We couldn't let her slide any longer.
We've had this sitting around for ten whole years. We were reluctant to post it because it's so rare. This tug of war went on forever, but today we've finally overcome our reservations because, after all, even though the scan will proliferate on the internet—and possibly even end up on Ebay like some of our other scans—we still have the physical item. So above you see iconic Japanese pinku actress Miki Sugimoto, star of such films as Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs and Sukeban gerira, aka Girl Boss Guerilla. A photographer named Takeo Sano was responsible for the image, and it was published as a four panel centerfold in the magazine Purei Comikku, or Play Comic, in 1973. Sugimoto has provided plenty of material for our website over the years. It's difficult to choose her greatest hits, but if forced, we'd say her best are here, here, and here. And maybe here too.
They're meaner than the gators and deadlier than the snakes.
Above, a Japanese poster for Swamp Women, originally made in 1956, starring Mike Connors, Marie Windsor, Carole Matthews, and Beverly Garland. The Japanese title of this is 女囚大脱走, which means “female prisoner escape.” We consider that a bit of a plot spoiler, but the art is brilliant, and we suspect it enticed many a Japanese filmgoer. To their shock and horror, after they'd ponied up the yen they found out it was a Roger Corman b-movie and probably wanted to escape too.
It's ride or die on the streets of Kyoto.
Toei Company goes biker culture for Boso sekkusu-zoku, known in English as Hell Riders in Kyoto and Wild Sex Gang, which combines the typical Toei action film with aspects of American b-movies like Easy Rider and The Rebel Rousers. Takashi Shirai is a nihilistic and lawless twenty-something addicted to speed, and especially to motorcycles. When he's caught speeding by police his obsession goes into overdrive, and he decides to buy a 750cc bike that will enable him to outrun even the cops. Tsunehiko Watase is also obsessed with speed. He couldn't afford a bike to satiate his addiction, which is why he became a motorcycle cop. It allowed him to ride the 500cc bike he desired. Now Shirai is outrunning him. The rivalry between these two leads to one-upmanship that spills from the roadway and into other areas of their lives, but just when Shirai seems doomed the beautiful Miki Sugimoto arrives on the scene, and he starts to see that there's some value to life after all. But is it too late? Well, maybe.
Boso sekkusu-zoku is an interesting but not great entry from Toei that, like many crime movies from the ’70s, hinges on the presumption of redeemability. Shirai is lost, and is a danger to all those around him, but with luck and love he could become a good person. Needless to say, this is a retro concept today, in the age of non-forgiveness, and the belief that punishment must be decisive, vengeful, and usually permanent. For that reason it's interesting to watch the filmmakers here weigh Shirai's potential value. And it's also interesting to see how the cop Tsunehiko threatens to be corrupted by his hatred for Shirai. But these themes are not new, and exploring them as perfunctorily as Boso sekkusu-zoku does is a fatal flaw, in our view. More plot, more depth, more stuntwork, and more commitment across the board would have helped immensely. Still, though, it's worth a watch. It premiered in Japan today in 1973.
A gun and an attitude will take you far.
This is the rarest of the rare. We've shown you many movie posters foreign to the country in which the original film was made. The most common amongst those have been French, Italian, and Japanese posters for American films. We've also seen a few U.S. and British posters for Japanese films. But we've never seen a French poster for a Japanese film, and that's what you have here. And it isn't just any film. It's for the iconic 1973 Miki Sugimoto pinku actioner Sukeban–Kankain Dasso, known in English as Girl Boss: Escape from Reform School, and titled here Girl Boss - Les Étudiantes en cavale. That would translate: “girl boss - students on the run.”
This was painted using the original Japanese poster as inspiration by Constantin Belinsky, a talent we've discussed a couple of times before. He was born in Bratslav, Ukraine, learned his craft in art school in Chișinău, which was then in Romania but is now in Moldova, and worked professionally in Paris. He painted posters for classic dramas like Laura and Pickup on South Street, but later in his career specialized in genre films such as Creature from the Black Lagoon. He was born in 1904, so we suspect this poster was among his last pieces. But it won't be his last on Pulp Intl. We have more to show you later.
A swarm of Jellyfish.
Below are some production photos from the pinku flick Neon kurage: Shinjuku hanadensha, aka Neon Jellyfish: Shinjuku Float, aka Neon Jellyfish: Shinjuku Flower Streetcar. We talked about it several years ago, so when we saw these we had to share. The movie stars Emiko Yamauchi, and premiered in Japan today in 1973.
They don't make happy music but it'll stick with you for a long time.
Above, a Toei Company promo photo for Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, featuring one of the great girl gangs of pinku cinema—comprising, counterclockwise from upper right, Reiko Ike, Miki Sugimoto, Masami Soda, Chiyoko Kazama, and Yumiko Katayama. We have some beautiful material on this flick, here, here, and here. It premiered today in 1973.
Look! Smooth as two baby peaches. Anywhere else you want me to shave?
Here's a nice cover for a Dutch paperback titled Nachtkatje, which translates as “night kitten,” written by Mike Splane, and published by Antwerp based Uitgeverij A.B.C. for its Collection Vamp in 1957. This publisher is not the same as Uitgeversmij, based in Rotterdam, Netherlands, and whose output we've shown you here and here. The cover on this is uncredited, but A.B.C.'s Vamp series often had Alain Gourdon art that had been modified from a previous form, and this piece has that look. Everything we just wrote, we learned with minimal research. Now comes the part where our research falls short. You might guess that this is a translated Mickey Spillane novel, but we can't confirm that. If it's a translated Spillane it's mighty short—just sixty-plus pages. Which presents a problem. Spillane's short stories weren't published in book form until after 1957, at least not in the U.S. So finding out if this is a Spillane short—which we actually doubt—will have to wait for more knowledgable people than us. See more covers in the same vein here.
They're dressed for bed but it doesn't look like sleep is the plan.
We're back to Mike Ludlow today, with these two pin-up paintings of negligée clad beauties he created for Esquire magazine. As we mentioned not long ago, Ludlow painted portraits of film stars, and as you can see here even the women that came from his imagination look a bit famous. For instance, to us these two look like Diana Dors (a little) and Elaine Stewart (a lot). Or is that just us? Regardless, they're beautiful creations.
Our boyfriends have no clue our slumber parties involve absolutely zero slumbering.
Above is an amazing photo published in the Japanese pop culture magazine Weekly Playboy in 1972. It's uncaptioned, as you can see. Two of the women pictured are pinku actresses Miki Sugimoto and Yuri Yamashina, next to each other at bottom, looking at you rightside up. We have plenty of material on both of them in the website. We can't identify the other models. Feel free to enlighten us.
That whole prison rehabilitation thing doesn't seem to be working.
Well, this completes the collection of posters we have for Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto as a vigilante cop released from prison to take on a gang of kidnappers. We've shown you the limited edition poster panted by Toru Shinohara, and the tateken sized promo. This is the standard sized poster and finishes up all the promo material we have on this iconic film. Don't worry, though. We have more on Sugimoto and even some rare promo images of her never before seen online. We'll get to those later.
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