Vintage Pulp Oct 26 2020
OUT WITH THE TIED
Bad news. Your husband refused to pay the ransom. He also wanted me to tell you it's not you, it's him.


A while back we moved Jonathan Latimer from the decent bin to the mandatory bin off the back of his crazy thriller Solomon's Vineyard. We're returning him to the decent bin. The Dead Don't Care is an okay book, but not top notch. Latimer wrote it in 1938, and it was the fourth entry in a detective franchise starring a boozy dick named Bill Crane, and an equally boozy sidekick named Thomas O'Malley. The two engage in such shenanigans as ordering double-triple bourbons and generally pickling their livers at every opportunity—which we totally respect‚ but the actual mystery, divorced from its comedic elements, is overly talky and populated by characters that tend to blend after a while.
 
Basically, Crane and O'Malley are called in when an upper crust woman is kidnapped, and someone is murdered. As usual in such books, the first murder isn't the last, and the second killing provides key clues to finally unmasking the eventual culprit. In all, it was meh. But it did well enough to spawn a film adaptation, 1938's The Last Warning, which we may watch at some point. We're in no way discouraged by The Dead Don't Care. We already know Latimer can write. But it isn't surprising he'd run into problems four entries into a series that would peter out after one more outing. We'll move on to his other books and do so eagerly. This MacFadden-Bartell paperback came in 1964, and the cover art is by Robert Schulz.

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Vintage Pulp Aug 15 2019
ANT MISBEHAVIN'
I'm down to my last few bullets! Throw those egg salad sandwiches we brought for lunch! Maybe those will slow them down!


When we first saw Eric North's 1955 sci-fi thriller The Ant Men the first thought we had— Well, actually, the second thought. The first thought was: “Oh, this is a must read.” Our second thought was: “Highly centralized, conscienceless, conformist hordes seeking to overrun everything in sight? Hmm, wonder what that's a paranoid metaphor for?” But the book doesn't really have the anti-commie thing. It's sci-fi played straight about six unfortunate people who stumble upon a city of giant ants in the dead heart of Australia. To make matters worse, there are more than just ants out there. It's reasonably fun at first, but North slowly drives his own narrative south with an impossibly annoying Aussie bush guide character who exclaims, “Mamma mamma!” probably fifty times. Five would have gotten the idea across. Before long we were hoping the ants would rip him to pieces and drag his sections down a hole to their queen. The fact that they don't is the book's biggest flaw. Aside from that it's decent, but certainly not among the better sci-fi novels of the period. This MacFadden-Bartell edition has art by Jack Faragasso.

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Vintage Pulp Feb 18 2016
LIGHTS OUT
When the sun goes down in the city.

Hotels, museums, and restaurants are all important aspects of travel, but what you really need to know is where to score hookers and cocaine, right? Or is that just us? Above, assorted covers from MacFadden-Bartell’s famed sleaze series After Dark, published late 1960s and early 1970s, and which purports to tell readers where and how vice can be found in different cities, as well as the unique variations that exist in each place. Don’t leave home without one. And a pack of condoms.

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Vintage Pulp Nov 9 2015
DADDY ISSUES
Aren’t you a little old for this sort of thing?

Bernard Wolfe is known for several reasons, not least of them for being Leon Trotsky’s personal secretary in Mexico City, but he was also a novelist of wide-ranging interests. Come On Out, Daddy was his Hollywood book, about a New York author who moves out west to cash in on an easy screenwriting job. While making a couple thousand dollars a week for doing very little he runs into the usual assortment of jaded Tinseltown characters—from big stars to little wannabes—and trysts with an assortment of disposable beauties before of course meeting the woman of his dreams. It’s episodic due to it being partly cobbled together from short stories published in Playboy and Cavalier, but reasonably well regarded as a cultural satire. Life described it as “garrulously and surrealistically told by a huge cast of people in varying stages of corruption.” 1963 on the hardback, and 1964 on the above, with cool cover art by James Meese.

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Vintage Pulp Jan 31 2015
QUICK FIX
It doesn’t look like much now, but slap on some paint, scatter some knick-knacks around, and we can open a bed & breakfast and make a fortune.

Initially published in 1953 as House of Lost Women, Frank Haskell’s Boarding House acquired its new title in 1954 when re-published by Cameo Books, and retained the new name on the above 1969 edition from Macfadden-Bartell. Frank Haskell was a pseudonym for author Haskell Frankel, whose real name strikes us as a bit more literary sounding than his moniker, whereas the pen name sounds like it belongs to maybe a high school football coach or a union president. No artist info on this, but it’s unusual and we like it.

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History Rewind
The headlines that mattered yesteryear.
November 30
1936—Crystal Palace Gutted by Fire
In London, the landmark structure Crystal Palace, a 900,000 square foot glass and steel exhibition hall erected in 1851, is destroyed by fire. The Palace had been moved once and fallen into disrepair, and at the time of the fire was not in use. Two water towers survived the blaze, but these were later demolished, leaving no remnants of the original structure.
November 29
1963—Warren Commission Formed
U.S. President Lyndon B. Johnson establishes the Warren Commission to investigate the assassination of President John F. Kennedy. However the long report that is finally issued does little to settle questions about the assassination, and today surveys show that only a small minority of Americans agree with the Commission's conclusions.
November 28
1942—Nightclub Fire Kills Hundreds
In Boston, Massachusetts, a fire in the fashionable Cocoanut Grove nightclub kills 492 people. Patrons were unable to escape when the fire began because the exits immediately became blocked with panicked people, and other possible exits were welded shut or boarded up. The fire led to a reform of fire codes and safety standards across the country, and the club's owner, Barney Welansky, who had boasted of his ties to the Mafia and to Boston Mayor Maurice J. Tobin, was eventually found guilty of involuntary manslaughter.
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