Erm... before you shoot... I just want you to know it was all her fault.
Crime en deux temps, or “crime in two stages,” was originally released in 1939 as The Case of the Rolling Bones. For some reason the French publishers of this book, Presses de la Cité, call legendary mystery author Erle Stanley Gardner just Stanley Gardner, which sounds, well, non-legendary. Stanley Gardner is a guy at the office you don't talk to because he's a skin picker. Erle Stanley Gardner is a guy who, if he likes you, can get you into Nobu. So, the Erle is needed.
Plotwise, this revolves around greed, gold, and a group of people who want to prevent their relative from losing his fortune to his prospective wife. In order to stop this imagined horror, they commit the relative to a nuthouse before he can get married. Which backfires when he escapes. As always with Gardner there's a murder, which brings Perry Mason onto the scene to sort everything out.
As you might guess, because Gardner was (and is) an immensely popular author there are several English language paperback covers for this, and they all feature dice in some form. Which makes sense, because the original title came about because there's an actual die maker in the book. He makes crooked dice, and he gets murdered. This uncredited French cover from 1950 caught our eye because of its non-literal approach. No dice, but it's a winner.
Fine. Explain. But don't turn around. I hate your face so much right now I might shoot it on general principle.
Above, a cover for Erle Stanley Gardner's The Case of the Haunted Husband, eighteenth in the acclaimed Perry Mason series, from Pocket Books. Generally considered one of the best Mason mysteries, this one tells the story of a female hitchhiker who accepts a ride from a guy who gets a little too handsy, leading to a multi-car crack-up. The woman awakens behind the wheel, with the driver nowhere to be seen, and a fatality in one of the other cars. The cops don't believe she wasn't the driver, so they arrest her and charge her with negligent homicide. Things get worse when the car turns out to be stolen, and suddenly she's on the hook for that too. Enter Perry Mason. Nothing is haunted in this book, but the mystery is a winner. We also were reminded how effective short chapters can be in drawing a reader into a story. The hardback of The Case of the Haunted Husband appeared in 1941, and the above paperback with Bernard Safran art followed in 1949.
In the end I have to admit this minimalist look is kind of depressing. Maybe I should buy an ottoman.
Robert McGinnis does his usual flawless work on this cover for Erle Stanley Gardner's The Case of the Bigamous Spouse. Many summaries of this online, but briefly, it's about a door-to-door saleswoman who is implicated in the murder of her best friend's new husband, who was married to two women. Rest assured, Perry Mason sorts it all out as perfectly as McGinnis sorted out this cover.
McGinnis makes waves with his art.
It's always a good idea to regularly revisit the work of Robert McGinnis. Above you see his cover for Erle Stanley Gardner's The Case of the Demure Defendant, originally published in 1954 with this Pocket Books paperback appearing in 1964. We love the psychedelic direction McGinnis goes with the ripples in the pond, alternating rings of turquoise and violet. This is fantastic work.
The shape of bad things to come.
Above and below are assorted covers featuring yet another fun mid-century paperback art motif—the looming or threatening shadow. The covers are by the usual suspects—Rader, Phillips, Gross, Caroselli, Nik, as well as by artists whose work you see less often, such as Tony Carter’s brilliant cover for And Turned to Clay. That's actually a dust jacket, rather than a paperback front, but we couldn't leave it out. You’ll also notice French publishers really liked this theme. We’ll doubtless come across more, and as we do we’ll add to the collection. This is true of all our cover collections. For instance, our post featuring the Eiffel Tower has grown from fifteen to twenty-two examples, and our group of fronts with syringes has swelled from thirteen to twenty-six images. We have
twenty-four twenty-six—see what we mean?—more shadow covers below, and thanks to all original uploaders.
Yup, there's something here. Based on your personality I'm inclined to say it's a “666,” but no—they're just bruises.
