Femmes Fatales Jun 26 2020
FIVE AT A TIME
Our boyfriends have no clue our slumber parties involve absolutely zero slumbering.


Above is an amazing photo published in the Japanese pop culture magazine Weekly Playboy in 1972. It's uncaptioned, as you can see. Two of the women pictured are pinku actresses Miki Sugimoto and Yuri Yamashina, next to each other at bottom, looking at you rightside up. We have plenty of material on both of them in the website. We can't identify the other models. Feel free to enlighten us.

diggfacebookstumbledelicious

Vintage Pulp May 21 2020
ZERO TO ANTIHERO
That whole prison rehabilitation thing doesn't seem to be working.


Well, this completes the collection of posters we have for Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto as a vigilante cop released from prison to take on a gang of kidnappers. We've shown you the limited edition poster panted by Toru Shinohara, and the tateken sized promo. This is the standard sized poster and finishes up all the promo material we have on this iconic film. Don't worry, though. We have more on Sugimoto and even some rare promo images of her never before seen online. We'll get to those later. 

diggfacebookstumbledelicious

Vintage Pulp Oct 27 2019
THE EXECUTIONER'S SONG
What music do you want played at your funeral?


The classic pinku revenge tale Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody had three incredible posters, and with the sharing of this one we've completed the trifecta. This is a rare two-piece bo-ekibari, similar to what in the U.S. is sometimes called a billboard poster. You'll see it nowhere else online. At least not until it's taken from here. The movie starred icons Reiko Ike and Miki Sugimoto as deadly rivals, was perfectly directed by Atsushi Mihori, and premiered in Japan today in 1973. See the other two posters for this here and here.
diggfacebookstumbledelicious

Intl. Notebook Apr 25 2019
OUR HANDS WERE TIED
Sometimes there's nothing to do but wait to be freed.


You've probably noticed that other than the post we made two days ago (a test, really), there hasn't been any new content on Pulp intl. for over a week. Don't blame us. Blame our server company—again. Different one than last time. Not Thorbjorn and the gang. But still, same bad service. Basically, they made an unannounced upgrade on their end that booted us off the internet. Partly it's our fault. We've been rebuilding the back end of the site for four years, which is way too long, yet at the same time, usually it's a good idea for a server company to send an e-mail blast to its clients warning of important changes. But we fell through the cracks somehow. Were you worried? Just a little? All good now. But you know who loved the fact that we got thrown offline? The Pulp Intl. girlfriends.

Anyway, once we noticed the outage we got the front end of the site back up quickly, but the back end that allows us to post material remained scrambled for longer. Call it an unplanned intermission. An unexpected vacation. An improvisational hiatus. But like we said, we're back to normal now, and on the bright side, at least it wasn't a guy with a machete that caused this interruption. Although interestingly, we're currently being stalked by three guys a friend of ours punched in the eye. So another interruption could occur if they catch either of us alone without our discourager (wooden club). Neither here nor there. We're getting back up to full pulp speed with this naked apology™ featuring a great photo of Japanese actress Miki Sugimoto that appeared in Pocket Punch magazine around 1972. We hope to have few—or even no—problems until at least 2072. Fingers and toes crossed.

diggfacebookstumbledelicious

Vintage Pulp Feb 10 2019
SINGLE BULLET THEORY
The shot heard 'round Japan.


This unusual poster was made to promote a film called Teppôdama no bigaku, known in English by the cool title Aesthetics of a Bullet. The movie came from Art Theatre Guild, or ATG, producers of films in the loose category known as Japanese New Wave, meaning to take a new approach to filmmaking by rejecting traditional ideas and techniques. This one was directed by Sadao Nakajima and stars Tsunehiko Watase as a hot-headed two-bit hustler named Kiyoshi who tries numerous schemes to get ahead, including being a chef, gambling, and breeding rabbits. He fails at all of them, and he's desperate for a break.

When he's given a job by a local yakuza cartel known as Tenyu Group, he quickly learns about the power of a gun. With it he can command others, make them fear and respect him, make them literally kneel. With this gun his sense of self worth is first restored, then inflated. He caresses it, brandishes it, polishes it, treats it better than even the women he lusts for, and the gun confirms that he's superior to others. And once he feels superior he becomes—not to put too fine a point on it—a total asshole. He's actually an abusive chump even before the gun, but the weapon fully unleashes his destructive, hyper-masculine impulses.

