Three times the danger, three times the fun.
We talked about Reiko Ike's 1974 pinky violence flick Kyôfu joshi kôkô: Animal dôkyôsei—known in English as Terrifying Girls High School: Animal Courage—a long while ago, but we wanted to highlight this rare promo in tateken format. You can see the original poster and learn a bit about the film here.
What's a girl have to do to get service in this joint?
In this photo from a 1972 issue of Heibon Punch we see cinema star Reiko Ike, who decided to hit the Kyoto nightlife scene, but after terribly slow service was forced to take matters into her own hands and hop across the bar in an effort to get a mai-tai. In the bartender's defense, he didn't ignore Reiko intentionally. He fainted when she came in the door. This is (or was) a real world Kyoto bar that appeared in the pinky violence flick Sukeban gerira, aka Girl Boss Guerrilla, which Reiko had a major role in. The photo isn't an official promo from the film. At least, the magazine text doesn't mention it. But we recognized the place. In any case, Reiko got her mai-tai. Until the bartender regains consciousness drinks are on the house, and she's the toast of the town.
Zero to crazy in under ninety minutes.
We first shared a poster for the pinky violence movie Sukeban gerira, aka Girl Boss Guerrilla, years ago and said at that time we'd get around to talking about the movie. We subsequently shared a tateken style poster, but still didn't get around to the film itself. Well, it's finally later. Eleven years later, to be exact. We refreshed our memory with a new screening last night, and to accompany today's thoughts we're sharing a rare bo-ekibari style poster of this classic pinky violence actioner from Toei Company.
Miki Sugimoto and three friends, who comprise the small but spirited Red Helmet Motorcycle Gang, take a trip from Tokyo to Kyoto to see if they can hustle up some yen by whatever means they can manage—grifts, graft, blackmail, whatever. They make some cash but quickly run afoul of Ryôko Ema of the Kyogoku Group, head boss of all Kyoto's girl gangs, which leads to a Ryôko-Miki showdown for control of the city. Our advice: never fight in flip-flops. But then again, we're not as tough as Miki. She loses her flip flops, but wins the fight.
There's always a set of bad men in the background of a pinky violence movie, and it turns out that though Kyoto's girl gangsters are now under Miki's hard won control, all operate under the umbrella of the Tsutsui Gang, who are basically the Kyoto branch of the yakuza. Miki has to give regular tribute to the boys, obey the rules, or pay the price. She'swilling to toe the line, but her situation is quickly complicated when she makes a new pal played by Reiko Ike, who's disinclined to obey anybody, but particularly the local yakuza clan, one of whose higher ups is her big brother.
Along the way to settling this mess you get fights, captures, torture, and nudity. Comedy and romance are part of the equation too, as is a bit of social commentary (a Red Helmet girl picking up gonorrhea from a priest is particularly biting). In the end a final throwdown is inevitable but how it turns out is anyone's guess. Nothing is guaranteed in a pinky violence movie—well, except violence.
Pinky violence movies can be fun, but the misses tend to be well wide of the mark, if not psychologically disturbing. Sukeban gerira is a nice example of the genre. It's wild, but never quite to the extent that it makes you want to run from the room. An excellent moment comes just a few minutes in, when Sugimoto aggressively bares a tattooed breast at a set of macho assholes, causing them to physically recoil. That sums up the best pinky violence: a new brand of feminine power that overcame any opposition set against it. Sukeban gerira premiered today in 1972.
Sometimes you have to do something to break up the monotony.
For those who don't know, streaking was the fad of running naked in front of surprised witnesses, whether on a street or in a mall or at a football game, and it was reaching its zenith around the time the above photo was made. So imagine you're sitting around your place bored as hell like the guy at bottom—who you didn't even notice until we just mentioned him—and Reiko Ike streaks across the room. That's the theme of this promo image from a 1972 issue of Heibon Punch, which had accompanying text telling readers Reiko suddenly ran free like an innocent child. We don't know about the “child” or “innocent” parts, but we heartily endorse the rest. She's streaked across our website more times than we can count, so feel free to search around for those images and find out a little more about one of the great action stars of her era.
Hell yeah! My dance moves are tight, and this outfit will definitely make me the center of attention.
We've come to the last page in Reiko Ike's 1972 Weekly Playboy calendar—this fun shot for December where she seems to be having a party of one at home. But we imagine her heading to the hottest club in town. Having been to several of the better discos in the western hemisphere, we think this outfit will get her past even the most jaded doormen. Of course, nobody can really trust our opinon. We've also been arbitrarily refused entry to some of the better discos in the western hemisphere—Pacha! Pacha! Excuse us. Little touch of cold coming on.
