That whole prison rehabilitation thing doesn't seem to be working.
Well, this completes the collection of posters we have for Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto as a vigilante cop released from prison to take on a gang of kidnappers. We've shown you the limited edition poster panted by Toru Shinohara, and the tateken sized promo. This is the standard sized poster and finishes up all the promo material we have on this iconic film. Don't worry, though. We have more on Sugimoto and even some rare promo images of her never before seen online. We'll get to those later.
Katayama finds herself with too much skin in the game.
Above you see two posters for the Japanese movie Tokugawa irezumi-shi: Seme jigoku, which is known in English as Inferno of Torture, and, occasionally, Hell's Tattooers. We aren't going to get too deeply into the film. It's where Japanese cinema delves into bondage and tattoo fetish layered with gore, and deals with two Edo-era master tattooists who play out a bitter rivalry on the skin of Yumiko Katayama, as well as other unfortunates. If you can tolerate the frontloaded blood and torture, the latter two thirds of the movie may be worth watching for the tattoos, which verge on magical rather than merely ornate. The set design and Teruo Ishii's direction are good too. The tateken sized promo at top is rare, if not even nonexistent online until this very moment, so we thought we'd share it. Tokugawa irezumi-shi: Seme jigoku premiered in Japan today in 1969. Below you see Katayama in a nice pose, untattooed.
She meant to cause them sorrow, she meant to cause them pain.
We just explored Mike Ludlow's pin-up work recently and here he is in paperback mode with a cover for L. Sprague de Camp's Rogue Queen, the third book in the Interplanetarias series, with this one coming in 1951 originally, followed in ’53 by the Dell paperback edition. The text on the cover is misleading. “She learned about sex from an Earth man”? Well, not really. What actually happens is humans land on a distant planet where the humanoid inhabitants have hive-like social structures, with queens, drones, and workers. One of the workers who's a sort of liaison assigned to the humans does learn about sex, but only in conversation as she seeks to compare human sexuality with that of her own species. There's no interspecies freakiness, and it's barely even hinted at. There was really no need for Dell to try to trick readers—the book is decent all on its own as de Camp explores the geopolitical relationships between different hives, and their efforts to trick the humans into supporting one side or another in an ongoing war. Many of these books from the golden age of science fiction are high concept, dramatic but not overbearingly serious, and about at the right emotional level for a high school freshman. Rogue Queen fits the bill in all respects.
No time to wallow in the mire.
Above is a poster for the Roger Corman produced b-movie Swamp Women, which starred Marie Windsor, Carole Matthews, Beverly Garland, and Mike Connors, the latter acting under the name Touch Connors. Connors was Armenian-American and thought—correctly, we suspect—that his real name Krekor Ohanian wasn't going to help his show business career. He accumulated at least twenty credits as Touch Connors before he jettisoned it and eventually became the guy everyone remembers from the cop show Mannix.
In Swamp Women Connors plays an oil prospector boating around the Louisiana bayou who stumbles across a group of escaped female convicts searching for a stash of diamonds. Among their number is an undercover police woman charged with finding the stones and apprehending the group. It's fully as ridiculous as it sounds, and with Corman at the helm you know it's cheap, too. Plus this was only his fourth full directing gig. But we give him credit—he really made his cast slog through the Louisiana mire, which means you get realism to offset the use of stock footage.
The thing about Corman is that he always did more with less. But despite his particular set of skills, the script here hamstrings any attempt at making a decent flick. As an example of what we mean, Mike Connors doesn't go into the swamp alone. He takes his girlfriend with him, and she's eaten by an alligator. Hours later he's smooching the undercover policewoman. Not as part of a ruse or escape attempt. Just because he digs her. His girlfriend was a gold digging pain in the ass, but still, you'd think seeing her ripped to pieces would cool his ardor. But they don't call him Touch Connors for nothing. Plenty more fish in the bayou.
If you look on Wikipedia Swamp Women is classified as a film noir. That's purely comical. It's a proto-exploitation flick along the lines of what American International Pictures would routinely do fifteen years later with more skin and better efx. By the time the swamp women finally reach the site of the hidden diamonds and dig up a box, you'll be hoping they open it and find a new script and more investment money. But no such luck. Corman would do better later. Windsor, Matthews, and Garland had done better in the past. That's show business—one day you're at the top, the next you're sinking in the bog. Swamp Women premiered in the U.S. today in 1956.
Can you name the five stars in the constellation Ludlow the Genius?
Above you see five pin-up paintings that came from the brush of Mike Ludlow, an artist we featured the first time only recently. He rose from humble beginnings in Buffalo, New York, to become an acclaimed figure that at his zenith painted portraits of major actresses for Esquire magazine. That's where all these pieces were originally published, and if you haven't identified them all, they are, top to bottom, Anita Ekberg, Gina Lollobrigida, Virginia Mayo, Denise Darcel, and Betsy von Furstenberg. All these stars have been featured on Pulp Intl., and you can see interesting posts on them at the following links: Ekberg, Lollobrigida, Mayo, Darcel, von Furstenberg.
First of all, hell no. Second, why are you wearing lipstick? And third, crushed strawberry is not your color.