A.A. Fair's Doublé de dupes, which is a translation of The Bigger They Come, was first published in hardback in 1939, appeared as a U.S. paperback from Pocket Books in 1952, and above in 1958. It's the first in a series starring sixty-something private investigator Bertha Cool and her pint-sized sidekick Donald Lam. Fair, aka Erle Stanley Gardner, had already made his Perry Mason series a success and the Cool/Lam shift got him out of the courtroom. In this one the protagonists attempt to serve divorce papers, but of course the seemingly simple task falls apart spectacularly, leaving a man dead and Lam under suspicion of having committed a serious crime. The British version's title—Lam to the Slaughter—gives that aspect of the story away immediately. The curious cover art you see here by Maurice Thomas was used on both the U.S. and French versions (a bit of a surprise considering the six year gap) and shows Lam checking out injuries on the femme fatale, who has been attacked by another character. General consensus online is that this series improved greatly after the first couple of entries.
Vintage paperback violence gets up close and personal.
We have another collection today as we prepare to jet away on vacation with the girls. Since the place we’re going is known for rowdy British tourists (what place isn’t known for that?), we thought we’d feature some of the numerous paperback covers featuring fights. You’ll notice, as with our last collection, the preponderance of French books. Parisian publishers loved this theme. The difference, as opposed to American publishers, is that you almost never saw women actually being hit on French covers (we’d almost go so far as to say it never happened, but we’ve obviously not seen every French paperback ever printed). The French preferred man-on-man violence, and when women were involved, they were either acquitting themselves nicely, or often winning via the use of sharp or blunt instruments.
Violence against women is and has always been a serious problem in the real world, but we’re just looking at products of the imagination here, which themselves represent products of the imagination known as fiction. Content-wise, mid-century authors generally frowned upon violence toward women even if they wrote it into their novels. Conversely, the cover art, stripped of literary context, seemed to glorify it. Since cover art is designed to entice readers, there’s a valid discussion here about why anti-woman violence was deemed attractive on mid-century paperback fronts, and whether its disappearance indicates an understanding of its wrongness, or merely a cynical realization that it can no longer be shown without consequences. We have another fighting cover here, and you may also want to check out our western brawls here.
The headlines that mattered yesteryear.
1933—King Kong Opens
The first version of King Kong
, starring Bruce Cabot, Robert Armstrong and Fay Wray, and with the giant ape Kong brought to life with stop-action photography, opens at Radio City Music Hall in New York City. The film goes on to play worldwide to good reviews and huge crowds, and spawns numerous sequels and reworkings over the next eighty years.
1949—James Gallagher Completes Round-the-World Flight
Captain James Gallagher and a crew of fourteen land their B-50 Superfortress named Lucky Lady II in Fort Worth, Texas, thus completing the first non-stop around-the-world airplane flight. The entire trip from takeoff to touchdown took ninety-four hours and one minute.
1953—Oscars Are Shown on Television
The 26th Academy Awards are broadcast on television by NBC, the first time the awards have been shown on television. Audiences watch live as From Here to Eternity wins for Best Picture, and William Holden and Audrey Hepburn earn statues in the best acting categories for Stalag 17 and Roman Holiday.
1912—First Parachute Jump Takes Place
Albert Berry jumps from a biplane traveling at 1,500 feet and lands by parachute at Jefferson Barracks, Missouri. The 36 foot diameter chute was contained in a metal canister attached to the underside of the plane, and when Berry dropped from the plane his weight pulled the canopy from the canister. Rather than being secured into the chute by a harness, Berry was seated on a trapeze bar. It's possible he was only the second man to accomplish a parachute landing, as there are some accounts of someone accomplishing the feat in California several months earlier.
1932—Lindbergh Baby Is Kidnapped
The twenty-month-old son of aviator Charles Lindbergh, Charles Augustus Lindbergh III, is kidnapped from the family home in East Amwell, New Jersey. Over two months later the toddler's body is discovered in woods a short distance from the home. A medical examination determines that he had died of a massive skull fracture. A German carpenter named Bruno Hauptmann is arrested, tried, and convicted for the crime. He is sentenced to death and executed in April 1936.
1953—Watson and Crick Unravel DNA
American biologists James D. Watson and Francis Crick tell their friends that they have determined the chemical structure of DNA. The formal announcement takes place in April following publication in Nature magazine. In 1968, Watson writes The Double Helix, a non-fiction account of not only the discovery of the structure of DNA, but the personalities, conflicts and controversy surrounding the work.
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