds against a physically superior opponent by stripping and coating herself in slippery cave mud. O'Donnell describes her as he might a creature made of mercury, in constant, fluid motion and silvery in color.

And speaking of visuals, the art on this 1966 Fawcett paperback was painted by Robert McGinnis and was a tie-in to a Twentieth Century Fox film adaptation starring Monica Vitti, whose stylized likeness McGinnis placed on the cover. There's also extra Vitti on the rear. As always, this is great work from McGinnis, a master of his craft. As for O'Donnell's craft, now that we've revisited Blaise and Garvin's debut we'll probably take another look at a few of their other adventurous forays. But this one we can strongly recommend, both on its own and as a superior alternative to Honey West. 
diggfacebookstumbledelicious

Modern Pulp Nov 28 2018
FROM CBS WITH LOVE
S*H*E* spies with her little eye a low rent plot to destroy the world.


We're doing the acronymic spy thing a third day in row because we have this amazing Japanese poster for the 1980 U.S. film S*H*E*. This shows that the idea of imitating James Bond's acronymic and numeric organizations continued for many years after the trend peaked during the 1960s. Cornelia Sharpe stars as a Security Hazards Expert who battles an international crime ring that threatens the global oil supply.

Interestingly, this was written by Roger Maibaum, who wrote more than a dozen Bond screenplays, including Dr. No, Goldfinger, and Licence To Kill. Which tells you that he may have been envisioning the same sort of high gloss action as in his Bond movies. But we're telling you that his vision was thwarted by a low budget, flat acting from Sharpe, less than compelling music, and the fact that this was a CBS television pilot. For now you can watch it on YouTube at this link—if you dare.

Those with sharp eyes, or Sharpe eyes, will have noticed that the poster was painted by Robert McGinnis. Since it was a made-for-television movie, the U.S. promo art obviously doesn't feature the cut away sections of costume that reveal breasts and midriff. Those subtractions make this piece rare and expensive. Our question immediately became whether the skin meant the international version of the movie had nudity. It actually does, briefly, but that's no help at all.
 
diggfacebookstumbledelicious

Vintage Pulp Nov 5 2018
WHAT A DICK
He always manages to insert himself into the most private places.


When one of the Pulp Intl. girlfriends saw this book, she said, “I could use some house dick right now.” That's a true story. But moving on, think you have a right to privacy in your hotel room? Think again. In House Dick the detective main character has the run of a 340-room Washington, D.C. hotel, and he liberally uses his master keys to go where he wishes whenever on the flimsiest of pretexts. This is highly ironic considering author Gordon Davis was in reality E. Howard Hunt and, as a member of Richard M. Nixon's black bag squad, arranged the world's most famous hotel break-in at the Watergate Hotel. He probably never should have gotten into politics—not only because his name is associated with one of more shameful episodes in domestic American history (please, no obtuse e-mails, authoritarians), but also because Hunt could actually write. He's no Faulkner, but as genre fiction goes he's better than many. The main character in House Dick, tough guy Pete Novak, is drawn by a beautiful femme fatale into a scheme involving stolen jewels that—naturally—goes all kinds of sideways. There's less D.C. feel than we'd have liked, but the narrative works well overall. Gordon/Hunt wrote something like seventy books and we're encouraged to try a few more. This Gold Medal edition is from 1961 with Robert McGinnis cover art. 

diggfacebookstumbledelicious

Vintage Pulp Nov 4 2018
THE ITALIAN JOB
Like all thefts in pulp fiction it was less than perfect.


We were just talking recently about U.S. paperback art being copied by overseas companies, and here we have a good example from the Italian publishing company Gialli Tre Cerchi. This cover for Wallace MacKentzy's, aka Mario Raffi's Allan Beebe spacca tutto meno Gina features art copied from Robert McGinnis. The artist is uncredited, which is probably good because his work, though pleasing, is not close to the standard of McGinnis. But don't take our word for it. Have a look at the McGinnis that was copied—Carter Brown's Who Killed Doctor Sex?, which we shared way back in 2012. You'll also notice it was copied more than once. Well, if you're going to steal from someone, steal from the best. 

diggfacebookstumbledelicious

Vintage Pulp Feb 16 2018
HOT PINK LINE
*gasp* That phone is just everything! Where did you find it in that color? I'm dying of jealousy right now.