The things he does are too ridiculously stupid to get into. Suffice it to say that even for a regular guy these would lead to trouble, but he's Tenyu Group's thug-at-large, which means his erratic behavior and explosive anger offends the other crime bosses. Pretty soon he discovers that he's torn a dangerous rift in the yakuza network. But what Kiyoshi doesn't know—which the audience does from the beginning—is that Tenyu Group hired him in the first place precisely because he's a disruptive fuck-up. Their theory was always that he would spark a gang war. All he has to do is fire that beloved gun once and Tenyu Group will have the excuse it needs.

Aesthetics of a Bullet is obscure, so we knew nothing about it, but we liked it. It's concise, has a strong point of view, and a good supporting cast that includes Miki Sugimoto and Mitsuru Mori. Its only flaw—perhaps unavoidable—is that the lead character is such a misanthropic troublemaker that we could barely tolerate watching him. But we guess that's where the whole rejecting traditional filmmaking comes in. Who needs a likeable or even sympathetic lead? Real life is more complicated than that, and Kiyoshi's fictional life gets plenty complicated too. Even if you can't root for him, at least he won't bore you, and neither will the movie. Aesthetics of a Bullet premiered in Japan today in 1973.
diggfacebookstumbledelicious

Vintage Pulp May 24 2018
SAME OLD BOSS
Seems like she gets tougher to work for every year.


The internet is all about change. When we first wrote about Miki Sugimoto’s 1973 pinku flick Sukeban–Kankain Dasso, aka Girl Boss: Escape from Reform School, we shared a rare tateken sized promo poster and mentioned that it was the first of its kind to appear online, while the standard sized promo could be found anywhere. Six years later it's the tateken poster that's everywhere online, while good scans of the standard promo seem to have disappeared. So here's a good scan of the standard promo. Sukeban–Kankain Dasso premiered in Japan today in 1973.

diggfacebookstumbledelicious

Vintage Pulp May 21 2018
OSAKA FIVE-O
You have the right to remain dead.


We already showed you a rare hand-painted poster for the pinky violence actioner Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs. Today we're showing you the tateken poster, which is rare too, so much so that this may be the best scan you'll of it see online. The kind of washed out look is part of the design. If you haven't seen the movie, it's about a vigilante cop played by Miki Sugimoto who is released from prison by a government agency in order to take down the kidnappers of a powerful politician's daughter.

Like most pinku movies, there's some sexual violence, and many reviewers excoriate this admittedly overused plot device. We don't claim those reviewers are wrong, but it should be noted that rape in pinku is often symbolic, serving both to advance the immediate plot and implant a deeper message. In this case the main perpetrator in the sexual assault of a young Japanese woman is wearing U.S. Navy coveralls. The depth of negative feeling about the U.S. occupation of Japan is made clear. All that said, the constant use of sexual assault in Japanese film—if it was ever artistically justified at all—definitely jumped the shark with the arrival of Nikkatsu Studios' roman porno offerings. We've talked about that before.

One interesting part of assessing vintage art is that at the time it was created the artists often thought they were making a certain statement, but decades later their art is perceived as sending the exact opposite message. Such is the case with pinky violence movies, in which maverick male filmmakers—in this case Yukio Noda—showed Japanese women taking on and usually destroying an entrenched male power structure, but only after being driven to it through degradation and violence. Which in screen terms meant rape. Were there other ways to show women driven to the point where they would kill? No doubt, but in patriarchal 1970s Japan the shock of these films was not how women were driven to kill men, but that they did—and often got away with it.

Miki Sugimoto deals with with some very bad men in Zero Woman, but her focus never wavers. She's to rescue the kidnapped daughter and dispose of the abductors in such a way that no news coverage or police investigation points back toward the father. Wrapped in a crimson raincoat she dispatches villain after villain, but learns that not even the presumed good guys are redeemable—not the politician, not the cops, nobody. It's grim, cynical, nihilistic stuff—and a classic of the genre. Zeroka no onna: Akai wappa opened in Japan today in 1974.

diggfacebookstumbledelicious

Femmes Fatales Feb 25 2018
REMEMBER MIKI
But really, who could ever forget her?


Miki Sugimoto posed for a lot of nude photos. Among 1970s pinku stars Terumi Azuma posed for more, definitely. And probably Naomi Tani too. But we see Sugimoto nudes all the time. These were shot by Japanese lensman Kenji Nagatomo and appeared in the nostalgia magazine Dankai Punch (Baby Boom Punch) in 2007 as a photo feature titled “Remember Zero Woman.” This of course refers to Sugimoto's starring turn in the pinku classic Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, which you should see if you haven't yet. We'll have more from Miki later. Also, seven years ago we posted a shot from this Nagatomo session very similar to the top image, and if you're interested you can see that here.

diggfacebookstumbledelicious

Femmes Fatales Dec 8 2017
MIKI'S HOUSE
Japanese society is very formal, but around here I keep things pretty laid back.


