What was the must-have possession of 1971? Christina Lindberg.
Here you see a couple of French posters for the 1971 Swedish sexploitation movie Possédée, which means “possessed,” but which was originally titled Exponerad, and was known in the U.S. as Exposed and Diary of a Rape. There's no known release date for the movie in France, but it worked its way across Europe in 1972, so figure it opened in France sometime in the middle of the year. The top poster is one you see often online, but the second promo, in black and white and showing star Christina Lindberg clutched by a male hand, is rare.
We've posted a lot a material on Exponerad. Our continual focus on this is not because the movie is especially worthwhile, but because its promotional materials are great. As an example, below is a shot of Lindberg made to publicize the film, and which appeared in the Japanese magazine Young • Idol • Now. More photos from the session appeared in other Japanese magazines, but this rare shot is by far our favorite. Feel free to check out our other posts on this film by clicking keyword “Exponerad” at bottom.
Christina Lindberg flick expounds upon reality, fantasy, and a woman's struggle in a sexualized world.
The sexploitation flick Exponerad, which premiered in Sweden today in 1971 and is known in English as Exposed and Diary of a Rape, is an exceedingly serious movie considering its genre. That would normally be a sin in our book, but this stars Christina Lindberg, so we figured okay, it's worth a gander. Lindberg, in one of her earliest roles, plays Lena, a high school girl torn between her twerp of a boyfriend Jan and an older, depraved sociopath named Helge. She prefers Jan, but Helge has taken nude photos of her and is using them to blackmail her into servicing guests at his wild parties.
When Jan learns that Lena has been sharing her fuzzy favors, his caveman side comes out and he slaps her. Lena promptly runs away to the country. Here we learn that the wall between reality and fantasy is a thin one for her, and she crosses between it multiple times. She's raped by a stranger, tries to seduce a man who picks her up hitchhiking, dies in a fiery automobile crash, and has other imaginings the audience only knows are in her head once the movie leaps back to the point where those scenes began.
If we consider these fantasies closely it's possible Lena is coming to grips with her sexuality and her place in a sexualized world. A particularly insightful review we read suggested that all of these waking dreams represent the male gaze, which is why they're creepy and violent. It's a theory we like, but we aren't sure if it actually holds up—unless daydreams can leave physical artifacts behind. We know we're being vague. This is when that no spoilers promise we made a while back is inconvenient.
In any case, what the filmmakers wanted to do here was make thought-provoking erotica, and they definitely accomplished that. We picture the producer shaking hands with director Gustav Wiklund and saying, “Well done, lad. Despite all the nudity there's no possibility anyone will get a boner.” Whether the film makes any sense is a different issue. We recommend that if you watch Exponerad, you watch with full attention or you'll get lost long before the double twist ending that'll make you say either, “Aha!” or “Huh?” Fans of ambitious sexploitation, this movie is your jam. We have some promo images beow, and you can see more here and here.
Lindberg takes a break from smoking bad guys to smoke a cigarette.
Above are three candid production photos of Swedish star and Pulp Intl. favorite Christina Lindberg which were made when she was filming the revenge sexploitation flick Thriller - en grym film, known in the English speaking world first as Thriller: A Cruel Picture, then They Call Her One Eye, and later as Hooker's Revenge. The film began its run in Sweden today in 1974. You can read more about it, and see more photos, at this link.
In the land of bad men the one eyed woman becomes queen
Above is a promo poster for the Swedish sexploitation flick Thriller - en grym film. When it was released in the U.S. it was retitled Thriller: A Cruel Picture, then edited and given the revised name They Call Her One Eye, and still later dubbed Hooker's Revenge, which we think gives a bit too much away. But what do we know? It's not like we have marketing degrees. Anyway, the poster above for the film's Thriller incarnation has an unusual shape sometimes referred to as subway size because such promos were usually displayed on mass transit vehicles. As far as we know, no standard vertically oriented poster was ever made with the title Thriller: A Cruel Picture. But if any do exist, you can be sure they're worth a fortune.