Murder takes no holiday and neither does artistic talent, as proven by this beautiful Robert McGinnis cover of a man losing his shit over the latest pink phone from Ma Bell. Okay, that isn't what's happening, but it looks that way, right? Actually the male figure is way over his head in a smuggling plot and the female figure—a femme fatale named Vivienne Larousse—is keeping him from losing his nerve. The book is set on the fictional Caribbean Island of St. Albans, a British enclave that seems to be modeled after the Caymans. Brett Halliday's franchise sleuth Michael Shayne is thrown into the mix to solve a murder that took place in the U.S., and follows the clues to the tropics. Of the approximately seventy Shayne novels, this one—number thirty-five or so—is merely adequate. Actually, all the ones we've read have been merely adequate. But we'll keep at it. McGinnis, on the other hand, is masterful. Of all the moments in an action oriented book to illustrate he chose an unlikely one, but the result is just everything. His alternate cover, below, is also great.

diggfacebookstumbledelicious

Vintage Pulp Feb 2 2018
A BOUNCY BALL
Elmore Leonard's first crime novel is all ups and no downs.


Elmore Leonard published until 2012, and is thought of as a contemporary novelist rather than a mid-century writer, but The Big Bounce appeared long enough ago to get pulp cover treatment right when that style was fading. The Fawcett Gold Medal movie tie-in edition of the book has Robert McGinnis on the art chores, and this is it for Leonard good girl art, as far as we know. Apparently, he finished the book in 1966 but had it rejected by publishers for three years, a shocking fact considering he already had five novels on the market. But those were westerns and The Big Bounce was Leonard's first crime novel. That's no excuse, really. It should have been published immediately, but publishers are motivated by factors other than literary quality, as a rule. The book is a fun ride involving an ex-con who gets mixed up with some petty thieves and a thrill seeking femme fatale who wants help ripping off her sugar daddy. It has many of the elements Leonard would later perfect—the elliptical plotting, the dialogue that rings so true to the ear, and the mid-scene ending. The Big Bounce is a ball, well worth your time. 

diggfacebookstumbledelicious

Vintage Pulp Nov 10 2017
URBAN DECAY
Population 1280. Correction—1274.


Purely by coincidence, we also read a novel that's the dark twin of Never Say No to a Killer. The book was Jim Thompson's Pop. 1280, and in this one the main character is a self-described moron, and so is everyone else. At least it seems that way at first. Or maybe it's kinder to say they're simply unpretentious and earthy. Check out this exchange between two lawmen from adjacent counties:

Pre-zactly!" Ken said. “So I'll tell you what to do about them pimps. The next time they even look like they're goin' to sass you, you just kick 'em in the balls as hard as you can.”

Huh? But don't that hurt awful bad?

Pshaw. 'Course it don't hurt. Not if you're wearing a good pair o' boots.

I mean, wouldn't it hurt the pimps?

Once we're immersed in this chaw-and-cornbread milieu, one character emerges to be considerably more cunning than the others. The aphorism applies again. Though he doesn't consider himself to be smart, somehow he's more than up to the task of conniving his way through multiple nefarious schemes to reach his ultimate goals, which consist of getting laid and not working too hard as sheriff.

The book is set during the Great Depression and its portrait of man-woman and white-black relations is both horrifying and hilarious. Thompson's approach is partly satirical, but the actual ideas espoused by his characters are deadly serious, as well as historically grounded, such as in a conversation about whether the county's black residents have souls. The consensus is they don't. Why? Because they aren't really people.

It's a pointed commentary on the distant Jim Crow south, yet the very same question of black humanness festers at the core of America's 2017 problems. If you doubt it ask yourself how the same observers who have limitless sympathy for a white rancher shot after initiating a standoff with federal lawmen somehow have none for unarmed black men shot in the back, or why rich white ranchers who refuse to pay their federal grazing fees are perceived as persecuted, while a poor black man trying to survive by selling loose cigarettes is not.

Critic Stephen Marche once described Pop. 1280 as “preposterously upsetting,” which is as apt a description as we can imagine. The idea of who's really human, what is sexual consent, what are the obligations of lawmen, and what is evil are played for laughs by Thompson, but always with an incisive twist that lets you know where his sympathies lie. Yet as shocking as the book is to read, it's addictive and consistently entertaining, particularly when various characters dispense their tabacky soaked wisdom…

… about women: “I'd been chasing females all my life, not paying no mind to the fact that whatever's got tail at one end has teeth at the other, and now I was getting chomped on.”

... about the mentally challenged: “You probably ain't got as long a dingle-dangle as him—they tell me them idjits are hung like a stud hoss.”

… about learning: “I mean I caught him reading a book, that's what! Yes sir, I caught him red-handed. Oh, he claimed he was only lookin' at the pitchers, but I knew he was lyin'.

