Vintage Pulp Sep 9 2019
YOUR CHEATING ART
It looks amazing, baby. Er... aaaand should look even better on my lovely wife. Thanks for letting me test it on your neck.

Sometimes when you're caught you're caught. You can try and brazen the moment out, but it usually does no good, at least in mid-century fiction. From there it's just a short distance to mayhem, murder, trials, prison, and all the other fun stuff that makes genre fiction worth reading. From James M. Cain's iconic The Postman Always Rings Twice to J.X. Williams' ridiculous The Sin Scene, infidelity is one of the most reliable and common plot devices. What isn't common is cover art that depicts the precise moment of being caught. Of all the cover collections we've put together, this was the hardest one for which to find examples, simply because there are no easy search parameters. We managed a grand total of sixteen (yes, there's a third person on the cover of Ed Schiddel's The Break-Up—note the hand pushing open the door). The artists here are L.B. Cole, Harry Schaare, Tom Miller, Bernard Safran, and others. And we have two more excellent examples of this theme we posted a while back. Check here and here.

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Vintage Pulp Oct 12 2015
STRIKING POSES
We don’t know art but we know what we like.

What do you do when money is tight? In mid-century fiction, you work that body. You find an artist, present your bona fides as a figure model, then peel down for a fee. Or room and board. Or notice from those who guard the doorway to success. Just remember that however much you generate in cash, barter, or recognition, it all inevitably leads to a romp in the sack, often with several participants, and always with disastrous complications because in pulp there’s no such thing as consequence-free sex. Now that you know the rules make that booty work. Above and below you see an assortment of mid-century bookcovers featuring artists and their models. Thanks to all the original uploaders on these, and don’t forget this awesome example and this one.

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Vintage Pulp Jan 22 2015
NAME BRAND PULP
What’s in a name? Everything, if it’s the title of a vintage paperback.

Above and below you will find a large collection of pulp, post-pulp, and sleaze paperback fronts that have as their titles a character’s first name. There are hundreds of examples of these but we stopped at thirty-two. The collection really highlights, more than others we’ve put together, how rarely vintage paperback art focuses on male characters. The prose is virtually all male-centered and male-driven, of course, but because the mid-century paperback market was male-driven too, that meant putting women on the covers to attract the male eye. We tell our girlfriends this all the time, but they still think we just don’t bother looking for male-oriented vintage art. But we do. For this collection we found two novels that have male characters’ names as their titles, and we looked pretty hard. If we had to guess, we’d say less than 5% of all pulp art is male-oriented. In any case, the illustrations come from the usual suspects—Barye Phillips, Robert McGinnis, Jef de Wulf, Paul Rader, et al., plus less recognized artists like Doug Weaver. Thanks to all the original uploaders for these.

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Vintage Pulp May 5 2012
SHOWING HER STRIPES
A zebra amongst the lions.

Erolie Pearl Gaddis Dern wrote as Joan Sherman, Joan Tucker, Pearl Gaddis, Peggy Dern, and for this 1951 romance Painted Lips decided to use her best known moniker—Peggy Gaddis. Gaddis was prolific, publishing dozens of romances and nurse novels between 1929 and 1966. This particular book follows the various dramas of a habitual homewrecker. We love the cover femme fatale, with her zebra skirt and wacky bodice. This would have been an absolutely insane outfit for 1951, so we wonder if the artist simply dreamed it up. We can’t answer that, though, because the art is uncredited. We think that was the modus operandi at Venus Books, because we’ve seen quite a few of their releases—including a couple with covers obviously by this same talented painter—with no attribution. Shame. But we’ll try to dig up more info on a possible artist anyway. There’s always someone out there who knows. 

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Vintage Pulp Oct 12 2011
DESPERATE CRAVING
Well, I need a man, but I guess you’ll have to do.

This is a brilliant cover for Joan Sherman’s, aka Peggy Gaddis Dern's Suzy Needs a Man, published 1950. Dern was an extremely prolific author who between 1934 and 1966 wrote under many names, producing mostly romances, nurse novels, and light sleaze. The art here is by the great George Gross, who painted hundreds of covers for every pulp imprint from Detective Book Magazine to Football Stories. We’ll get back to Gross a bit later, but in the meantime you can see more of his work here. 

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History Rewind
The headlines that mattered yesteryear.
October 23
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
October 22
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
October 21
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
Four Aslan Covers for Parme

Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
Pulp art from around the web
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