Modern Pulp | Jan 23 2023 |

The lady is a tramp, and the director is a scamp.
Junko Mabuki is back on Pulp Intl., as you see on this poster for the roman porno movie Dan Oniroku OL nawa dorei, known in English as Office Lady Rope Slave. It premiered in Japan today in 1981, and basically, Junko plays a straight-laced nine-to-fiver who gets involved with a pair of bondage fetishists. These types of films were, of course, her specialty, and she once again gives viewers everything they'd become accustomed to seeing. But we're less interested in the plot of the movie than the reaction at Japan's censorship board Eiga Rinri Kikō. Adherence to its restrictions was ostensibly voluntary on the part of film studios, but the body had real enforcement power. Dan Oniroku OL nawa dorei must have shaken the place to its foundations.
Let's set the scene. One of the censors has shown up at the Eiga Rinri Kikō office for an emergency meeting with the board chief. He and the other members of the body are proud of themselves for their work, which basically just hews to Japanese obscenity standards by forbidding shots of sex organs and pubic hair. But they never really thought it out from the perspective of directors determined to skirt the edges, which suddenly is happening with increasing frequency. Now at least one censor is in a tizzy. He'd be even more agitated if he knew digital technology would make roman porno films globally available, and thus decades later raise uncomfortable questions about Japanese culture and misogyny, but at this point he has no clue about that.
Censor: I'm beginning to think our censorship regime has backfired. I just screened Dan Oniroku OL nawa dorei and that fucker Katushiko shows dripping semen.
Chief: We didn't ban that?
Censor: No. We overlooked it.
Chief: Well, what's a little semen?
Censor: It's dripping from Mabuki Junko's mouth. He also shows vaginal juices, vaginal blood, and strongly implies that Mabuki-kun gets her clitoris clothes-pinned.
Chief: Hmm... that does sound provocative.
Censor: I watched it twice just to be sure of my eyes. It's depraved. Additionally, there's all the usual bondage, some bizarre insertions, an enema, oral sex both heterosexual and lesbian...
Chief: All this without violating a single one of our rules?
Censor: Nothing is actually shown. It seems quite revealing, though, because, well, Mabuki-kun is a very good actress. Great boobs too.
Chief: Agreed. Mabuki-kun has excellent boobs.
Censor: But in general, it feels like these roman porno directors are ridiculing our censorship standards. There's even a moment—I swear—when I felt like the actors looked directly at me and sneered.
Chief: Now you're being paranoid. Regarding the standards, we could change them, make them more restrictive, but it's hell keeping Nikkatsu and the other studios in line already. Any alteration now may cause serious problems.
Censor: *sigh* But the semen...
Chief: What's a little semen? So, that screener is VHS?
Censor: Betamax. It's a better format. Soon everything will be Betamax. I have it with me.
Chief: I better check it out—just to confirm your findings. Leave it by the Beta player over there, and close the door on your way out. Also, tell my secretary I'm not to be disturbed for ninety minutes.







Vintage Pulp | Aug 20 2022 |

She's just a hunka hunka burning love.
Hijinks at a girls school was a standard trope for Japanese filmmakers, so at the sight of the first school uniform in Yumeno Kyûsaku no shôjo jigoku you'll know what to expect. Known in English as Yumeno Kyusaku's Girl Hell, and Raging Hell Fires, this one, which premiered in Japan today in 1977, falls into the sub-category: upstanding-schoolmaster-who's-not-what-he-seems. It's an adaptation of Kyusaku Yumeno's novel Shojo Jigoku, and features Asami Ogawa as a school misfit and Yûko Asuka as a rich girl, who both learn that the principal Masakazu Kuwayama is a rapey old pervert, and decide to take revenge on him. Without getting too deeply into his misdeeds, we can assure you the man deserves to be punished. For that matter, Ogawa's father is a strange bird too. He and the principal know each other better than their rigidly formal attitudes suggest. After a tragedy strikes, the principal becomes convinced he's being haunted thanks to a curse having to do with a chunk of incinerated brain. How did the movie get all the way to brain briquettes? It's better if you don't know in advance. Overall Yumeno Kyûsaku no shôjo jigoku is interesting. Ogawa in particular gives a very game performance. Is the movie recommendable? Perhaps not quite. But there are worse expenditures of ninety minutes.
Vintage Pulp | Sep 8 2020 |

