Okay! Please, enough! How about we just admit we're both wrong and leave it at that!
So, after all these years the consensus among experts finally is that cover artist Jacques Thibésart's stylized signature should be read Mik instead of Nik, so we've shared this cover today to call attention to the change we've made to all his previous mentions on Pulp Intl. The man has caused no end of trouble. But he's worth it, because just look at this piece above, with a femme fatale Harveying the living daylights out of a problematic male. This fronts Bevis Winter's Quand elles se mettent à cogner... which was published by Éditions Le Trotteur in 1953 for its series Le Roman de Choc, or Shock Novel. Winter was an English author active during the 1950s who published as Hyman Zoré, Al Bocca, Gordon Shayne, Peter Cagney, and other pseudonyms. It's possible—but not certain—that Quand elles se mettent à cogner... is actually a translation of Larry O'Brien's 1950 thriller Angels Bruise Easy. But don't quote us on that, because French mid-century popular literature is a constant mystery and not even the experts seem able to unravel it.
If you think this is painful wait until I tell you all the kinky things I did with your husband.
T'as triché marquise was written by the pseudonymous author George Maxwell and published in 1953 as part of Editions le Condor's collection La Môme Double-Shot. This is of the more violent entries in the series and the cover art reflects that. What we like best about it is how effortless the blonde makes her submission hold on the brunette look. Not a single golden hair has moved. Many of these Double Shot covers were painted by Jean Salvetti, but this one is by Jacques Thibésart, also known as Nik, or more likely Mik (we're still avoiding changing all those old posts but we'll get around to it). In any case, fine work.
She may be a bald mouse but you're about to be a dead rat, buster.
This beautiful cover was painted for Éditions le Trotteur's popular collection Espions et Agents Secrets by Nik, aka Jacques Thibésart, and illustrates Yannick Williams', aka Jacques-Henri Juillet's 1953 thriller Mademoiselle “Chauve Souris”, aka Miss “Bat”. That's a lot of aka's, and here comes one more. In French souris means “mouse,” chauve means bald, and the two words together mean “bat”—literally “bald mouse.” French paperback titles can get a little slangy, though. Souris by itself—a mouse—is also a word for a pretty woman. So there could be another aka happening here in the form of a pun. We don't know. Jo, where are you? We need you on this one.
Oh, and there's one more thing, also aka related. Thibésart has an unusual signature—not visible on this cover but viewable here—in which the “N” could be read as a stylized “M.” Just lately, online experts are beginning to wonder if his signature should be read “Mik” instead of “Nik.” Thibésart is still around, but in classic French fashion refuses to discuss any of this despite several queries being floated his way. So for now we'll stick with Nik. Also, we don't want to change all our previous posts on this guy. We will update later if needed.
Update: it was needed.
Nuclear intrigue in North Africa.
Above, top notch cover art by Jacques Thibésart, aka Mik, for Jo Claver’s Bombe atomique à Port-Lyautey, which was published by Éditions Le Globe and Éditions Le Trotteur in 1956. Claver was aka Georges Claver-Peyre, and this particular book is Cold War intrigue and romance set in Morocco. See more fine Thibésart here and here.
The shape of bad things to come.
Above and below are assorted covers featuring yet another fun mid-century paperback art motif—the looming or threatening shadow. The covers are by the usual suspects—Rader, Phillips, Gross, Caroselli, Nik, as well as by artists whose work you see less often, such as Tony Carter’s brilliant cover for And Turned to Clay. That's actually a dust jacket, rather than a paperback front, but we couldn't leave it out. You’ll also notice French publishers really liked this theme. We’ll doubtless come across more, and as we do we’ll add to the collection. This is true of all our cover collections. For instance, our post featuring the Eiffel Tower has grown from fifteen to twenty-two examples, and our group of fronts with syringes has swelled from thirteen to twenty-six images. We have
twenty-four twenty-eight—see what we mean?—more shadow covers below, and thanks to all original uploaders.
Looks like it’ll be her last birthday.
