National Informer guest columnist bares his soul and more.
This issue of National Informer was published today in 1974. In these later editions the editors seem to have discovered the value of a little dick, which is to say they began featuring male frontal nudes. The Pulp Intl. girlfriends used to wonder why we had so few nude men on the site. They actually thought it was up to us. We were like, “Baby, vintage actors didn't do nude promo shots.” Well, except for Fred Williamson, but he's Fred Williamson. Burt Reynolds did it for Cosmopolitan, but we don't have that shot because we don't collect Cosmo. So the best you get is these randos in low rent tabloids.
The models, whoever they were, got to experience what women had been experiencing for a long time, which was the shock of realizing their secret nudes had hit daylight on a drugstore newsstand without their knowledge—or financial remuneration. And as with the women, the photos were used in articles that had nothing to do with them. In this case the accompanying feature is about a porn actor who wants to move into legit cinema. It's a silly article filled with nothingness written by J.W.—presumably Johnny Wadd, aka John Holmes. At least that's what readers were supposed to think.
Do we buy it? Not really. For one, it reads like the same house hacks who wrote all Informer's articles (we love the part where he defines the term “persona non grata”), but second, why would a guy who's flashed his gooch to millions need to hide his identity? But it's very specific in terms of the hints the author drops, so maybe it really is him. But with or without Holmes, there's quality schlong on the anonymous model. The Pulp Intl. girlfriends say he could use a circumcision, but whatever, they can't say we never tried to give them some eye candy. More Informer coming later.
Bringing American values to the world.
If you visit this site a lot, you’re used to this—we promise to get back to something and then take forever to do it. But to our credit, we do eventually keep our promises. Today, we’re finally returning to that pile of Japanese x-rated promo posters we’ve accumulated (Japanese as in designed and printed in Japan, but to promote American movies). Above is a poster for a porn compilation entitled That’s Porno, released in 1979 and comprised strictly of sex scenes culled from various films, freed from the tyranny of plotlines and character development (just kidding—we live for plotlines and character development). You have to love the art, which consists of the lips of twenty-two x-rated actresses, some well known, such as Georgina Spelvin and Annette Haven (or Heaven, according to the text), and others virtually forgotten, like Karen Devin and Tina Louise (the other Tina Louise). Anyway, we have eight more posters below and relevant info. Baby Face II, with Stacy Donovan, Candy Evans, and Taija Rae. Just to make sure Japanese audiences got the point, the word “sex” appears front and center. We’ve talked before about the usage of this English word on Japanese posters as a signifier and here you get another example. Beach Blanket Bango, with Cindy Taylor and Rene Bond, 1975. Notice the word “fuck” at upper left. Again, is this more descriptive than the Japanese word for the same act, or is the English a signifier of decadence? Expose Me, Lovely, with Annie Sprinkle, Jennifer Welles, and Jody Maxwell, 1976. The designers misspelled the word “expose,” instead putting “exporse,” but they did get “sex” right, and there’s “erection” right next to it, for good measure. Savage Fury II, with Christy Canyon, Randy West, Tony Montana, and Ron Jeremy, 1989. Boldly goes where Savage Fury I dared not—into the pants of Ron “The Hedgehog” Jeremy. V—The Hot One, with Annette Haven and John Leslie, 1977. This one is considered one of the better adult flicks of the seventies, with a real plot, a serious message, and a legendary star in Haven. Tell Them Johnny Wadd is Here, with Annette Haven and John Holmes, 1976. Olympic Fever, with Candida Royale, Seka, Paul Thomas, and Ron Jeremy, 1979. We’re betting the shot put was the climactic event here, immediately preceded by the breast stroke and pole vault. Honey Pie, with Jennifer Welles, Terri Hall, and Annie Sprinkle, 1975. That’s all for today. We have about a hundred more of these, not all as interesting as this group, but sometime down the line we’ll pick out a few more worthy examples and share them. In the meantime, be sure to check our previous entries on this subject here, here and here.
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The headlines that mattered yesteryear.
2003—Suzy Parker Dies
American model and actress Suzy Parker, who appeared the films Funny Face and Kiss Them for Me, was the first model to earn more than $100,000 a year, and who was a favorite target of the mid-century tabloids, dies at home in Montecito, California, surrounded by family friends, after electing to discontinue dialysis treatments. 1920—Negro National Baseball League Debuts
The first game of Negro National League baseball is played in Indianapolis, Indiana. The league, one of several that would be formed, was composed of The Chicago American Giants, The Detroit Stars, The Kansas City Monarchs, The Indianapolis ABCs, The St. Louis Giants, The Cuban Stars, The Dayton Marcos, and The Chicago Giants. 1955—Williams Wins Pulitzer
American playwright Tennessee Williams wins the Pulitzer Prize for Drama for his controversial play Cat on a Hot Tin Roof, which tells the story of a southern family in crisis, explicitly deals with alcoholism, and contains a veiled subtext concerning homosexuality in southern society. In 1958 the play becomes a motion picture starring Elizabeth Taylor and Paul Newman. 1945—Germany Announces Hitler's Death
German radio in Hamburg announces that Adolf Hitler was killed in Berlin, stating specifically that he had fallen at his command post in the Reich Chancery fighting to the last breath against Bolshevism and for Germany. But in truth Hitler had committed suicide along with his mistress Eva Braun, and both bodies were immediately thereafter burned. 1960—Powers Is Shot Down over U.S.S.R.
Francis Gary Powers, flying in a Lockheed U-2 spy plane, is shot down over the Soviet Union. The U.S. denies the plane's purpose and mission, but is later forced to admit its role as a covert surveillance aircraft when the Soviet government produces its remains and reveals Powers, who had survived the shoot down. The incident triggers a major diplomatic crisis between the U.S. and U.S.S.R.
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