 French publisher Editions Ferenczi had a Verrou unique way of doing things. 
Collection le Verrou (The Lock Collection) consisted of 205 pocket-sized crime novels published in France by Editions Ferenczi from 1950 to 1959. Some were written by French authors using pseudonyms that sounded English or American, while other writers used their real names, such as Alexandra Pecker (yes, that's a real name) and René Poupon (idem). Other books were written by U.S. or British writers and had been previously published. For instance, above you see Le singe de cuivre by Harry Whittington, which you might know as The Brass Monkey, and below you'll find entries from Lawrence Blochman and English scribe Peter Cheney, better known as Peter Cheyney. The art on these books is generally quite colorful. The cover above was painted by Michel Gourdon, and below you'll find another piece from him, many efforts from Georges Sogny, and a couple from as-yet-unknowns. We really like Ferenczi's output, so expect us to share more covers from this publisher later.              
 The shape of bad things to come. 
Above and below are assorted covers featuring yet another fun mid-century paperback art motif—the looming or threatening shadow. The covers are by the usual suspects—Rader, Phillips, Gross, Caroselli, Nik, as well as by artists whose work you see less often, such as Tony Carter’s brilliant cover for And Turned to Clay. That's actually a dust jacket, rather than a paperback front, but we couldn't leave it out. You’ll also notice French publishers really liked this theme. We’ll doubtless come across more, and as we do we’ll add to the collection. This is true of all our cover collections. For instance, our post featuring the Eiffel Tower has grown from fifteen to twenty-two examples, and our group of fronts with syringes has swelled from thirteen to twenty-six images. We have twenty-four twenty-six—see what we mean?—more shadow covers below, and thanks to all original uploaders.
                             
 The discreet charm of the bourgeoisie.   
We’re back to the French pulp today, with three covers painted by Aslan, aka Alain Gourdon, circa mid-1950s. Top to bottom you see Simone Balin’s Celle qu’on ne possède pas, Vivian P. Marcy’s Caresse moi, and Karl Brückner’s Trop jolie pour être honete. You can enjoy more Aslan by clicking keyword “Aslan” below.
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The headlines that mattered yesteryear.
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher. 1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon. 1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
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