Above, a provocative promo photo of Japanese pinku icon Miki Sugimoto, one of dozens she made, all of which are rare. If you don't know her work we suggest adding it to your life. You can start with this film, this one, and this one.

diggfacebookstumbledelicious

Intl. Notebook Jan 7 2017
DELINQUENTS ON THE LOOSE
Two of pinku's biggest stars headline a special film festival in Tokyo.

If you find yourself in Tokyo today, Cinema Laputa Asagaya is hosting a retrospective of films featuring two of the biggest pinku stars of the 1970s—Reiko Ike and Miki Sugimoto, who are not only big stars but also Pulp Intl. faves who we've discussed many times. A new film will be featured every weekend until April 1, with all the pair's most legendary efforts appearing on the program, including Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale (discussed here and here), Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, for which you can see the badass promo poster hereand of course Furyô anego den: Inoshika Ochô, aka Sex & Fury, which we talked about way back in 2009. There will be thirteen films in all, and the festival represents the best chance to see all these movies on a big screen in many years, and in a pretty cool location too. If you're in the vicinity, don't miss it.

diggfacebookstumbledelicious

Next Page
History Rewind
The headlines that mattered yesteryear.
August 10
1969—Manson Followers Continue Rampage
A day after murdering actress Sharon Tate and four others, members of Charles Manson's cult kill Leno and Rosemary LaBianca. Manson personally orchestrates the event, but leaves the LaBianca house before the killing starts.
1977—Son of Sam Arrested
The serial killer and arsonist known as Son of Sam and the .44 Caliber Killer, is arrested in Yonkers, New York. He turns out to be 24-year-old postal employee David Berkowitz. He had been killing people in the New York area for most of the previous year.
August 09
1945—Nagasaki Destroyed
The United States detonates a nuclear bomb codenamed Fat Man over the city of Nagasaki. It is the second atomic bomb dropped on Japan. 40,000 to 75,000 people are killed immediately, with tens of thousands more sickening and dying later due to radiation poisoning. The U.S. had plans to drop as many as seven more bombs on Japan, but the nation surrendered days later.
1969—Manson Followers Murder Five
Members of a cult led by Charles Manson murder pregnant actress Sharon Tate and coffee heiress Abigail Folger, along with Wojciech Frykowski, Jay Sebring, and Steven Parent. The crimes terrify the Los Angeles celebrity community, and even today continue to fascinate the worldwide public.
Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
Four Aslan Covers for Parme

Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
Pulp art from around the web
https://noah-stewart.com/2018/07/23/a-brief-look-at-michael-gilbert/ trivialitas.square7.ch/au-mcbain/mcbain.htm
theringerfiles.blogspot.com/2018/11/death-for-sale-henry-kane.html lasestrellassonoscuras.blogspot.com/2017/08/la-dama-del-legado-de-larry-kent-acme.html
lasestrellassonoscuras.blogspot.com/2019/03/fuga-las-tinieblas-de-gil-brewer-malinca.html canadianfly-by-night.blogspot.com/2019/03/harlequin-artists-xl.html
Pulp Advertising
Things you'd love to buy but can't anymore
PulpInternational.com Vintage Ads
trueburlesque.blogspot.com
pre-code.com
schlockmania.com
carrefouretrange.tumblr.com
eiga.wikia.com
www.daarac.org
www.jmdb.ne.jp
theoakdrivein.blogspot.com
spyvibe.blogspot.com
zomboscloset.typepad.com
jailhouse41.tumblr.com
mrpeelsardineliqueur.blogspot.com
trash-fuckyou.tumblr.com
filmstarpostcards.blogspot.com
www.easternkicks.com
moscasdemantequilla.wordpress.com
filmnoirfoundation.tumblr.com
pour15minutesdamour.blogspot.com
www.pulpcurry.com
mundobocado.blogspot.com
greenleaf-classics-books.com
aligemker-books.blogspot.com
bullesdejapon.fr
bolsilibrosblog.blogspot.com
thelastdrivein.com
derangedlacrimes.com
www.shocktillyoudrop.com
www.thesmokinggun.com
www.deadline.com
www.truecrimelibrary.co.uk
www.weirdasianews.com
salmongutter.blogspot.com
www.glamourgirlsofthesilverscreen.com
creepingirrelevance.tumblr.com
www.cinemaretro.com
menspulpmags.com
killercoversoftheweek.blogspot.com
About Email Legal RSS RSS Tabloid Femmes Fatales Hollywoodland Intl. Notebook Mondo Bizarro Musiquarium Politique Diabolique Sex Files Sportswire