If you're looking for a tale with a happy ending look somewhere else.
We're doing a pinku double-dip today because life is short and the shit we want to post keeps piling up. Even at an increased rate it'll take another ten years to get this stuff uploaded. Will websites as we understand them even exist then? Will blogs exist? We've already read that blogging is dead. Multiple times. Well, we keep chugging along, and today's journey involves two more promos, these for Nikkatsu Studios' infamous roman porno drama Dabide no hoshi: Bishôjo-gari, aka Beautiful Girl Hunter, which is based on a Maasaki Soto manga and premiered in Japan today in 1979. That's Hiromi Namino on the art, who as far as we know made only one other film.
So we watched this, and yup, it's twisted. Long story short, an escaped lunatic commits a rape which results in a pregnancy, and the rape child grows up to become a rapist. Every taboo is shattered in this one, including ones you've never imagined. As we always note for readers unfamiliar with this genre, there's no actual sex, no frontal nudity. Everything is done with camera angles, the power of suggestion, and acting. Still... holy fuck. But what you really want to know is whether the movie is any good. Objectively it's well made, but it also made us question whether liking roman porno posters and being interested in the genre's history and culture are sufficient enough reasons to keep watching the films.
Yet there are also serious points in this movie about intergenerational violence, and whether it's at all possible for parents to love (or even treat decently) a child conceived via rape. To us, neither question feels responsibly examined enough to justify the existence of the movie. After all, it's first and foremost a piece of sexploitation, and the steady supply of nudity sort of undercuts any serious intent. We much prefer Toei Company's pinky violence films. The women in those either win or cause a hell of a lot of trouble trying. By contrast films like Beautiful Girl Hunter feel deliberately regressive, as we've noted before. These Nikkatsu guys will be the end of us yet.
There isn't much chasing in The Great Chase but the movie is definitely great.
Norifumi Suzuki's Karei-naru tsuiseki, aka The Great Chase is fast, funny, and bizarre entertainment. Etsuko Shihomi plays a Formula 1 driver who also works for the Japanese secret service, in this case taking down an international drug syndicate. Shihomi was already a star in Japanese cinema from her supporting roles in Sonny Chiba's Streetfighter and its spin-offs. Karei-naru tsuiseki sees her honing her solo chops—literally, as she karates the shit out of dozens of guys. But you get so much more than fistfights here—you get Shihomi in disguises, a corpse filled with cocaine, a girl in armor being force fed a banana, a nun brawl in a church, a mob boss dressed as a bear, a fight on what has to be the world's highest cable car, and more. Pure cheese, but of the most flavorful sort, and with a top notch promo poster featuring Shihomi in a discolicious polka dot two-piece. We have posters for five other Shihomi actioners and she looks badass on all of them. We'll share those in the future. Karei-naru tsuiseki premiered today in 1975.
Who said life couldn’t be a bed of roses?
Way back in 2009 two promos for Seijû gakuen were the first pinku posters we ever shared on Pulp Intl. Ah, the good old days. We got the title wrong and misspelled the name of the star, but other than that, what a glorious memory. When we located that pair of posters we also found two others, and now, years later, we’re getting around to sharing those too. Seijû gakuen was known in the West as School of the Holy Beast, and above you see a rare two panel horizontal poster. At that orientation it renders a little small here, so we’ve posted the panels seperately below:
The second poster we wanted to share is a somewhat less colorful effort, but still quite nice, with a splash of rose pink in the middle. You see that below:
In addition to starring Yumi Takigawa, Seijû gakuen had Emiko Yamauchi and Pulp fave Yayoi Watanabe, and as we mentioned in the previous post, it’s nunsploitation from Toei Studios. As you no doubt have deduced, Takigawa goes through all kind of indignities, and at one point is bound with vines and whipped across her naked torso by two nuns using bouquets of roses (and, more importantly, their thorns). It’s a bizarre and bloody but beautifully shot spectacle.
Lastly, just below, we’ve decided to share a promo image of Yumi Takigawa looking her radiant best. She spends a good portion of the movie wearing a nun’s habit that covers everything except her face. If Toei and director Norifumi Suzuki wanted a lead actress whose face could be isolated in that manner yet still hold an audience’s attention they succeeded. Seijû gakuen was Takigawa’s first film but not her last—she’s still quite busy as an actress, appearing mainly on television. Seijû gakuen premiered today in 1974.
The secret life of flowers.
There’s quite a bit of information about Norifumi Suzuki’s pinky violence masterpiece Sukeban, aka Girl Boss Revenge: Sukeban on the web already, so we don’t need to add to it. And if you’re looking for posters, the promo art for this film is also abundant. But we can’t really call ourselves one of the go-to spots for pinku art without featuring this classic, so we have said poster above, with avenging angel Miki Sugimoto sporting a rose tattoo on her thigh, and co-star Reiko Ike lurking in the background. You can read a detailed review of the film and see a trailer at the website Spinning Image. Also, keep an eye out on Pulp Intl.—we have an amazing nude promo poster of Sugimoto, never before seen on the internet, that we’ll be sharing in the next few weeks. Sukeban premiered in Japan today in 1973.