Sweden's best export Christina Lindberg stars here as a Frigga, a young woman gone mute due to a sexual assault in her youth. Terrible luck strikes again when, as an adult, she's abducted, addicted to heroin, and forced into prostitution. She resists, but after she harms a customer her pimp punishes her by cutting her eye out with a scalpel. After enduring further indignities she eventually musters the courage to try and escape. Heroin addiction is the leash her pimp counts on to keep her in line, but she's otherwise free to use her down time as she wishes. With the little money she has she secretly buys lessons in martial arts, shooting, and tactical driving, then when the moment is ripe she finally goes on a revenge spree.
There's nothing here you won't find in other 1970s revenge sexploitation flicks except lots of slo-mo, but for Lindberg's fans—among them Quentin Tarantino, who borrowed the eyepatch look for Daryl Hannah when he made Kill Bill—this is probably a must-see. As a side note, you'll sometimes find Lindberg referenced as a porn actress because of this movie. BAV Film made two versions, one with x-rated inserts and one without. The explicit stuff was done by a stand-in. Or a lay-in. In an interview Lindberg once said the hardest part of her career was resisting the constant pressure to do porn. We suspect this was a film she had in mind when she said that. After premiering in France at the Cannes Film Festival in 1973 and later playing in Sweden, Thriller: A Cruel Picture first opened eyes in the U.S. today in 1974.
Seventh movie in famed sexploitation series has plenty to report.
After taking a little break you can be sure we'd return to posting by showing you something unusual, so above you see a beautiful Japanese poster for the West German sexploitation comedy Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein. It's a mouthful, we know. The title would translate as “schoolgirl report part 7 - but the heart must be there.” This word salad was changed for the film's English language release to merely Teenage Playmates. It was the seventh of thirteen films in the Schulmädchen-Report series and is generally regarded as one of the better entries—though having not seen all of them we can't corroborate that. Among its large cast are Elke Deuringer, Ulrike Butz, and Puppa Armbruster. The movie is also said by various websites, including IMDB, to feature Christina Lindberg, but she's not in it. It would be better if she were, but no such luck, and we aren't even sure how that rumor sprouted, except that the cast is uncredited and people have bad eyes.
Plotwise, when a bunch of high school aged brothel workers are arrested they tell a judge and court filled with scandalized spectators how they ended up in such circumstances. Thus the entire film is just a framework for sex vignettes. Our favorite quote: “Naturally I touched my breasts in the shower. Which are erogenous zones according to The Atlas of Sexual Education. My nipples got hard and my... my... my... how should I describe it? My pussy became aroused.” Movies like this fall into the could-not-be-made-today category, which is a good thing—though we should note that all the alleged high schoolers were actors in their twenties, some considerably so. Which will be obvious when you look at the promo images below. After premiering in West Germany in 1974 Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein reached Japan today in 1975.
Fuck—I look at least twenty-five. I guess it's true what they say about this life aging you.
Oh, ah, the fact that some people mistake me for Christina Lindberg is a real turn on!
I'll leave the glasses on, if you don't mind. When this all comes out in court later I'll need to describe you accurately.
Mmm... fuzzy. I love you Mr. Zwetschgenkuchenbear.
The teen brothel is on the third floor. This floor sells designer handbags. Buy one for a woman and you'll get laid even faster than going to a hooker. You'll learn that later in life.
Who's in the mood for kochwurst? Kochwurst, everyone? Okay, kochwurst for all of us, please, waiter. Thanks.
The Atlas of Sexual Education says we're rounding second base. Next stop—deeply unfulfilling sex for pay.
Police! This is a raid! Girls—you're all under arrest! Men—all of you go home and revel in the fact that male privilege lets you off scot-free!
First the airline loses her luggage. And now this.
Above you see an incredibly rare alternate poster for Poruno no joô: Nippon sex ryokô, aka The Pornstar Travels Around Japan, aka The Kyoto Connection. Notice how it promises SEX in big letters. That English word appeared on many Japanese promos of the era, as we've documented before. Basically, the movie is about a Swedish woman who visits Japan and is abducted by a wacko taxi driver. See the original poster and read what we wrote about the flick at this link.
Tabloid perfects the unauthorized photo leak long before the internet age.
This issue of National Informer was published today in 1972. We love this tabloid, but we'd be have to be blind to not see how low rent it is. It's a mess. Words are misspelled, columns and graphics are crooked, and it's heavily padded. For example there's a random photo of a water buffalo and a sexual quip about its backside. That's pure editorial desperation to fill a gap in the layout. And to make sport of such gentle creatures. Sad!