Internal medicine has never been quite like this.
More pinku today, with a beautiful Nikkatsu Studios promo for the roman porno flick Kangofu nikki: Itazurana yubi, known in English as Nurse Diary: Wicked Finger. Etsuko Hara stars as a nurse who works at Murata Hospital and is having an affair with her boss, who hopes to inherit the chief of staff position from his wife's father. Side note for our female readers: never trust a guy who'll cheat on his wife. He'll certainly cheat on you too.
And that's exactly what happens to Etsuko, as her doctor boyfriend takes his internal medicine position literally, with any willing patient that comes along. In order to facilitate her affair with the doctor, Etsuko has moved out of the apartment she was sharing with family members, but now that looks like a mistake, as little sister Emi is left behind to suffer the tender mercies of a sexual predator—oldest sister Keiko.
Yeah, these roman porno movies go anywhere and everywhere, including places they really shouldn't, and that's before we even get to the wicked finger part. And since it wouldn't be roman porno without a totally leftfield subplot, Etsuko in her new apartment has drawn the attentions of a peeping tom, who is so driven to lust by Etsuko's yoga routine that he fantasizes about her while fucking a vacuum cleaner hose, and gets stuck.
And that's all the info we're going to give you. If you want to know where else the movie goes—and who wouldn't?—you'll have to watch it yourself. But first a test. Does the shot of Etsuko at bottom make you want to fuck a vacuum? Then take precautions and lock yours up before watching the movie. Your dick will thank you. Kangofu nikki: Itazurana yubi premiered in Japan today in 1979.
Vintage Pulp | Oct 27 2019 |

If you're looking for a tale with a happy ending look somewhere else.
We're doing a pinku double-dip today because life is short and the shit we want to post keeps piling up. Even at an increased rate it'll take another ten years to get this stuff uploaded. Will websites as we understand them even exist then? Will blogs exist? We've already read that blogging is dead. Multiple times. Well, we keep chugging along, and today's journey involves two more promos, these for Nikkatsu Studios' infamous roman porno drama Dabide no hoshi: Bishôjo-gari, aka Beautiful Girl Hunter, which is based on a Maasaki Soto manga and premiered in Japan today in 1979. That's Hiromi Namino on the art, who as far as we know made only one other film.
So we watched this, and yup, it's twisted. Long story short, an escaped lunatic commits a rape which results in a pregnancy, and the rape child grows up to become a rapist. Every taboo is shattered in this one, including ones you've never imagined. As we always note for readers unfamiliar with this genre, there's no actual sex, no frontal nudity. Everything is done with camera angles, the power of suggestion, and acting. Still... holy fuck. But what you really want to know is whether the movie is any good. Objectively it's well made, but it also made us question whether liking roman porno posters and being interested in the genre's history and culture are sufficient enough reasons to keep watching the films.
Yet there are also serious points in this movie about intergenerational violence, and whether it's at all possible for parents to love (or even treat decently) a child conceived via rape. To us, neither question feels responsibly examined enough to justify the existence of the movie. After all, it's first and foremost a piece of sexploitation, and the steady supply of nudity sort of undercuts any serious intent. We much prefer Toei Company's pinky violence films. The women in those either win or cause a hell of a lot of trouble trying. By contrast films like Beautiful Girl Hunter feel deliberately regressive, as we've noted before. These Nikkatsu guys will be the end of us yet.
Yet there are also serious points in this movie about intergenerational violence, and whether it's at all possible for parents to love (or even treat decently) a child conceived via rape. To us, neither question feels responsibly examined enough to justify the existence of the movie. After all, it's first and foremost a piece of sexploitation, and the steady supply of nudity sort of undercuts any serious intent. We much prefer Toei Company's pinky violence films. The women in those either win or cause a hell of a lot of trouble trying. By contrast films like Beautiful Girl Hunter feel deliberately regressive, as we've noted before. These Nikkatsu guys will be the end of us yet.