If anybody can recover the ancestral farm it's Mari.
Zoku Imokinchaku*, for which you see the poster above and which premiered in Japan today in 1970, was the sequel to the previous year's Imokinchaku, but shot in color. Atsumi plays a high school girl named Hamako who tries to save enough money to buy her family's ancestral land. Her plan to obtain it through work seems sound enough, but trouble in finances and love, including the theft of her money and a doomed infatuation with a dreamboat who happens to be gay, present serious obstacles. Of course, if the previous film taught Mari anything it was to persevere, and she makes forays into nude modeling and singing in efforts to cobble together a sufficiently large nest egg to buy the land. Do any of these schemes actually work? You'll have to add this one to your queue if you want to find out.
On a related note, we learned that Daiei Co. released an Atsumi record in conjunction with this film, and that it also engineered the publication of a photo book. Cross promotion of pinku films was a common tactic back then. In fact, many stars performed live in cinemas between double features, either singing, dancing, or reenacting bits from the films. Japanese law was strict about nudity onscreen, but we've been told these live performances sometimes featured full nudity, which is interesting to contemplate. Atsumi made a lot of public appearances. Below, for example, she's in Shimizu Park in Chiba, where a gaggle of photographers shot pictures of her in her undies. We have images from another Atsumi public appearance we'll share later.
*We can't find a romanized title for this film anywhere, but Zoku Imokinchaku is probably right. It's at least close. If anyone wants to correct us feel free. The official title is 続・いそぎんちゃく.
There's a thin line between love and hate.
Above is a poster we're reasonably sure you won't see anywhere else. It was made to promote a movie called 愛憎のからみ. The film never had a western release, but if it had it would have been called something like A Love Hate Relationship. It was from Aoi Film, another company that delved into softcore pink cinema during the 1960s and 1970s, and this one was directed by Taskashi Chiba and starred Yuri Izumi, who during a career encompassing dozens of screen credits would go on to become one of Japan's bondage queens. This is obviously a pretty obscure movie, since we can't come up with its rōmaji or romanized title. We also can't pinpoint its exact premiere date. But we know it appeared sometime this month in 1972. Below we've included some detail from the poster, and just for the fun of it we also have one of Izumi's many provocative bondage shots.
The situation is becoming Seri-ous.
Continuing with our recent theme, we've done a deep search on our site and found every instance where we said we'd get back to a subject later. We can't fulfill all those promises, but we're shortening the list again today. After sharing a couple of promos of an underwear clad Meika Seri from a 1974 photo session, we said we'd reveal whether the Secret Chronicle actress shed any more clothing. Above is your answer. She shed all her clothing.
Etsuko Shihomi in hot pursuit.
Above, an alternate promo for the Japanese actioner Karei-naru tsuiseki, aka The Great Chase, released today in 1975. This was surprisingly good. See the other poster and read about the movie here.
You're right. They do look like ladybugs. I guess that means you're gonna get lucky.
Above you see the cover of Illicit Desires from Quarter Books, 1949, by H.M. Appel, aka Archibald Bittner, with art by the famed George Gross. Some sources say this book was originally published as The Farmer's Daughter, but others say that was the original title of Appel's Brutal Kisses. Were both novels alternatively titled The Farmer's Daughter? Could be. There were plenty of precocious farmer's daughters in mid-century fiction.
Take off your coat. Stay a while.
If the Siri voice application for iPad is ever given a visual form, we vote for this one. The two panels above show lovely Japanese actress Sayaka Seri, aka Meika Seri, who made her debut in 1973 with Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale: Inquisition and Torture, but became well known for the Nikkatsu hit (Maruhi) shikijô mesu ichiba, aka Secret Chronicle: She Beast Market, which was released in 1974. These photos date from that year. You may be wondering if Seri keeps disrobing in subsequent shots. Actually, she does, and if you're really good maybe we'll show you those a bit later.
Oshida and Co. may have been to reform school but once a boss always a boss.
First film in what would become the successful Zubekô banchô series, Zubekô banchô: yume wa yoru hiraku, aka Delinquent Girl Boss: Blossoming Night Dreams, aka Tokyo Bad Girls stars Reiko Oshida as a parolee from a reform school who takes a job in a Shinjuku hotspot called Bar Murasaki, but finds walking the straight and narrow a difficult ambition to fulfill. As usual in these pinku films set in and around nightclubs, a criminal syndicate wants to take over, which means she's soon stuck between a resistant owner and an insistent Yakuza. Some girls she knows from reform school have also found spots at the club, and in addition to Yakuza problems, Oshida finds herself drawn into the issues of her friends.
But it's good they're around, these girl delinquents, because when the climactic brawl with the villains happens, Oshida will need loyal friends at her side. On the whole Blossoming Night Dreams is tamer than later entires in the Delinquent Girl Boss series, but considering the sexual violence that began to appear, most would consider that a good thing. Of course, it's always important to remember that these films are counterculture in character, replacing the subservient women of previous eras with badass riot girls who always took violent revenge upon men who wronged them. The formula was both exploitative and pro feminist, with the sexploitation putting rear ends in the seats, whereupon the progressive message was hammered home.