Well, after yet another failed New Year’s Eve effort to obliterate ourselves before the calendar turned we find ourselves here in the strange and uncharted territory called 2014. Never thought we’d make it this far, but since we did let’s get back to some pulp with yet another excellent Jacques Thibésart, aka Mik, cover, this one for Ça va être ta fête, aka “It’ll Be Your Birthday.” We really like this piece, especially the foreboding monochromatic landscape into which the beleaguered femme fatale is about to pitched unless she comes up with some groin destroying karate or a fingernail rake to the eyes. Not related to the 1960 French movie thriller of the same name (as far as we know), this was published by Éditions le Trotteure for their series Les Grands Romans Noirs in 1953, and written by Peter Viane, who was a pseudonym used by Pierre Cambon and his wife Viviane Pernet. To see more Mik, click.
Hell hath no fury like a woman armed.
We’re back to book covers today with two from Éditions de la Seine’s series Agents Secrets Contre X. The first is La rouquine flamboyante, by Georges Mera, and the second is Gangsters en smoking by Jacques Alexandre, both from 1956. The first title, translated, means “The Fiery Redhead,” and as for the second, “smoking” in French means either “tuxedos,” or “smoking jackets,” depending. The art is by the great Jacques Thibésart, aka Mik, and if you want to see a bit more from him check here.
When we said the Devil is in the details, we had no idea how prophetic that would turn out to be.
So, we got an email a few days ago from a reader named Paul about our Mort au diable post "The Devil Is in the Details" from last month, and we were asked if we were 100% sure the art for that poster was painted by Jacques Thibésart. Well, we thought we were. Then we realized we weren’t. Turns out the poster was from the Belgium’s S.P.R.L. Belgique, and they have a mark that, if you aren’t paying close attention, looks like Thibésart’s signature. Thibésart signed his work Mik, Tib, or with his own name sometimes, but the Mort au diable signature, which reads Wik, is obviously different (see above). S.P.R.L. is a famous press, and their signature is well known—to everyone but us, as of a couple of days ago. Below is the last portion of our reply to Paul:
It's actually rather interesting, because for us the site is just simple fun, and we often joke in our posts about how we don't take it seriously. However our analytics tell us that people are continually cross referencing here and using it for research, and the traffic is far larger than we ever expected [snip]. With that in mind, we pledged a while back to try and get all our information correct, and we are quite diligent nowadays, but something still slips through occasionally. Without readers checking our facts, we'd never get everything right, so you've done us a big favor.
So there you have it. Epic fail on Mort au diable, but every mistake makes us a little better. We’ve corrected the earlier post, but didn’t want the change to go unacknowledged. As it happens, yesterday we were in France, in a town called Bayonne, and at a vintage bookshop we saw another piece from S.P.R.L. Belgique. We didn’t have any Thibésart handy to use for a detailed comparison of the signatures, but there was no need—we already knew we’d gotten it wrong. Now the good news. First, we picked up a stack of great French pulp. And second, we’re going to get this Thibésart thing right today. All the great book covers below are his. They’re from the imprint Presses Mondiales for their series Amour et Police, and were published during the 1950s. 100% on this. Seriously.
I’m going to burst your bubble in more ways than one, mister.
Above, a very cool cover from French illustrator Mik for Arnold Rodin’s 1954 novel Au rythme des rafales, which means “the rhythm of the bursts.” Like from a gun. So, we posted a Mik cover a while back and said we had no info on him. Turns out he’s Jacques Thibésart, who did some illustrations for Mystery Magazine, which was the French version of Ellery Queen’s Mystery Magazine. This particular cover shows the different result when a skinny dipping woman is packing heat, and not. We’ll try to locate some more Mik covers and post them in the future.
International man of mystery.
We’re back to the French pulp today, with R. M. Letenre and his 1953 thriller Carte grise pour vienne, number 18 for Editions le Trotteur’s series Espions et Agents Secrets. We also have his 1954 effort for the horror series Frayeurs, Jennifer filleule du diable. The first book is illustrated by Mik, and the second by Aslan. We found zero information on Letenre, even on the many French websites and blogs we frequent. We'll dig, as always. In the meantime, it seems like a good opportunity to mention that our pulp uploader (in the right sidebar) is working again, so how's about somebody research this Letenre for us and shoot us some data?
The headlines that mattered yesteryear.
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder
, Carmen Jones
, The Man with the Golden Arm
, and Stalag 17
, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.
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