If anybody can recover the ancestral farm it's Mari.
Zoku Imokinchaku*, for which you see the poster above and which premiered in Japan today in 1970, was the sequel to the previous year's Imokinchaku, but shot in color. Atsumi plays a high school girl named Hamako who tries to save enough money to buy her family's ancestral land. Her plan to obtain it through work seems sound enough, but trouble in finances and love, including the theft of her money and a doomed infatuation with a dreamboat who happens to be gay, present serious obstacles. Of course, if the previous film taught Mari anything it was to persevere, and she makes forays into nude modeling and singing in efforts to cobble together a sufficiently large nest egg to buy the land. Do any of these schemes actually work? You'll have to add this one to your queue if you want to find out.
On a related note, we learned that Daiei Co. released an Atsumi record in conjunction with this film, and that it also engineered the publication of a photo book. Cross promotion of pinku films was a common tactic back then. In fact, many stars performed live in cinemas between double features, either singing, dancing, or reenacting bits from the films. Japanese law was strict about nudity onscreen, but we've been told these live performances sometimes featured full nudity, which is interesting to contemplate. Atsumi made a lot of public appearances. Below, for example, she's in Shimizu Park in Chiba, where a gaggle of photographers shot pictures of her in her undies. We have images from another Atsumi public appearance we'll share later.
*We can't find a romanized title for this film anywhere, but Zoku Imokinchaku is probably right. It's at least close. If anyone wants to correct us feel free. The official title is 続・いそぎんちゃく.
Everybody wants a piece of Mari Atsumi.
The movie Hadaka de Dakko, aka Be Naked premiered in Japan today in 1970, and as you can see from the promo poster, it starred the prolific Mari Atsumi. She made twenty-six films by our count, which means we've talked about her a lot. Here she plays a snack bar employee who dreams of bigger things, and who, along with her friends, try to accumulate 3 million yen they can use to buy a yacht. The reason it's called Be Naked is because every moneymaking scheme hinges on using Atsumi's body. The beauty shop needs her face to draw customers, the gambling house needs her sex appeal for the same reason, and when she becomes an artist's nude model, well, ditto. And in fact, the same can be said of the movie itself, and we're pretty sure its makers knew it too. Want to see more Atsumi? Start here.
She was Japan's best sailing actress.
This fantastic sea-themed Daiei Film Co. promo image shows Japanese pinku actress Mari Atsumi, who by now probably needs no introduction. But in case she does, click here to see and read everything we've posted on her.
Go together like hurt and damage.
Above, a pair of posters for Imokinchaku, which in English was retitled (we think) Woman Like a Sea Anemone or Sea Anemone Girl. The movie starred Mari Atsumi, Toshio Takahara, and Shimeji Shogako, and it deals with a country girl who arrives in Tokyo, gets a job in a laundry, and becomes embroiled in a series of complications that all begin with a missing pair of panties. One thing these Japanese pinku films do not lack for is weirdness. Audiences certainly responded to this one, despite the fact that it was in black and white, and it spawned a series that in English might be referred to as the “Mollusk Series.” We've already shown you a few posters from the franchise, such as here and here. This one premiered in Japan today in 1969.
Mari Atsumi shows her stripes.
We've already shared two posters for the 1970 pinku flick Denki kurage: kawaii akuma, aka Play It Cool, aka Electric Medusa: Lovely Wicked Woman. Today we have yet another promo for the film, with Mari Atsumi looking cool, lovely, wicked, and a few other things, all of them good. In the film she plays a model who loses her job after she refuses to “entertain” a department store owner, and later finds herself hassled by a villainous Yakuza who wants to turn her into a call girl. If you've seen any pinku films at all, you know how this goes—humiliation, tables turned, revenge.
Atsumi was a big star in her day. She appeared in twenty-eight films, guested on a number of television shows, and released a couple of popular albums. Like many pinku actresses, though, her current whereabouts are basically a mystery. One Japanese webpage literally says nobody knows where she is. But that's okay—she gave us plenty to remember her by. You can see the other Denki kurage posters we've shared here and here, and there's even another promo for the film you can see over at the website Bulles de Japon at this link. And below we have more bonus material—some promo photos from the film.
Motorcycle? I don’t own one. The helmet is for protection when I crash the Pulp guys’ picnic over there.
Only a little time today, but we love sharing this Japanese material, so above you see an alternate poster in panel length for Yoshio Inoue’s pinku film Kawaii Akuma: Iimono ageru, aka Just for You, which premiered today in 1970 starring Mari Atsumi. It’s completely different from the standard sized version, which we showed you here, and better too, we think. Now we are off—our holiday involves lobster, crab, and other oceanic yummies eaten picnic style in a hilltop park. Hope your day is excellent.
Like the mysterious Da Vinci painting we can’t figure out this piece of art.
Above and below are two posters for Iwataro Ishii’s Mona Riza okyo, which was based on the graphic novel of the same name by Teruo Tanashita, and stars Mari Atsumi as a pickpocket trying to get her hands on a valuable but elusive diamond pin called the Star of the Sea. Strangely, the word “Kyoto” clearly appears in the poster titles—it’s the last symbol on both—but all the sources we checked said the film is called Mona Riza okyo. It’s a mystery too deep for us to solve, but if any of you can shed some light on it please drop us a line. Mona Riza okyo premiered in Japan today in 1971.
Update: David W. writes in and tells us: “Indeed the last word on each poster is Okyo, not Kyoto.“
Mystery solved. Thanks, David, for your help.
Update 2: NelC offers a more detailed explanation of the title. Here's what he wrote: The transliteration of the subject line is indeed Mona Lisa O-Kyō. The proper name for Kyōto is 京都市, "Kyōto-shi" or "Kyoto City" in English. 京都 is "Kyōto." 京 is "Kyō." 京 by itself means "capital" as in "capital city," and お is an honorific, so お京 might be read as "the capital." (モナリサ is, of course, "Mona Lisa.")
So the title might be read as "The Capital Mona Lisa." The significance of this is beyond my meagre abilities in Japanese, though. A colloquialism for "the great," maybe, as in Wodehouse-era British English? I don't know.
Thank you NelC. Your excellent explanation is more than we could have reasonably hoped for. Mystery solved, again.
One caress and you’re hers.
Above, two alternate versions of the poster for Denki kurage: kawaii akuma, aka Electric Medusa: Lovely Wicked Woman, aka Play it Cool, with Mari Atsumi. See the slightly different poster we shared in 2011 here.
Topless in Tokyo.
Above, a poster for Yoshio Inoue’s Kawaii Akuma: Iimono ageru, aka Just for You, starring Mari Atsumi and Keiko Takahashi. Atsumi became a major star in Japanese cinema, appearing mainly in Daiei Film Co. productions, and later transitioning into television and pop music. We have more Atsumi here and here, and we'll feature her again later. Kawaii Akuma: Iimono ageru premiered in Japan today in 1970.
Drowning in the sea of love.
Above is a beautiful promotional poster of Mari Atsumi for her 1970 pinku flick (and here we go again with the made up titles, but what can we do?) Night Sea Anemones, or possibly Sea Anemones at Night. We’ve explained this title thing before—i.e., for these films that never had a western release we have to come up with a title without actually understanding Japanese. We recognize some characters, and can look up others, but ultimately what we produce can be, let’s just say, fanciful. On this one, though, we think we’re pretty close. And even if we aren’t, screw it—our title sounds cool. Another Atsumi below, and more here.
The headlines that mattered yesteryear.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
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