Anyway, moving on to the poster, you may notice that, by a quirk of design, Oshida, star of the film, does not appear to be star of the promo art. The topmost position is given to Keiko Fuji. But a closer look reveals that Oshida gets a full body shot in the center foreground of the art, while Fuji is layered behind. It's still unusual that Fuji is placed where she is, though. While she plays Bar Murasaki's headlining performer, she has far less screen time most of the other castmembers. But she's good in her role, Oshida's excellent, Masumi Tachibana, Yukie Kagawa, and the rest of the troupe are having fun, and everyone deserves credit for making the movie well worth a screening. Zubekô banchô: yume wa yoru hiraku opened today in 1970.
There isn't much chasing in The Great Chase but the movie is definitely great.
Norifumi Suzuki's Karei-naru tsuiseki, aka The Great Chase is fast, funny, and bizarre entertainment. Etsuko Shihomi plays a Formula 1 driver who also works for the Japanese secret service, in this case taking down an international drug syndicate. Shihomi was already a star in Japanese cinema from her supporting roles in Sonny Chiba's Streetfighter and its spin-offs. Karei-naru tsuiseki sees her honing her solo chops—literally, as she karates the shit out of dozens of guys. But you get so much more than fistfights here—you get Shihomi in disguises, a corpse filled with cocaine, a girl in armor being force fed a banana, a nun brawl in a church, a mob boss dressed as a bear, a fight on what has to be the world's highest cable car, and more. Pure cheese, but of the most flavorful sort, and with a top notch promo poster featuring Shihomi in a discolicious polka dot two-piece. We have posters for five other Shihomi actioners and she looks badass on all of them. We'll share those in the future. Karei-naru tsuiseki premiered today in 1975.
Liars and tigers and bloodspray—oh mai!
Beautiful and very rare, the two posters above were made to promote Toei Company’s Urufu gai: Moero ôkami-otoko, aka Wolfguy: Enraged Lycanthrope, a rollicking thriller that premiered in Japan today in 1975 and starred Shin’ichi Chiba, better known in the West as Sonny Chiba. Based on a manga series by Kazumasa Hirai, the movie involves a vicious invisible tiger that’s killing the members of a Tokyo rock band who gang-raped a woman named Miki and infected her with syphilis because a powerful politician wanted her relationship with his son sabotaged. The tiger is the manifestation of Miki’s curse. You may be saying to yourself, “But none of that has anything to do with lycanthropy.” You’d be right, but there is in fact lycanthropy here—Chiba the tough reporter is a werewolf. He can’t yet harness his power, but try telling that to J-CIA, a secret organization that will stop at nothing until they obtain Chiba’s vital fluids and create human-wolf hybrids. Hero and heroine’s paths and genitals eventually cross, and from this union Chiba realizes how to control his wolfly abilities. But there’s more, oh so much more, to this film. Urufu gai: Moero ôkami-otoko is gory good fun, low budget, but well worth a viewing thanks to Nami Etsuko as Miki and, of course, the legendary Chiba. Good luck tracking down a copy. Ours was a cable television rip with all the crazy Japanese commercials intact.
Hello Pulp International readers! I'm Commercial Girl. The Pulp guys have asked me to introduce five screenshots from Urufu gai: Moero ôkami-otoko. Please enjoy and have a wonderful Tuesday!
The enraged lycanthrope acquits himself admirably in a fight as none other than Steve McQueen the King of Cool looks on with studied approval.
Some girls don’t like wolf blood so when you find one who digs it this much she’s a keeper. Napkins? Nonsense! This blood is finger licking good.
Wild thing you make my heart sing… and squirt like a lawn sprinkler. It’s just give give give with this girl.
Hey, douche nozzles, why the fuck did I hire you? Look at my mouth. That thing hanging there? That's called a cigarette. What does it need? Here’s a hint—why does it emphysema like you never fuckin' listen?
Shhh…I can hear her spirit speaking to me through her portrait. She says KFC bucket meals are 30% off for a limited time only. Um, Wolfguy, you turned off the tv in the other room, right?
Hi! Commercial Girl here again. The Pulp guys say Tuesday sucks especially hard. Even more so when your fantasy baseball team goes 2 for 39 and you lose seventeen points! So here’s one more screenshot because you need extra cheering up! All of us in Kiss want every one of you out there to remember to rock 'n' roll all night and party EVERY DAY! Geishas RULE! Sushi and blow FOREVER! So long Tokyo! Or as you say here, Sayonara!
Azuma turns to banditry and heads roll.
Dokufu oden kubikiri asa is known in English by many titles—officially it's aka Poisonous Oden and Decapitator Asa or Samurai Executioner. But in our efforts to locate it we discovered it's known online also as Decapitation of an Evil Woman and Vamp and Samurai. Do we even need to tell you about this one, considering how much info is given away by the titles? A country girl played by Terumi Azuma goads a country boy into theivery and they and two partners quickly become notorious bandits hunted by the authorities. The story is derived from the real-life Oden Takahashi, who in 1879 became the last woman executed by decapitation in Japan. Despite this inspiration, much of the movie is played for laughs, with quite a bit of slapsticking, bungling, and yelling. Of course, it has to take a serious turn eventually, and indeed all four gang members soon become seasoned killers—just in time to start being whittled down by those annoyingly persistent authorities. We were surprised by the comedic tone saturating much of the film, but since Japanese audiences already knew the story of Oden Takahashi, maybe some foolishness was needed to keep them interested. We could have done without it, but the movie is still pretty good, and at sixty-one minutes you don't lose too much life to it. The poster above is exceedingly rare, never before seen online we're pretty sure. The one below is more common, but still very nice. Dokufu oden kubikiri asa premiered in Japan today in 1977.
The headlines that mattered yesteryear.
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
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