Vintage Pulp Oct 14 2019
HOT IN THE CITY
The temperature rises and the bodies fall in Fritz Lang's tense film noir.


In the thriller The Big Heat, which is based on a novel by William P. McGivern and directed by Fritz Lang, Glenn Ford plays one of the toughest men you'll find in film noir—ass kicking detective Dave Bannon, whose clash with organized crime sends him down a rogue path that leaves people battered, bruised, bloodied, burnt, and blown up. He co-starred with Gloria Grahame, and the way the plot develops, she turns out to be every bit as tough. We can't tell you anything about the movie others already haven't about a thousand times, so we're focusing instead on this top notch promo poster, a framable classic in the panel format we love. You'll see this online only occasionally because it's way too rare for sellers to ever have in stock, but it's a fitting piece for such a great movie. The Big Heat premiered in the U.S. today in 1953.

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Vintage Pulp Feb 2 2019
1959: A RACE ODDITY
They'll have to choose what they hate more—their circumstances or each other.


The Noir City Film Festival rolls on with Robert Wise's 1959 thriller Odds Against Tomorrow. Harry Belafonte and Robert Ryan star in a heist story that brings a touch of underground jazz and an edge of racial tension to the narrative mix. It would play nicely on a double bill with In the Heat of the Night, but fits at Noir City too. In fact it might be the darkest film noir on the bill. Belafonte is in debt to mobsters and Ryan is broke and feels emasculated being supported by his girlfriend. When ex-cop Ed Begley brings the two together for a lucrative robbery both see it as the only answer. The robbery has the same problems associated with any heist, with the added complication of Ryan's racism.

Some reviews of this film try to suggest equivalence between these two characters. Uh, no. Belafonte's separatist leanings and distrust of whites in a society that is unfair toward him is a precaution; Ryan's separatist leanings and distrust of blacks in a society that favors him is oppression. This is a basic sociological truth as it relates to power in any society, and it's irksome that some reviewers miss this. Belafonte respondsto aggressive hate with reactive hate. The expectation that he possess superhuman forbearance while his oppressor can be merely human removes context and wrongly demands that everybody behave identically despite their different circumstances and different locations within the spectrum of power.

Much of the movie examines Belafonte's and Ryan's respective attitudes along these lines, with the heist coming in a flurry of action at the end. The robbery is basically foolproof, but only if the powder keg of racial resentment doesn't blow it sky high. The points Wise is making here, which originate with William P. McGivern's novel, are simply these: cooperate and succeed, or fight and fail. All Ryan needs to do extend the hand of respect, but because of his prejudice he fails again and again, which hardens Belafonte's already suspicious attitudes. Who do these two hate more—their circumstances or each other? That's what Odds Against Tomorrow asks, about its characters, and the U.S. Festivalgoers will leave the cinema talking about this one.

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Vintage Pulp Jul 27 2018
A FATE WORSE THAN DEATH
I could stop coloring it, I guess. But then I'd be a brunette again, and that's worse than dying young.


Above, an uncredited cover for Blondes Die Young by Bill Peters. The author is aka William P. McGivern, and the book is hard boiled action in Chicago's jazz clubs and dope dens, as the sleuth protagonist Bill Canalli tries to track down the culprit who murdered his girlfriend. Who by the way has barely cooled to room temperature before slick Bill beds another woman, but what's a hard boiled guy to do? Anything to get to the bottom—of the case. The hero's treatment of this woman will raise some eyebrows in this day and age, but this is still an involving tale and we like that it doesn't get too moralistic about the drugs angle. And we got it for four bucks, which is an absolute steal. It was written in 1952 originally, with this Popular Library paperback edition appearing in 1953. 

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Vintage Pulp Mar 14 2013
AMAZING YEAR
1941—when the future was just twenty cents away.

Amazing Stories was launched in 1926 and was the first publication devoted solely to sci-fi. These issues span January to December 1941. Most of the pieces (those that prominently feature figures) are by the excellent J. Allen St. John. Leo Morey painted February, Stockton Mulford painted July, Robert Fuqua painted September and November, and Rod Ruth painted December. We have a hundred and thirty-three fully scanned issues of this magazine, which is pretty cool, though we’ll probably never have time to read them. But we’ll certainly share more down the line. 

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History Rewind
The headlines that mattered yesteryear.
December 09
1965—UFO Reported by Thousands of Witnesses
A large, brilliant fireball is seen by thousands in at least six U.S. states and Ontario, Canada as it streaks across the sky, reportedly dropping hot metal debris, starting grass fires, and causing sonic booms. It is generally assumed and reported by the press to be a meteor, however some witnesses claim to have approached the fallen object and seen an alien craft.
December 08
1980—John Lennon Killed
Ex-Beatle John Lennon is shot four times in the back and killed by Mark David Chapman in front of The Dakota apartment building in New York City. Chapman had been stalking Lennon since October, and earlier that evening Lennon had autographed a copy of his album Double Fantasy for him.
December 07
1941—Japanese Attack Pearl Harbor
The Imperial Japanese Navy sends aircraft to attack the U.S. Pacific Fleet and its defending air forces at Pearl Harbor, Hawaii. While the U.S. lost battleships and other vessels, its aircraft carriers were not at Pearl Harbor and survived intact, robbing the Japanese of the total destruction of the Pacific Fleet they had hoped to achieve.
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