Anyway, it's been a pretty nice year of Reiko images, and we're happy to have uploaded them for all of you to enjoy. She's outpaced her competitors to become the most featured vintage actress on Pulp Intl., ahead of Marilyn Monroe (if we don't count tabloid appearances), Pam Grier, Christina Lindberg, and a few others. We'll have even more shots of Japan's greatest cinematic girl gangster at some point, so look for those down the line.
Age is just a number—a pointlessly restrictive one.
We've been sharing Reiko Ike images via her 1972 Weekly Playboy calendar, posting one shot each month, but a few times the magazine used a photo for two months at once, which leaves us to find imagery to fill in the gaps. October was one of those months, so above are a couple of replacement images for November. They're also from Weekly Playboy, just not from her calendar. The text says Reiko-kun was due to turn twenty in May 1972, and she announces, with the wisdom of her advanced years, “It's too late for me to be nude.” And of course she reversed course on that crazy notion pretty quick, as her many subsequent unclothed photos prove. Here's the thing: It's never too late to be nude. Not for her, not for us, not for anybody.
Summer's over but the heat lingers.
The Reiko Ike Weekly Playboy calendar is in its last quarter—in its autumn you might even say. Above you see the magazine's entry for October and November 1972, featuring Reiko in a groovy fringed vest—yet another look from that era we think needs to return. And under the vest she's wearing, well, herself. Always her best look. Obviously, since this shot encompasses November we'll need to dig up an image from elsewhere for the first of next month, but luckily, we have plenty. Stay tuned.
Of course we'll join you. Thanks for asking. Is there another bike or does one of us sit on the handlebars?
We continue adding to our set of rare Reiko Ike promo images with this September page from her 1972 Weekly Playboy calendar. For some reason we couldn't get a smooth scan of this, a sometime problem we think is related to vagaries of the electricity in our place. We may try this one again a bit later, but Reiko looks good smooth, grainy, blurry, and all other ways. More from her soon.
Reiko strikes down upon her enemies with great vengeance and Furyo anger.
More Reiko as soon as that? Why yes. Above you see her on a promo poster for her pinky violence flick Kyofu joshikôkô: Furyo monzetsu guruupu, known in English as Terrifying Girls' High School: Delinquent Convulsion Group. We shared this art as part of a collection ten years ago but didn't discuss the film. Reiko and Yûko Kanô star, and as the title suggests, it's about the rough and tumble lives of female juvenile delinquents. Reiko's high school is run by the Red Rose Clan. Things go very right when she's elected head of the gang, then very wrong when her father dies in a brutal auto accident, she's transferred to the outcast class for non-payment of tuition, the Red Rose tosses her overboard, and she finds out her mother is indulging in sexual extracurriculars. Talk about a run of bad luck. But you can't keep Reiko down. She fights her way into the good graces of a group of girls that hang out in a local bar. They decide to form a new gang called the Union Clan to fight the Red Rose and take control of the school, which is beginning to descend into anarchy. Soon after forming her new gang, Reiko learns that her father's accident was orchestrated. Like any devoted daughter, she vows revenge. It won't be easy, but once a girl has dealt with the evils of high school, a cabal of heavily armed international drug dealers is a cakewalk. As required by the pinky violence genre, what follows are clouds of cordite and showers of sparks. Doesn't that sound fun? Reiko never disappoints. Kyofu joshikôkô: Furyo monzetsu guruupu premiered today in 1973.
She's been around to visit once or twice.
You may think we posted this kneeling image of Japanese actress Reiko Ike back in November, but it isn't the same. We had to reverse it to match the previous shot to see the subtle differences. The facial expression, details of the hair, the angle of the camera, and especially the position of her hands are all new. Reiko has also covered herself more fully in today's pose. In the earlier one—let's just say censorship standards were being pushed. In addition, this photo is more retouched. In the previous one you can see the blue veins in her skin. That image was published in Weekly Playboy in 1974, but this one appeared two years earlier as part of the magazine's 1972 Reiko Ike calendar, which we've been documenting since January. There are only four short months to go until that project ends, but fret not, Reiko lovers—we have enough photos of her to last long past December. |
The headlines that mattered yesteryear.
1922—Challenge to Women's Voting Rights Rebuffed
In the United States, a conservative legal challenge to the nineteenth amendment to the U.S. Constitution establishing voting rights for women is rebuffed by the Supreme Court in Leser v. Garnett. The challenge was based partly on the idea of individual "states rights" to self determination. The failure of such reasoning as it applied to basic human rights created a framework for later states rights losses involving the denial of voting rights to African-Americans.
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
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