If you find yourself in Tokyo today, Cinema Laputa Asagaya is hosting a retrospective of films featuring two of the biggest pinku stars of the 1970s—Reiko Ike and Miki Sugimoto, who are not only big stars but also Pulp Intl. faves who we've discussed many times. A new film will be featured every weekend until April 1, with all the pair's most legendary efforts appearing on the program, including Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale (discussed here and here), Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, for which you can see the badass promo poster here, and of course Furyô anego den: Inoshika Ochô, aka Sex & Fury, which we talked about way back in 2009. There will be thirteen films in all, and the festival represents the best chance to see all these movies on a big screen in many years, and in a pretty cool location too. If you're in the vicinity, don't miss it.

In terms of sheer popularity, Christina Lindberg and Reiko Ike are a pinku dream pairing, but unfortunately they only acted in one film together, 1973’s Furyô anego den: Inoshika Ochô aka Sex & Fury. The above promo shot from that film caught Lindberg with her eyes half closed, but it’s worth seeing even if it’s a bit of an oops moment. You can see two Sex & Fury posters here. 

Anytime you get Reiko Ike in a flick, vital fluids will stain the walls. Furyô anego den: Inoshika Ochô, aka Sex & Fury, falls into a category generally known as “pinky violence,” which was conceived and created by the movie studio Toei Company. Like yesterday’s Seijû gakuenaka, this film is a Norifumi Suzuki-conducted symphony of lesbian sex, shock-nudity and hyperviolent action. Near the mid-point Suzuki treats us to a sequence in which the heroine is surprised in the bath by eight Yakuza, but leaps from the tub and fights them naked. The vicious sword battle spills from the bath chamber into a courtyard, all in wonderfully choreographed slow motion, with arterial spray jetting hither and yon like water from the Bellagio Fountain. It’s one of the most famous and daring sequences in cinema history, and was echoed by David Cronenberg in his recent thriller Eastern Promises. You may notice that Reiko Ike is upstaged on the poster (and the black-bordered alternate version below) by a bare-breasted Christina Lindberg. Ms. Lindberg is a sexploitation queen who we’ll talk more about in the future. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.