If she wants the money she has to want the money shot.
We've shown you a lot of Japanese promo posters for U.S. x-rated movies, and the reason for that is the Japanese promos are artful and interesting. The stateside promos, not so much. This one is an exception. It was made for 1978's Soft Places, which starred Annette Haven in the story of a young widow whose husband's will specifies that she can't come into her inheritance unless she allows a bunch of men to come into her. Well, not really. This is porn. Instead they come in other places, including a glass of Champagne. Anyway, since Haven was not a particularly good sex partner, her hubby's dying wishes dictate that she experience every known sexual kink in order to free her from her numerous inhibitions. Haven, apart form being nice looking, can actually act a little, but this is still porn, which means ultimately it's pretty stupid plotwise. But we can look at Haven all day. That is, as long as the Pulp Intl. girlfriends don't catch us. If you're interested, you can see Soft Places on numerous websites online. It premiered in the U.S.—yes, a real premiere in a real cinema—today in 1978.
American sex stars make a big splash in Japan.
As promised earlier this month, below we have more adult film posters from Japan for U.S. based productions. We're pretty proud of these because you simply won't find them anywhere else, or if so certainly not in the quality you see here. And we have at least a hundred more.
Neon Nights, 1981, with Veronica Hart.
Fiona on Fire, 1978, with Amber Hunt.
Sex Asylum 4, 1993, with Christy Canyon.
Little Orphan Dusty, 1978, with Rhonda Jo Petty.
Co-Ed Fever, 1980, with Annette Haven.
Barbara Broadcast, 1977, with Annette Haven and Harry Reems.
Insatiable II, aka Insatiable Part 2, 1984, with Marilyn Chambers.
Breaking It, 1984, with Traci Lords.
High School Memories, 1980, with Annette Haven.
On White Satin, 1980, with unknown poster star. We were able to visually identify all the main performers in this film and none of them seem to be the person shown here. This is not unusual for a Japanese poster. Their makers occasionally used the most photogenic person rather than the top-billed performer, but in any case we don't know who this is.
All American Girls in Heat II, 1983, with Shauna Grant.
We must have sex on the brain, because everything we see reminds us of it.
Remember our last group of Japanese posters containing the English word “sex”? No? Go directly there. Also, perhaps visit here, here, and here. Now that you’re back, today we have another set of posters with sex in the text (you have to look closely at some of them, but it’s there). One Japanese word for sex is セックス, and the phonetic transvocalization of the English is “sekkusu,” but their poster artists often seem to prefer plain old sex. Why? Well, why do Americans use the French word “chauffeur” instead of saying, “that underpaid guy who drives my car”? Because it's cooler, that’s why. Most of these posters are for American x-rated films, but panel two, just below, is for the Natalie Wood movie Bob and Carol and Ted and Alice, which definitely isn’t x-rated. But it should have been. Because Natalie Wood. And, um, wood. On the other posters you get Kay Parker, Nina Fause, Maria Arnold, Jennifer Welles, Constance Money, Annette Haven, and Inge Hegeler. And if you want to know the titles, those are all on the posters in English too (though sometimes wrong, as in Expose Me Lovely which turns into Exporse Me Lovely), but it’s probably easier to just look at the bottom of the post, where we’ve listed them in order.
Bringing American values to the world.
If you visit this site a lot, you’re used to this—we promise to get back to something and then take forever to do it. But to our credit, we do eventually keep our promises. Today, we’re finally returning to that pile of Japanese x-rated promo posters we’ve accumulated (Japanese as in designed and printed in Japan, but to promote American movies). Above is a poster for a porn compilation entitled That’s Porno, released in 1979 and comprised strictly of sex scenes culled from various films, freed from the tyranny of plotlines and character development (just kidding—we live for plotlines and character development). You have to love the art, which consists of the lips of twenty-two x-rated actresses, some well known, such as Georgina Spelvin and Annette Haven (or Heaven, according to the text), and others virtually forgotten, like Karen Devin and Tina Louise (the other Tina Louise). Anyway, we have eight more posters below and relevant info.
Baby Face II, with Stacy Donovan, Candy Evans, and Taija Rae. Just to make sure Japanese audiences got the point, the word “sex” appears front and center. We’ve talked before about the usage of this English word on Japanese posters as a signifier and here you get another example.
Beach Blanket Bango, with Cindy Taylor and Rene Bond, 1975. Notice the word “fuck” at upper left. Again, is this more descriptive than the Japanese word for the same act, or is the English a signifier of decadence?
Expose Me, Lovely, with Annie Sprinkle, Jennifer Welles, and Jody Maxwell, 1976. The designers misspelled the word “expose,” instead putting “exporse,” but they did get “sex” right, and there’s “erection” right next to it, for good measure.
Savage Fury II, with Christy Canyon, Randy West, Tony Montana, and Ron Jeremy, 1989. Boldly goes where Savage Fury I dared not—into the pants of Ron “The Hedgehog” Jeremy.
V—The Hot One, with Annette Haven and John Leslie, 1977. This one is considered one of the better adult flicks of the seventies, with a real plot, a serious message, and a legendary star in Haven.
Tell Them Johnny Wadd is Here, with Annette Haven and John Holmes, 1976.
Olympic Fever, with Candida Royale, Seka, Paul Thomas, and Ron Jeremy, 1979. We’re betting the shot put was the climactic event here, immediately preceded by the breast stroke and pole vault.
Honey Pie, with Jennifer Welles, Terri Hall, and Annie Sprinkle, 1975.
That’s all for today. We have about a hundred more of these, not all as interesting as this group, but sometime down the line we’ll pick out a few more worthy examples and share them. In the meantime, be sure to check our previous entries on this subject here, here and here. |
The headlines that mattered yesteryear.
1915—Claude Patents Neon Tube
French inventor Georges Claude patents the neon discharge tube, in which an inert gas is made to glow various colors through the introduction of an electrical current. His invention is immediately seized upon as a way to create eye catching advertising, and the neon sign
comes into existence to forever change the visual landscape of cities.
1937—Hughes Sets Air Record
Millionaire industrialist, film producer and aviator Howard Hughes sets a new air record by flying from Los Angeles, California to New York City in 7 hours, 28 minutes, 25 seconds. During his life he set multiple world air-speed records, for which he won many awards, including America's Congressional Gold Medal.
1967—Boston Strangler Convicted
Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.
1950—The Great Brinks Robbery Occurs
In the U.S., eleven thieves steal more than $2 million from an armored car company's offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as "the crime of the century." Despite this, all the members of the gang are later arrested.
1977—Gary Gilmore Is Executed
Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore's story is later turned into a 1979 novel entitled The Executioner's Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.
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