Vintage Pulp | Nov 23 2023 |
Temperatures rise and tempers fray in Ard thriller.
We've been searching for everything we can find by William Ard because his books have been consistently good. This Popular Library edition of 1955's Hell Is a City has George Mayers cover art. We dove right into it, and the narrative (which is unrelated to the movie of the same name) focuses again on Ard's NYC private investigator Timothy Dane, who this time tries to prove that a slam-dunk murder charge is a frame put together by a predatory cop.
Ard reveals this in chapter one, when young Jamie Colyero, barely more than a boy, shoots the cop who tries to rape his sister Rita. The cop had been after her for weeks, and finally plants heroin on Jamie, engineers an arrest, then tells Rita the charges can possibly dropped if she meets him at a hotel and gives up her goodies. Out of desperation to help her brother, she agrees.
Unbeknownst to her, she's followed to the hotel by her brother, who's out on bail, and Jamie kicks in the door and ruins the cop's plan—lethally. Dane is in the picture shortly thereafter, working for a newspaper editor who wants to expose the lies of a rival sheet that has used its pages to turn the dirty cop into a saint. All of this will swing the next mayoral election, so the stakes are as high as can be.
Long story short, the book is great. Like other Ard tales it moves exceedingly fast for a piece of vintage fiction, racing through numerous twists and scrapes, with intermittent bursts of action, until it reaches a conclusion that shakes the city to its foundations and leaves readers satisfied. If you enjoy 1950s crime novels, read anything by Ard. You won't regret it.
Vintage Pulp | Jan 3 2023 |
She was worried about making friends here, but as you can see she's become pretty much the person to know.
Above is a curious cover for Stuart Cloete's novel Congo Song, first published in 1943, with this Popular Giant version coming in 1952 fronted by excellent George Mayers cover art. This is a book we've kept our eyes on over the years. We finally bought it, but not this version. We have the 1958 Monarch Books edition with Harry Schaare cover art. We'll circle back to that later and tell you what it's all about. We expect sheer craziness.
Vintage Pulp | Jan 10 2018 |
Um, Georgia Boy—see if you can put down that unrest you've got happening down around Savannah.
George Mayers does the cover work for the Erskine Caldwell short story collection Georgia Boy, which first appeared in 1943, and in this Avon paperback edition in 1947. While it's a story collection, all the tales are narrated by one young character and mainly discuss the poor Stroup family and their friends, acquaintances, and neighbors. This is Caldwell in a more humorous mode than normal, but the underlying themes of his work—particularly poverty and racism—remain, as in the tale "Handsome Brown's Day Off," in which a black character becomes a living target at a carnival.
We recently encountered this phenomenon in a Jim Thompson novel, and what we thought, or at least hoped, was a case of literary flourish was actual reality—in the Jim Crow south white carnival goers paid to throw baseballs at black men's heads. The balls were generally of a novelty variety, which is to say heavy enough to fly straight, though not hard enough to be lethal, but still. Making the tableau even more horrific was the requirement that the target stick his head through a hole in a jungle backdrop and that he grin and mug for the assembled whites as he tried to dodge the baseballs.
We checked it out in other sources and confirmed the prevalence of this barbaric practice. We also found that carnivals in northern states did it too, though it was far more common down south. Apparently the big fun with these spectacles occurred whenever some college or professional pitcher showed up and thrilled the crowd by nailing these poor guys' heads at high velocity.
We found a 1908 article, which you see at right, about a group of pro baseball players who substituted normal baseballs for novelty ones and repeatedly beaned a man, putting him in the hospital, where it was feared he might not survive. The target was said to have taken the punishment “courageously,” and of course there was no suggestion of charges being filed.
We also found two other mentions of “African dodgers”—the gentlest term used to describe them—being killed. Things like these need to be remembered, especially in light of today's cultural battles wherein a segment of people seek to propagate a myth of the south as misunderstood. But literature, besides its other value, is often useful for preserving history, as Erskine Caldwell shows. That said, in Georgia Boy we preferred the stories about sex and we have a feeling you will too.