Vintage Pulp Mar 11 2016
DUTCH LOVIN'
Parolee skips the halfway house and goes straight to the all-the-way house.


Yes, we're doubling up on the ’70s sexploitation today because we have this nice poster for a movie that premiered in Japan today in 1972—Blue Movie, aka Das Porno-Haus von Amsterdam, aka Blue Movie Session in Amsterdam. Dutch produced and initially released in Germany as Das nackte Gesicht der Pornographie during the summer of 1971, it starred Hugo Metsers in a tale that mirrors the above-mentioned Vanessa.
 
Instead of a sex starved woman released from a nunnery, this one features a sex starved man released from prison. He moves into an apartment building and gets to know the resident women intimately, a process helped by the fact that they're all desperately horny. We're talking about Cary Tefsen, Ursula Blauth, and the lovely Ine Veen, so this is a pretty sweet deal for a new parolee. Eventually he goes from single sexual encounters to arranging orgiastic parties, complete with interpretive dance performances.
 
When the film hit Holland in the fall of ’71 viewers were shocked by its subject matter and frankness, but it was a huge hit and it's still remembered as a groundbreaker today. It's also a bit of a bore. Director/co-writer Wim Verstappen had serious intentions, and those show in the social commentary and abundance of dialogue he's loaded into the movie. We'll say this, though—the Dutch don't do sexploitation one-way, which means there are plenty of swinging dicks here, literally, along with chest hair and pork chop sideburns. We're fine with all that, but we're not fine with the movie being such a yawner. Pass.
 


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Vintage Pulp Feb 18 2016
LIGHTS OUT
When the sun goes down in the city.

Hotels, museums, and restaurants are all important aspects of travel, but what you really need to know is where to score hookers and cocaine, right? Or is that just us? Above, assorted covers from MacFadden-Bartell’s famed sleaze series After Dark, published late 1960s and early 1970s, and which purports to tell readers where and how vice can be found in different cities, as well as the unique variations that exist in each place. Don’t leave home without one. And a pack of condoms.

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Musiquarium Oct 16 2014
SEXUAL HEARING
Spread-eagled Aslan art helped cure the guilt of buying pirated music.

We said we were done with France for the moment, but we’re veering back there briefly today to show you this Cure album sleeve featuring art from the French painter Aslan. Live at Paradiso is a bootleg, same as the other Aslan-fronted Cure record we showed you back in January. The people who pressed this weren’t messing around, either—they opted for one of the artist’s more explicit paintings. No complaints here, but we bet Aslan was a bit annoyed when he saw his work appropriated yet again. It wouldn’t be the last time. We’ll get to more bootleg sleeves a bit later.

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Femmes Fatales Apr 6 2013
SECRET ADMAIER
We suspect she’s about to reveal what she’s hiding.

This provocative shot features German adult actress Brigitte Maier from the Dutch magazine Chick, sometimes referred to as Chick Amsterdam. Back in October we featured a poster, which you can have a look at herefrom Maier’s famous 1975 X-rated hit Sensations. This image was made the previous year.

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Femmes Fatales Jul 14 2012
KRISTEL VISION

Dutch actress Sylvia Kristel was without a doubt one of the most divine women to ever appear on a movie screen. She gained fame with her starring role in 1974’s erotic classic Emmanuelle, which ran in one French cinema for thirteen uninterrupted years. Kristel has had health problems, including a bout with throat cancer. Today she’s fighting for her life in an Amsterdam hospital after a stroke in late June and the revelation that she had developed liver cancer. Only time will tell if she’ll recover, but the above photo, which came from the same session as these, shows her timeless beauty. 

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Modern Pulp Nov 18 2009
THE ART OF WHORE
A little Amsterdam goes a long way.

The National Gallery in London has just opened a new art exhibit based on one of our favorite cities—Amsterdam. The exhibit is stirring up quite a controversy because of its explicit content, which critics describe as tasteless and “designed to shock.” The artists responsible, Ed and Nancy Kienholz, created partial versions of some of Amsterdam’s famous brothels back in 1983. Their new installation, “The Hoerengracht,” or the Whore Canal, features these pieces arranged to replicate a realistic walk through Amsterdam’s famous De Wallen red light district, complete with mannequins dressed as prostitutes and garish neon lights.

These were among the final pieces worked on by Ed Kienholz, who died in 1994. By that time he had achieved widespread acclaim, but even so, this is perhaps the first time his and his wife’s work has been featured in a venue as conventional and respected as the National Gallery. It is the venue’s break from its traditional roots that has generated both criticism and publicity. Now that the exhibit is open, it’s the public’s turn to decide. “The Hoerengracht—the closest thing to Amsterdam without going thereruns through February 2010.