And speaking of unauthorized usage of gentle creatures, Christina Lindberg pops up yet again in Informer. Rather than in an alleged orgy, this time she appears in the story, “Do Sexually Inadequate Hubbies Force Women To Become Lesbians?” Seems like the editors had a real thing for her. But we have to admit, if we had a bunch of photos of Lindberg around we'd probably squeeze her into our editorial content time after time after time after time too.
Um, where were we? Right—elsewhere in Informer, resident prognosticator Mark Travis makes another set of predictions. You know his track record isn't good, which gives us the idea to have a little quiz. So here you go: which of these two predictions did Travis get more wrong?
1: I predict the ghost of Josef Stalin will appear in Red Square in Moscow during a public ceremony and throw the crowd into a panic.
2: I predict a black governor for the state of Georgia in 1974.
It was a trick question. Both predictions were equally wrong. The ghost of Stalin has not appeared in Red Square, and the state of Georgia, which has a 30% black population, has never had a black governor. Actually, there are no black governors of any U.S. state at the moment, and there have been only four in U.S. history. Bunch of scans below.
Italy shows its appreciation for Lindberg's mouth (and the rest of her too).
Above is a poster for Bocca di velluto, which you may know better as the Christina Lindberg film Anita: Swedish Nymphet, or possibly just Anita. In Italian Bocca di velluto means “velvet mouth,” and what can you say about that as a re-title for the Italian market except, you know, it's Italy. Lindberg's lovely mouth plays no role beyond framing dialogue, but we bet busloads of Italians didn't find that out until after they ponied up for the film. We don't have an Italian release date, but Anita had its world premiere in Sweden today in 1973. We already talked about the film in detail, so if you wanna know, go.
Swedish goddess Christina Lindberg explodes onto the international cinema scene.
The movie Rötmånad premiered in Sweden today in 1970, and since a good scan of its promotional poster is almost impossible to find, here you go—a nice clean version featuring star Christina Lindberg walking across a dock in all her glory. We can't imagine where this poster was displayed, unless it was in adult cinemas. Or maybe we're just prudes. Maybe it actually hung in the lobbies of every Swedish movie house and people from Sundsvall to Malmö got a nice look at Lindberg's little fur coat while going into showings of Darling Lili and The Aristocats.
Rötmånad's Swedish title would translate as “dog days,” but when it arrived in English speaking countries it was called What Are You Doing After the Orgy? And funny thing, the film features no orgies, although sex is central to the story. What happens is a man and his seventeen-year-old daughter Anna-Bella's tranquil lives in a lakeside house are turned upside down when mom comes back home after five years away. Surprised at how beautiful her daughter has become, she concocts a scheme to open a brothel in the family boathouse and make Anna-Bella the star attraction. She's for sure not going to win mother of the year for this move, but in her favor, at least she plans to do some of the hard (sex) work herself.
When Anna-Bella meets a nice boy his presence threatens to ruin mom's plan to turn her daughter into a tourist attraction. The situation looks like it will necessitate a drastic solution, but what exactly can you hope to get away with on an idyllic Swedish lakeshore? Rötmånad is billed as a comedy, but if so it's a dark one. No surprise there, since Nordic humor is generally thought of as challenging for other cultures. But whether comic, tragic-comic, or just plain tragic, in the end Rötmånad is still little more than a vehicle for Lindberg to introduce her ample gifts to the world. She does exactly that—explosively. Watch the film and you'll see what we mean. She was nineteen—not seventeen—when the movie was made, she was gorgeous, and after this debut her stardom was assured.
The hard work around the house is never done.
Above is a vanishingly rare Japanese promo poster for the sexploitation flick Maid in Sweden, with starred Christina Lindberg in her only U.S. production. The movie was made by the schlock factory known as Cannon Films, and coming early in Lindberg's career it helped establish her popularity with international audiences. We already talked about it back in 2013, so if you want to know what it's about check this link. We've also uploaded a promo shot of Lindberg you've never seen before, just below. It isn't the last of the unseen Lindbergs we have, so keep an eye out for more. Maid in Sweden premiered in Japan today in 1972 as 情欲 or Yokubō, which is, succinctly, “lust.”
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