Hear that? Sounds like the approach of my next sexual conquest. Just grab your things and head out the side door.
Sean Connery died a few days ago at age ninety, so we think it's a good time to share a rarity we'd been hoarding for a while. Connery and Luciana Paluzzi star on the cover of this Japanese edition of Ian Fleming's James Bond thriller 007/Sandâbôru sakusen, better known to the world as Thunderball. This was put out by Hayakawa Books as a movie tie-in just before the film hit Japan in December 1965. Fleming originally published it in 1961 as a novelization of an unfilmed-at-the-time Bond screenplay by Kevin McClory, Jack Whittingham, Ivar Bryce, and Ernest Cuneo. That's a lot of people, and unsurprisingly there was rancor involved in who got credited before a court settled the issue. This is an awesome find, and the rear cover is interesting too. We'll have more rare Bond items a little later.
Garzanti cover for Bond collection is absolutely favoloso.
Here's a little something to add to the Ian Fleming bin. This is Il favoloso 007 di Fleming, published in Italy in 1973 by the Milan based company Garzanti. It's a compendium of the four James Bond novels Casinò Royal, Vivi e lascia morire, Il grande slam della morte, and Una cascata di diamanti, better known as Casino Royale, Live and Let Die, Moonraker, and Diamonds Are Forever. The cover for this is great, we think, and as a bonus the interior also contains some black and white photos.
But really, we were drawn to this because of the model and her fishnet bodysuit. Or is that lace? Doesn't matter. She's none other than Claudine Auger, aka Domino from 1965's Thunderball. Sean Connery gets a corner of the cover as well, and the rear is interesting too, with its shark and cards from To Live and Let Die. Technically, those cards should be tarots, but whatever, nice art anyway. And speaking of nice, we also located the photo used to make the cover, and you see that below too. Really cool collector's item, which we'd buy if we read Italian. But alas, that isn't one of our languages, so this one still languishes at auction.
It's a big gun, but she's hunting big game.
Italian actress Luciana Paluzzi looks convincingly lethal sporting a Remington 1000 shotgun in this promo shot from the James Bond thriller Thunderball—though she's so small we suspect if she fired it she'd somersault backward into the ocean. But in the film she handles the gun just fine as Fiona Volpe, a member of the murderous spy cartel S.P.E.C.T.R.E. Most Bond aficionados consider her one of the top femmes fatales of the series, and we agree. The image dates from 1965.
Something about Paris just makes you want to dance.
This issue of Cancans de Paris, which is number 10, hit newsstands this month in 1966 featuring cover star Virginia Litz, someone we saw a while back in Folies de Paris et de Hollywood, but modeling under the pseudonym Arabelle. Turns out Litz may be a pseudonym too, as we've determined she's also known—and better known—as Christine Aarons. She pops up inside Cancans along with Gloria Paul, Dany Carrel, Sylvia Sorrente, and Uta Levka, as well as Sean Connery and Claudine Auger, who were starring together in Thunderball. We have Virginia Litz/Christine Aarons on at least one other mid-century magazine, which we'll post a bit later. In the meantime below are assorted scans from today's issue.
Eew, you mean you want me to, like, hug her and stuff?
When we saw this we had to share it. It’s a centerfold from Belgium’s Ciné Télé Revue magazine featuring Claudine Auger and Sean Connery. Made when they were promoting their pairing in the James Bond actioner Thunderball, the dubious expression on Connery’s seemingly lipsticked face is exactly the same as if he’d been forced to hug an octopus, while Auger seems to be having fun, but ended up with a double chin that probably made her shriek in horror when she saw the shot. But even though we suspect both actors probably fired their publicists after this, the result is a rare, candid photo showing that even the prettiest stars are, in the end, imperfect.
Raquel Welch represents a high water mark for the low rent National Spotlite.
Her body drives men wild. But it isn’t Raquel Welch being quoted on the cover of this National Spotlite published today in 1967, though the juxtaposition of text makes it seem so. No, the line came from a little known actress named Donna Selby, who National Spotlite scribe Hugh Wells interviewed in London. The story is rather amusing, as Wells tells readers how Selby appeared in only a bathrobe, made a pass at him, gave him an unwanted kiss and even licked his ear. He claims to have fled the room, saying to the actress, “I predict that you’ll go places—and quickly too!” But he was wrong about that—try as we might, we can’t find mention of an actress named Donna Selby anywhere.
But getting back to Raquel Welch, the cover shot comes from one of her most famous photo sessions, the same one that produced this excellent image and many others. Welch had gone briefly blonde, and the resultant photos are the only ones we’ve seen of her with golden hair. You know what would make her presence here even better? An interview. But no such luck. National Spotlite is simply making good use of a handout photo. Moving on, readers are treated to a nice shot of Patsy Ann Noble, aka Trisha Noble, just below, who we discussed back in 2009, and alsoappearing in the issue is German actress Dagmar Hank, who acted in several movies between 1958 and 1965. Lastly, in the centerfold you get Molly Peters, who was a Harrison Marks model and whose most notable cinematic output was a bit part in Thunderball.
