Vintage Pulp Oct 14 2019
HOT IN THE CITY
The temperature rises and the bodies fall in Fritz Lang's tense film noir.


In the thriller The Big Heat, which is based on a novel by William P. McGivern and directed by Fritz Lang, Glenn Ford plays one of the toughest men you'll find in film noir—ass kicking detective Dave Bannon, whose clash with organized crime sends him down a rogue path that leaves people battered, bruised, bloodied, burnt, and blown up. He co-starred with Gloria Grahame, and the way the plot develops, she turns out to be every bit as tough. We can't tell you anything about the movie others already haven't about a thousand times, so we're focusing instead on this top notch promo poster, a framable classic in the panel format we love. You'll see this online only occasionally because it's way too rare for sellers to ever have in stock, but it's a fitting piece for such a great movie. The Big Heat premiered in the U.S. today in 1953.

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Vintage Pulp Feb 2 2019
1959: A RACE ODDITY
They'll have to choose what they hate more—their circumstances or each other.


The Noir City Film Festival rolls on with Robert Wise's 1959 thriller Odds Against Tomorrow. Harry Belafonte and Robert Ryan star in a heist story that brings a touch of underground jazz and an edge of racial tension to the narrative mix. It would play nicely on a double bill with In the Heat of the Night, but fits at Noir City too. In fact it might be the darkest film noir on the bill. Belafonte is in debt to mobsters and Ryan is broke and feels emasculated being supported by his girlfriend. When ex-cop Ed Begley brings the two together for a lucrative robbery both see it as the only answer. The robbery has the same problems associated with any heist, with the added complication of Ryan's racism.

Some reviews of this film try to suggest equivalence between these two characters. Uh, no. Belafonte's separatist leanings and distrust of whites in a society that is unfair toward him is a precaution; Ryan's separatist leanings and distrust of blacks in a society that favors him is oppression. This is a basic sociological truth as it relates to power in any society, and it's irksome that some reviewers miss this. Belafonte respondsto aggressive hate with reactive hate. The expectation that he possess superhuman forbearance while his oppressor can be merely human removes context and wrongly demands that everybody behave identically despite their different circumstances and different locations within the spectrum of power.

Much of the movie examines Belafonte's and Ryan's respective attitudes along these lines, with the heist coming in a flurry of action at the end. The robbery is basically foolproof, but only if the powder keg of racial resentment doesn't blow it sky high. The points Wise is making here, which originate with William P. McGivern's novel, are simply these: cooperate and succeed, or fight and fail. All Ryan needs to do extend the hand of respect, but because of his prejudice he fails again and again, which hardens Belafonte's already suspicious attitudes. Who do these two hate more—their circumstances or each other? That's what Odds Against Tomorrow asks, about its characters, and the U.S. Festivalgoers will leave the cinema talking about this one.

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Vintage Pulp Jul 27 2018
A FATE WORSE THAN DEATH
I could stop coloring it, I guess. But then I'd be a brunette again, and that's worse than dying young.


Above, an uncredited cover for Blondes Die Young by Bill Peters. The author is aka William P. McGivern, and the book is hard boiled action in Chicago's jazz clubs and dope dens, as the sleuth protagonist Bill Canalli tries to track down the culprit who murdered his girlfriend. Who by the way has barely cooled to room temperature before slick Bill beds another woman, but what's a hard boiled guy to do? Anything to get to the bottom—of the case. The hero's treatment of this woman will raise some eyebrows in this day and age, but this is still an involving tale and we like that it doesn't get too moralistic about the drugs angle. And we got it for four bucks, which is an absolute steal. It was written in 1952 originally, with this Popular Library paperback edition appearing in 1953. 

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Vintage Pulp Mar 14 2013
AMAZING YEAR
1941—when the future was just twenty cents away.

Amazing Stories was launched in 1926 and was the first publication devoted solely to sci-fi. These issues span January to December 1941. Most of the pieces (those that prominently feature figures) are by the excellent J. Allen St. John. Leo Morey painted February, Stockton Mulford painted July, Robert Fuqua painted September and November, and Rod Ruth painted December. We have a hundred and thirty-three fully scanned issues of this magazine, which is pretty cool, though we’ll probably never have time to read them. But we’ll certainly share more down the line. 

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History Rewind
The headlines that mattered yesteryear.
March 03
1959—Lou Costello Dies
American comedian Lou Costello, of the famous comedy team Abbott & Costello, dies of a heart attack at Doctors' Hospital in Beverly Hills, three days before his 53rd birthday. His career spanned radio and film, silent movies and talkies, vaudeville and cinema, and in his heyday he was, along with partner Abbott, one of the most beloved personalities in Hollywood.
March 02
1933—King Kong Opens
The first version of King Kong, starring Bruce Cabot, Robert Armstrong and Fay Wray, and with the giant ape Kong brought to life with stop-action photography, opens at Radio City Music Hall in New York City. The film goes on to play worldwide to good reviews and huge crowds, and spawns numerous sequels and reworkings over the next eighty years.
1949—James Gallagher Completes Round-the-World Flight
Captain James Gallagher and a crew of fourteen land their B-50 Superfortress named Lucky Lady II in Fort Worth, Texas, thus completing the first non-stop around-the-world airplane flight. The entire trip from takeoff to touchdown took ninety-four hours and one minute.
1953—Oscars Are Shown on Television
The 26th Academy Awards are broadcast on television by NBC, the first time the awards have been shown on television. Audiences watch live as From Here to Eternity wins for Best Picture, and William Holden and Audrey Hepburn earn statues in the best acting categories for Stalag 17 and Roman Holiday.
March 01
1912—First Parachute Jump Takes Place
Albert Berry jumps from a biplane traveling at 1,500 feet and lands by parachute at Jefferson Barracks, Missouri. The 36 foot diameter chute was contained in a metal canister attached to the underside of the plane, and when Berry dropped from the plane his weight pulled the canopy from the canister. Rather than being secured into the chute by a harness, Berry was seated on a trapeze bar. It's possible he was only the second man to accomplish a parachute landing, as there are some accounts of someone accomplishing the feat in California several months earlier.
1932—Lindbergh Baby Is Kidnapped
The twenty-month-old son of aviator Charles Lindbergh, Charles Augustus Lindbergh III, is kidnapped from the family home in East Amwell, New Jersey. Over two months later the toddler's body is discovered in woods a short distance from the home. A medical examination determines that he had died of a massive skull fracture. A German carpenter named Bruno Hauptmann is arrested, tried, and convicted for the crime. He is sentenced to death and executed in April 1936.
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