Think you hated school before? Just wait.
Below, two posters for Norifumi Suzuki’s actioner Kyôfu joshikôkô: Onna bôryoku kyôshitsu, aka Terrifying Girls High School: Women’s Violent Classroom, with Reiko Ike and Miki Sugimoto. It premiered in Tokyo today in 1972.
Reiko Ike chops off her enemies’ heads so they can be topless too.
Sometimes you just have to have a little Reiko Ike, so we brought her back today on a poster from her 1971 sword opera Sukeban Blues: Mesubachi no Gyakusyû, aka Girl Boss Blues: Queen Bee’s Counterattack. In this first installment of the Girl Boss series, Reiko plays the leader of a motorcycle gang who angers the local yakuza by daring to engage in sex for sheer pleasure, rather than for profit. As usual, she’s pushed to the breaking point and juliennes her enemies with the help of several accomplices, including fellow pinky queen Miki Sugimoto. While this isn’t the strongest of director Norifumi Suzuki’s films, it’s got the requisite portions of sex, violence, and audacious shock. For fans of the genre, that’s probably more than enough.
Miki Sugimoto and Reiko Ike take a stab at high school.
The titles of these pinku flicks can be comically descriptive. Kyôfu joshikôkô: bôkô rinchi kyôshitsu, aka Terrifying Girls’ High School: Lynch Law Classroom is the type of title that might leave you thinking you’ve just learned all there is to know about the film. But that isn’t true because it isn’t plotting, but creative staging of sex, nudity, and violence that makes pinku so interesting. Director Norifumi Suzuki isn’t at the top of his game here, but a subpar effort from the Hendrix of bloodporn still blows most of his peers clean off the stage, especially when it stars Miki Sugimoto and Reiko Ike. Kyôfu joshikôkô: bôkô rinchi kyôshitsu opened in Japan today in 1973.
There will be bloodspray.
Anytime you get Reiko Ike in a flick, vital fluids will stain the walls. Furyô anego den: Inoshika Ochô, aka Sex & Fury, falls into a category generally known as “pinky violence,” which was conceived and created by the movie studio Toei Company. Like yesterday’s Seijû gakuenaka, this film is a Norifumi Suzuki-conducted symphony of lesbian sex, shock-nudity and hyperviolent action. Near the mid-point Suzuki treats us to a sequence in which the heroine is surprised in the bath by eight Yakuza, but leaps from the tub and fights them naked. The vicious sword battle spills from the bath chamber into a courtyard, all in wonderfully choreographed slow motion, with arterial spray jetting hither and yon like water from the Bellagio Fountain. It’s one of the most famous and daring sequences in cinema history, and was echoed by David Cronenberg in his recent thriller Eastern Promises. You may notice that Reiko Ike is upstaged on the poster (and the black-bordered alternate version below) by a bare-breasted Christina Lindberg. Ms. Lindberg is a sexploitation queen who we’ll talk more about in the future. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.
The headlines that mattered yesteryear.
1974—Police Raid SLA Headquarters
In the U.S., Los Angeles police raid the headquarters of the revolutionary group the Symbionese Liberation Army, resulting in the deaths of six members. The SLA had gained international notoriety by kidnapping nineteen-year old media heiress Patty Hearst
from her Berkeley, California apartment, an act which precipitated her participation in an armed bank robbery.
1978—Charlie Chaplin's Missing Body Is Found
Eleven weeks after it was disinterred and stolen from a grave in Corsier near Lausanne, Switzerland, Charlie Chaplin's corpse is found by police. Two men—Roman Wardas, a 24-year-old Pole, and Gantscho Ganev, a 38-year-old Bulgarian—are convicted in December of stealing the coffin and trying to extort £400,000 from the Chaplin family.
1918—U.S. Congress Passes the Sedition Act
In the U.S., Congress passes a set of amendments to the Espionage Act called the Sedition Act, which makes "disloyal, profane, scurrilous, or abusive language" about the United States government, its flag, or its armed forces, as well as language that causes foreigners to view the American government or its institutions with contempt, an imprisonable offense. The Act specifically applies only during times of war, but later is pushed by politicians as a possible peacetime law, specifically to prevent political uprisings in African-American communities. But the Act is never extended and is repealed entirely in 1920.
1905—Las Vegas Is Founded
Las Vegas, Nevada is founded when 110 acres of barren desert land in what had once been part of Mexico are auctioned off to various buyers. The area sold is located in what later would become the downtown section of the city. From these humble beginnings Vegas becomes the most populous city in Nevada, an internationally renowned resort for gambling, shopping, fine dining and sporting events, as well as a symbol of American excess. Today Las Vegas remains one of the fastest growing municipalities in the United States.
1928—Mickey Mouse Premieres
The animated character Mickey Mouse, along with the female mouse Minnie, premiere in the cartoon Plane Crazy, a short co-directed by Walt Disney and Ub Iwerks. This first cartoon was poorly received, however Mickey would eventually go on to become a smash success, as well as the most recognized symbol of the Disney empire.
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