You have to give National Spotlite credit—unlike many middle tier tabloids of the period this one managed to actually feature relevant and semi-relevant personalities. That comes as a surprise, since it was owned by the infamous Beta Publications of Spotlite Extra and Close-Up Extra fame. But as the flagship paper, National Spotlite doubtless had a higher budget. The masthead tells us it even had offices in New York City and Montreal, which is kind of impressive. Within a few more years, though, the paper regressed to the same form as Beta’s cheaper imprints and was reduced to putting out issues like this one. Like Marlon Brando in On the Waterfront, for a while National Spotlite coulda been a contenduh. It just never quite made it.
We’ve got something special up our sleeves.
Above and below are the front and rear sleeves of four Japanese soundtrack pressings for the 1960s James Bond films Thunderball, From Russia with Love, You Only Live Twice, and Goldfinger. The themes were sung by Tom Jones, Matt Munro, Nancy Sinatra, and Shirley Bassey respectively, and pictured along with Sean Connery you see Bond beauties Claudine Auger and Shirley Eaton. Ms. Eaton, as wrong-place wrong-time Jill Masterson, had the dubious honor of being suffocated under a coating of gold paint, certainly one of the most infamous deaths of any Bond femme. We think these sleeves are great, and if you agree and want to see a lot more excellent 007 soundtrack art, check our previous posts here, here, and especially here.
On a related note, the Bond franchise’s fiftieth anniversary is next month, and in honor of the occasion former star Roger Moore, along with co-stars Britt Ekland and Richard Kiel, are touring around England with a Blu-ray box set of all the films, which are stored inside a gold case that is in turn comfortably riding in one of Bond’s preferred vehicles, an Aston Martin DBS. Actors, auto, and discs are visiting some of the iconic locations of the Bond series in advance of the release of the next film, which is entitled Skyfall. You can read more about all that here.
Drink up little Suzy.
British actress Suzy Kendall, who appeared in Thunderball, The Bird with the Crystal Plumage and To Sir with Love, relaxes in a bath with a cocktail in this marked up promo shot from the set of 1970's film version of John MacDonald's classic thriller Darker than Amber.
Here’s an image of Claudine Auger we bet you’ve never seen before. That’s because it comes from the hard-to-find Japanese film magazine Movie Pictorial, published September 1970. Auger, a former Miss France, debuted in cinema in 1960, but became known in the U.S. when she played Domino in the James Bond film Thunderball in 1965.
The headlines that mattered yesteryear.
1958—Plane Crash Kills 8 Man U Players
British European Airways Flight 609 crashes attempting to take off from a slush-covered runway at Munich-Riem Airport in Munich, West Germany. On board the plane is the Manchester United football team, along with a number of supporters and journalists. 20 of the 44 people on board die in the crash.
1919—United Artists Is Launched
Actors Charlie Chaplin, Mary Pickford, Douglas Fairbanks, along with director D.W. Griffith, launch United Artists. Each holds a twenty percent stake, with the remaining percentage held by lawyer William Gibbs McAdoo. The company struggles for years, with Griffith soon dropping out, but eventually more partners are brought in and UA becomes a Hollywood powerhouse.
1958—U.S. Loses H-Bomb
A 7,600 pound nuclear weapon that comes to be known as the Tybee Bomb is lost by the U.S. Air Force off the coast of Savannah, Georgia, near Tybee Island. The bomb was jettisoned to save the aircrew during a practice exercise after the B-47 bomber carrying it collided in midair with an F-86 fighter plane. Following several unsuccessful searches, the bomb was presumed lost, and remains so today.
1906—NYPD Begins Use of Fingerprint ID
NYPD Deputy Commissioner Joseph A. Faurot begins using French police officer Alphonse Bertillon's fingerprint system to identify suspected criminals. The use of prints for contractual endorsement (as opposed to signatures) had begun in India thirty years earlier, and print usage for police work had been adopted in India, France, Argentina and other countries by 1900, but NYPD usage represented the beginning of complete acceptance of the process in America. To date, of the billions of fingerprints taken, no two have ever been found to be identical.
1974—Patty Hearst Is Kidnapped
In Berkeley, California, an organization calling itself the Symbionese Liberation Army kidnaps heiress Patty Hearst
. The next time Hearst is seen is in a San Francisco bank, helping to rob it with a machine gun. When she is finally captured her lawyer F. Lee Bailey argues that she had been brainwashed into committing the crime, but she is convicted of bank robbery and sentenced to 35 years imprisonment, a term which is later commuted.
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