We recommend Pop. 1280 highly. The Gold Medal paperback you see above with its Robert McGinnis cover art is expensive, but numerous later printings are available at reasonable prices. Just go into the reading with your psyche girded. You'll root for the main character Nick Corey, but he's merely one of the most charming bad apples in a town that's rife with rot. That rot leads to the reliable pulp staples of adultery, betrayal, and murder many times over, but in the most unique and enjoyable way.

diggfacebookstumbledelicious

Vintage Pulp Nov 1 2017
GULF HANDICAP
Nothing's funny, really. I just can't help laughing about how utterly screwed we are.


Gulf Coast Girl is more solid aquatic themed work from Charles Williams. This time the story involves a woman who seeks help from a crack salvage diver in finding a small plane that crashed in the Gulf of Mexico with a fortune on board. The story has a framing device—the boat they use for their salvage operation is found abandoned and the only clue to their whereabouts is a diary. So the story is narrated by the captain of the rescue vessel, reading from the diary what happened to the protagonists. This frame seems unneeded for nearly the entire length of the book, but the always competent Williams shows late that this device is in no way extraneous. Nifty work. We're really ripping through Williams' catalog now. Originally published in hardback in 1955 as Scorpion Reef, these Dell paperback editions of Gulf Coast Girl appeared in 1955 and 1960 with cover art from Robert Maguire and Robert McGinnis. 

diggfacebookstumbledelicious

Next Page
History Rewind
The headlines that mattered yesteryear.
December 05
1933—Prohibition Ends in United States
Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.
1945—Flight 19 Vanishes without a Trace
During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.
December 04
1918—Wilson Goes to Europe
U.S. President Woodrow Wilson sails to Europe for the World War I peace talks in Versailles, France, becoming the first U.S. president to travel to Europe while in office.
1921—Arbuckle Manslaughter Trial Ends
In the U.S., a manslaughter trial against actor/director Roscoe 'Fatty' Arbuckle ends with the jury deadlocked as to whether he had killed aspiring actress Virginia Rappe during rape and sodomy. Arbuckle was finally cleared of all wrongdoing after two more trials, but the scandal ruined his career and personal life.
December 03
1964—Mass Student Arrests in U.S.
In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents' decision to forbid protests on university property.
1968—U.S. Unemployment Hits Low
Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again.
Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
Four Aslan Covers for Parme

Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
Pulp art from around the web
https://noah-stewart.com/2018/07/23/a-brief-look-at-michael-gilbert/ trivialitas.square7.ch/au-mcbain/mcbain.htm
theringerfiles.blogspot.com/2018/11/death-for-sale-henry-kane.html lasestrellassonoscuras.blogspot.com/2017/08/la-dama-del-legado-de-larry-kent-acme.html
lasestrellassonoscuras.blogspot.com/2019/03/fuga-las-tinieblas-de-gil-brewer-malinca.html canadianfly-by-night.blogspot.com/2019/03/harlequin-artists-xl.html
Pulp Advertising
Things you'd love to buy but can't anymore
PulpInternational.com Vintage Ads
trueburlesque.blogspot.com
pre-code.com
schlockmania.com
carrefouretrange.tumblr.com
eiga.wikia.com
www.daarac.org
www.jmdb.ne.jp
theoakdrivein.blogspot.com
spyvibe.blogspot.com
zomboscloset.typepad.com
jailhouse41.tumblr.com
mrpeelsardineliqueur.blogspot.com
trash-fuckyou.tumblr.com
filmstarpostcards.blogspot.com
www.easternkicks.com
moscasdemantequilla.wordpress.com
filmnoirfoundation.tumblr.com
pour15minutesdamour.blogspot.com
www.pulpcurry.com
mundobocado.blogspot.com
greenleaf-classics-books.com
aligemker-books.blogspot.com
bullesdejapon.fr
bolsilibrosblog.blogspot.com
thelastdrivein.com
derangedlacrimes.com
www.shocktillyoudrop.com
www.thesmokinggun.com
www.deadline.com
www.truecrimelibrary.co.uk
www.weirdasianews.com
salmongutter.blogspot.com
www.glamourgirlsofthesilverscreen.com
creepingirrelevance.tumblr.com
www.cinemaretro.com
menspulpmags.com
killercoversoftheweek.blogspot.com
About Email Legal RSS RSS Tabloid Femmes Fatales Hollywoodland Intl. Notebook Mondo Bizarro Musiquarium Politique Diabolique Sex Files Sportswire