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Vintage Pulp Nov 17 2009
EXCLUSIVE SKOOP

Skoop movie magazine from our recent trip to Amsterdam, with cover star Jean Seberg, and stories on Jean-Marie Straub, Paul Newman, and others.

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Vintage Pulp Oct 6 2009
KALEIDOSKOOP
The brightest smile in town.

Here's one of our Amsterdam finds, a 1967 copy of a Dutch cinema magazine called Skoop. There was a giant stack of them, but we liked this one because its cover featured a shot of Audrey Hepburn we’ve never seen before. It also had a twenty-page interview with Alain Resnais, as well as a long feature on the 1967 Cannes Film Festival. We can’t read any of it, but the pictures sure are pretty. Below are a few interior pages, including images of Julie Andrews, Lex de Bruyn and Delphine Seyrig.

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Sex Files Sep 4 2009
AMSTERDAM AFFAIR
De Wallen is ground zero of the international sex trade.

It’s been a great vacation, folks. We’ve been in Amsterdam for ten days, and now we’re headed back to Paris for one more night there before returning home. Last night we finally got around to checking out De Wallen, aka the main Red Light District. You probably already know that the ladies (and a few ladyboys, as well) display themselves in windows, while the potential johns parade past checking the wares. Like strippers, the girls use eye contact to both entice and control the men. You don’t just get to ogle them up and down for a cheap thrill—they are ogling you as well. Men are basically cowardly herd animals, so this has the effect of keeping them moving quickly through the area as a group. If you stop for a really good look, you have to deal with the pressure of the woman staring right back at you. Not many guys do well with that.
 
According to official sources, about 75% of sex workers are foreigners, and according to our unofficial visual survey, very few are the types you would pay special attention to if you saw them on a tram or in a bar. But allure isn't all just a matter of physical beauty and, like sex workers the world over, the ones here exude that intangible quality of availability that supercedes all other considerations. If you take photos, do so at your own risk. Anonymity for both the johns and pros is considered of paramount importance, and if you aim a camera prepare to discover that the dude lounging on a nearby stoop is actually a bouncer. However it is still possible to shoot pictures if you’re careful—just make sure to do it from a distance, or on the fly. Our attempts resulted in unsatisfactory results, so we borrowed the photos here from Wikipedia and Pbase.
 
 
The Dutch government is making a push to clean up the area, so De Wallenand the other districts scattered around townmay soon be gone, or at least considerably reduced in size. This move, we’re told, is not so much about the business of sex as it is about the numerous shady fuckers who inevitably profit from it. Though the system is set up so that girls can work as independent contractors, in practice most of them are controlled by Eastern European and Moroccan pimps involved in human trafficking. A recent investigation by the United Nations Office on Drugs and Crime revealed that Amsterdam is the world’s number one destination for trafficked girls.
 
We could talk about this for pages, but let’s just say we can cross another item off life’s to-do list. It was worth the excursion, and as pulp hunters we’d have felt remiss if we hadn’t done it. Amsterdam is a lovely town, and even in the Red Light District there’s a beauty, an otherworldiness thatgives the down-and-dirty commerce of sex a storybook surface sheen. Nothing makes this clearer than when you see swans bobbing in the canal next to Voorburgwal, pure white on the neon splashed waters, as women trade their bodies for money.
 
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Femmes Fatales Aug 28 2009
SHIREEN THE WEALTH

Dutch actress Shireen Strooker, from the Dutch cinema magazine Skoop, circa 1965, which we found today in a flea market in the bohemian area of Amsterdam known as Spui--that’s pronounced “spow,” not “spooey.” You see a shot of the market below. We’ll have much more from Skoop when we get back home to our scanner.
 
 
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Next Page
History Rewind
The headlines that mattered yesteryear.
December 08
1980—John Lennon Killed
Ex-Beatle John Lennon is shot four times in the back and killed by Mark David Chapman in front of The Dakota apartment building in New York City. Chapman had been stalking Lennon since October, and earlier that evening Lennon had autographed a copy of his album Double Fantasy for him.
December 07
1941—Japanese Attack Pearl Harbor
The Imperial Japanese Navy sends aircraft to attack the U.S. Pacific Fleet and its defending air forces at Pearl Harbor, Hawaii. While the U.S. lost battleships and other vessels, its aircraft carriers were not at Pearl Harbor and survived intact, robbing the Japanese of the total destruction of the Pacific Fleet they had hoped to achieve.
December 06
1989—Anti-Feminist Gunman Kills 14
In Montreal, Canada, at the École Polytechnique, a gunman shoots twenty-eight young women with a semi-automatic rifle, killing fourteen. The gunman claimed to be fighting feminism, which he believed had ruined his life. After the killings he turns the gun on himself and commits suicide.
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