Femmes Fatales | Sep 29 2023 |
We've been looking at this image for a few years, and while it's often said to feature U.S. actress Anita Page, there's an amazing amount of disagreement about that. Many sites say this is actually an actress named Marie Hopkins. The debate is a fascinating microcosm of internet behavior. We've seen people called stupid over their opinion. Well, we'll try to weigh in, and hopefully not in a stupid way, about whether this is Page or Hopkins.
Some sites, splitting the difference, essentially claim both, saying this is Marie Hopkins posed as Anita Page, or Marie Hopkins posing under the pseudonym Anita Page. Here's the problem with that: there's no Marie Hopkins listed in cinema or stage databases. There's a Miriam Hopkins, from the right period, but even so, this is probably not her. For clues toward an answer we're turning to the pros—i.e. professional brick and mortar galleries.
So for the record: Black & Whites Gallery, once located at 50-52 Monmouth Street, London, sold limited lithographs of this image and identified the subject as the actress Anita Page, shot by Clarence Sinclair Bull in 1929. Is that 100% definitive? Maybe not, but it's getting into the neighborhood. You can see a previous Page here.
Vintage Pulp | Feb 17 2010 |
You know we like to share these pulp style covers certain publishing houses cooked up for reprints of serious pieces of literature. Today, it’s William Faulkner’s turn, and the subject is his 1931 novel Sanctuary, which Signet released in 1950 with this cover. Sanctuary was Faulkner’s fifth book and first success, but he wasn’t particularly fond of it, dismissing it as commercial claptrap written purely for financial reasons. If that was truly his intention, it seems like leaving out all the depravity and violence would have been a better way to go about it.
In any case, critics did not consider the book lightweight in the least, and a central rape scene involving a corncob understandably generated quite a bit of controversy. When the book was adapted into a 1933 movie entitled The Story of Temple Drake starring Miriam Hopkins, the corncob was removed, but the film still caused a stir and helped bring about the introduction of the Hays Code—the censorship doctrine that predated the establishment of the MPAA.
In 1961 Sanctuary was adapted again, and this time not only was the corncob removed, but a sizeable chunk of Faulkner’s original plot. Despite his professed distaste for commercialism, Faulkner had by then worked on dozens of movie projects. He had written screenplays for To Have and Have Not and The Big Sleep, and also had become a sought after script doctor, massaging projects like Mildred Pierce, The Southerner and Gunga Din. We have a small collection of posters from some of his projects below. If you’ve neglected to see any of these films, we highly recommend them and, of course, his novels are well worth a read.