When it comes to mid-century fiction, basically all the guys had problems respecting women's boundaries. There are so many covers of the above type we could curate an entire collection. We can't think of any others, however, where the guy looks like he's wearing lipstick. We checked a few other examples of this one online, just in case this look was courtesy of some kid with a crayon, but he's wearing that crushed strawberry in all of them. Not that we disapprove. More guys probably should do it. We've done it, and it was fun, if not even educational. But maybe we're drilling too deep into this subject. Boundaries we were talking about, right? So, Mike Moran was aka Ben Kerr, Jonas Ward, and Thomas Wills, and this book deals with a private eye who takes a job bodyguarding a boxer who's run into problems as the night of a big bout approaches. Reviews are mixed to middling. But this cover opens the door to all sorts of discussion, which makes it worth sharing. 1953 on this.
Let's split up here! And in case I get killed, nice ass! Forgive the objectification, but I couldn't leave it unsaid!
Above are thirty-five scans from a December 1976 issue of Adam magazine, with a cover illustrating Mike Rader's story “Die As the Romans Do.” We made contact with Rader a while back, and he updated us on his career, and told us some fun stories about working with Adam editors back in the day. The tale he weaves in this issue concerns an Australian tourist in Rome who helps a damsel in distress, and for his kindness gets ensnared in a murder plot. The scene in the painting occurs when he and the damsel, named Claudia, flee the Roman catacombs during a Mafia-on-Mafia shootout—but only after Claudia has had her dress ripped off by the villains.
Rader's fiction is always interesting, but the highlight of this issue is a photo feature of Daisy Duke herself—Catherine Bach, three years before she became world famous on The Dukes of Hazzard—who you see just above. Since she isn't identified in the shots, it isn't like Adam knew who they had on their hands. To them, they simply had some nice handout photos of a minor actress. But that stroke of luck gives this issue extra value, at least as far as we're concerned. Believe it or not, after posting sixty-two issues of Adam we still have forty more we haven't scanned yet. Will we get to them all? We'll certainly try.
Yamauchi and Shibata are back for an encore.
Several years ago we shared a rare tateken sized poster for Bankaku Rokku, aka Bankaku Rock, aka Ranking Boss Rock, and today, above, we're circling back to the film with the hansai sized poster, which we usually just call standard sized. We didn't share this in the earlier post because we didn't have it then. It just wasn't available at the time. That omission is now rectified. Something else that wasn't available back then was the movie. Well, we found that too. Our efforts are unceasing.
Bankaku Rokku is a juvie delinquent pinky violence flick in which the Akabane 100 Club and Ikebukuro Cavalry battle for supremacy. Emiko Yamauchi plays Yukiko, the “bankaku,” or chief bodyguard of the Akabane 100. When she's released from reform school she decides to settle an old score with the Cavalry gang's leader Taka, played by Etsuko Shibata. But Yukiko's revenge gets complicated when she's accused of a murder that was actually the work of Johuku Clan, a male gang of pimps and thieves.
This flick is all alienation and disaffection. When the police come looking for Yukiko her authoritarian father even urges them to give her the death penalty. Will Yukiko dodge the cops and get her sweet revenge? It wouldn't be pinky violence if she didn't at least get the chance. Broken bottles, supersharp scissors, and razor blades are the order of the day, along with numerous boobs and climactic bloodspray. There may not be much of a point to it all, but for pinky violence fans it should hit the spot. Bankaku Rokku premiered in Japan today in 1973.
For you this is just a light, but for me it's the beginning of a toxic sexual obsession and eventual restraining order.
We're going to do one more entry on France before we head to other countries. Once we have time to do some intensive scanning you'll see the bulk of our Paris treasures. Paris, by the way, is a city where strangers often ask you for a light, which is why we thought of the above subhead. If we actually smoked it would be a great way to meet people, but since we never have an actual light all interaction ends there. So while we learn how to smoke, above you see a cover for Elle ne perd pas son temps, by George Maxwell, aka Georges Esposito, for Presses Mondiales and its series Les grands romans dessinés, published in 1953. These were comic books adapted from the series La Môme Double-Shot, specifically 1952's La belle se joue à deux, which you can see here. Elle ne perd pas son temps translates to “She doesn't waste her time,” and neither did the artist Jacques Thibésart, aka Mik, when he painted this nice cover. If you're inclined you can see examples from him here, here, and here, and you can certainly expect more in the future. |
The headlines that mattered yesteryear.
1963—John Profumo Resigns
British Secretary of State for War John Profumo resigns after the revelation
that he had been sexually involved with a showgirl and sometime prostitute named Christine Keeler. Among Keeler's close acquaintances was a senior Soviet naval attaché, thus in addition to Profumo committing adultery then lying about it before the House of Commons, authorities pressed for his resignation because they also feared he had been plied for state secrets.
1939—Journey of the St. Louis
The German passenger liner MS St. Louis, carrying 963 Jewish refugees, is denied permission to land in Florida, United States, after already being turned away from Cuba. Forced to return to Europe, many of its passengers later die in Nazi concentration camps. The event becomes the subject of a 1974 book, Voyage of the Damned, by Gordon Thomas and Max Morgan-Witts, and is later adapted into a film with the same title, released in 1976.
1968—Andy Warhol Is Shot
Valerie Solanas, feminist author of an anti-male tract she called the S.C.U.M. Manifesto (Society for Cutting Up Men), attempts to assassinate artist Andy Warhol by shooting him with a handgun. Warhol survives but suffers health problems for the rest of his life. Solanas serves three years in prison and eventually dies of emphysema at San Francisco's Bristol Hotel in 1988.
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