Vintage Pulp Feb 17 2010
WILLIAM TALES
Even southern girls get the blues.

You know we like to share these pulp style covers certain publishing houses cooked up for reprints of serious pieces of literature. Today, it’s William Faulkner’s turn, and the subject is his 1931 novel Sanctuary, which Signet released in 1950 with this cover. Sanctuary was Faulkner’s fifth book and first success, but he wasn’t particularly fond of it, dismissing it as commercial claptrap written purely for financial reasons. If that was truly his intention, it seems like leaving out all the depravity and violence would have been a better way to go about it.

In any case, critics did not consider the book lightweight in the least, and a central rape scene involving a corncob understandably generated quite a bit of controversy. When the book was adapted into a 1933 movie entitled The Story of Temple Drake starring Miriam Hopkins, the corncob was removed, but the film still caused a stir and helped bring about the introduction of the Hays Code—the censorship doctrine that predated the establishment of the MPAA.

In 1961 Sanctuary was adapted again, and this time not only was the corncob removed, but a sizeable chunk of Faulkner’s original plot. Despite his professed distaste for commercialism, Faulkner had by then worked on dozens of movie projects. He had written screenplays for To Have and Have Not and The Big Sleep, and also had become a sought after script doctor, massaging projects like Mildred Pierce, The Southerner and Gunga Din.

We have a small collection of posters from some of his projects below. If you’ve neglected to see any of these films, we highly recommend them and, of course, his novels are well worth a read. 

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Vintage Pulp Dec 26 2008
EARTHLY POSSESSIONS
The Exorcist is 35 today, but looks as good as ever.

It was released today in 1973, and it implanted into happy holiday audiences enough nightmare material to last seven lifetimes. Half its tricks have since been stolen by other films, and the other half can’t be—because they can’t be shot legally on American soil anymore. The scene in which Linda Blair stabs her own nether regions repeatedly with a crucifix would make it past neither the test audiences nor the deciders in Hollywood’s executive suites. And even if it did the moral police at the MPAA would slap an NC-17 on it. That’s one of the reasons we love the 70s so much—what was produced then was uniquely daring and artistically viable.

Even though The Exorcist was based on a William Peter Blatty novel that sold like a billion copies, its success was surprising. It scored two Oscar nominations—one for director William Friedkin and another for Best Picture. It was beaten in both categories by The Sting, in a decision that marks something of a watershed for the Academy’s own artistic viability. Not that The Sting wasn’t good—it was. But history has made its judgment now, and few would argue that, of the two films, The Exorcist hasn’t been more influential, more imitated and, ultimately, more beloved.

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History Rewind
The headlines that mattered yesteryear.
July 25
1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
July 24
1915—Ship Capsizes on Lake Michigan
During an outing arranged by Western Electric Co. for its employees and their families, the passenger ship Eastland capsizes in Lake Michigan due to unequal weight distribution. 844 people die, including all the members of 22 different families.
1980—Peter Sellers Dies
British movie star Peter Sellers, whose roles in Dr. Strangelove, Being There and the Pink Panther films established him as the greatest comedic actor of his generation, dies of a heart attack at age fifty-four.
July 23
1984—Miss America Resigns
Vanessa Williams, who had been crowned Miss America and was the first African American woman to win the prize, resigns her title after Penthouse magazine purchases and slates for publication a series of lesbian-themed nudes Williams had posed for when she was younger. After resigning she files a $500 million lawsuit against Penthouse publisher Bob Guccione but later drops the suit.
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