Vintage Pulp Jul 9 2020
GUILTY PARTY
*sigh* I'm still confused how I was charged for not having something.


They say possession is nine tenths of the law, but that last tenth can get mighty interesting if the thing you don't possess when the cops come along is, for example, identification, or clothing, or, apparently morals. Paul Hunter's 1961 novel Morals Charge deals with an eighteen-year old named Nancy who is lusted after by her mother's boyfriend, falls into the clutches of a big city racketeer, is jailed on a morals charge and abused by cops intent on using her to snare bigger prey. Paul Rader handles the cover work here, and it's a typically excellent effort. Mid-century paperback art would be far less entertaining without him, and though everything he does is great, if you want to see some of our favorites, check here, here, here, and here. We also have a mini-collection here.

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Vintage Pulp Jun 8 2020
JUST A FEW FOOTNOTES
Well, it's a size 8, and a little veiny, and it has a corn. Keep going? Okay, but I just don't get this fetish of yours.


Above, a cover for Gerald Kramer's Apartment Party, 1966, from Midwood Books. Kramer was a pseudonym used by Jerry Weil, author of books such as Nobody Dies in Paris, Naked in Paris, and The Spy Who Came Home To Die. He also wrote quite a few other sleazers for Midwood, so we'll certainly see him again. 

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Vintage Pulp Nov 27 2019
SLOW LANA
She's not the sharpest ho in the toolshed.


Lana, by Joan Ellis, is sleaze fiction about a fifteen-year-old girl with poor critical reasoning skills. Which is to say she's D-U-M. Basically, she falls for an older guy who pimps her out. Her rationalizations around this are hilarious. Prostitutes often form co-dependent bonds with their pimps, so we hear, but Ellis didn't handle that aspect with sufficient skill, instead making poor Lana flat-out superficial. But hey—it's a sleaze novel. You don't go into it expecting Les Miserables. This is copyright 1960 with Paul Rader cover art (of a figure that looks a lot like Elsa Martinelli). By the way, if for some reason you don't know the term “ho,” look here.

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Vintage Pulp Sep 28 2019
MISS POPULARITY
Here she comes now. Biff, Chad, Chip, Connor, Tanner, and Cody all say she's amazing in the sack.


Above, another paperback for the campus sleaze bin, R.C. Gold's Teenage Temptress, published 1967, by Midwood (who else?). No cover credit, but it's a pretty nice illustration. We have a lot of these types of covers in the website, but our faves are here and here.

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Vintage Pulp Sep 9 2019
YOUR CHEATING ART
It looks amazing, baby. Er... aaaand should look even better on my lovely wife. Thanks for letting me test it on your neck.

Sometimes when you're caught you're caught. You can try and brazen the moment out, but it usually does no good, at least in mid-century fiction. From there it's just a short distance to mayhem, murder, trials, prison, and all the other fun stuff that makes genre fiction worth reading. From James M. Cain's iconic The Postman Always Rings Twice to J.X. Williams' ridiculous The Sin Scene, infidelity is one of the most reliable and common plot devices. What isn't common is cover art that depicts the precise moment of being caught. Of all the cover collections we've put together, this was the hardest one for which to find examples, simply because there are no easy search parameters. We managed a grand total of sixteen (yes, there's a third person on the cover of Ed Schiddel's The Break-Up—note the hand pushing open the door). The artists here are L.B. Cole, Harry Schaare, Tom Miller, Bernard Safran, and others. And we have two more excellent examples of this theme we posted a while back. Check here and here.

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Vintage Pulp Aug 27 2019
BUSINESS WITH PLEASURE
We'll play the corporate merger game later. Just this once I actually need you to type something.


Above you see a cover for Sin Now, Pay Later, which was written by Allan Horn, the keen literary mind behind such books as Molester's Trap and Whore from Maupin Street. And you wonder why all these guys wrote under pseudonyms. Sin Now, Pay Later is 1967 with cover art by Paul Rader. 

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Vintage Pulp Aug 24 2019
NATURAL GAS
Actually, I'm not nicknamed Flame because of my hair. You know what pyroflatulence is? Toss me that lighter.


Above, another great Midwood cover, this time for Flame, by sleaze stalwart Joan Ellis, aka Julie Ellis. The art is, sadly, uncredited (but looks like Paul Rader). 

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Vintage Pulp Aug 20 2019
HEALTHCARE COVERAGE
I'm sorry but I'll have to get dressed. Your insurance company just informed us they won't pay for physical therapy.


If anyone ever had a reason to back universal healthcare it would be the patient denied the joys of sexual healing by the for-profit system. Kimberly Kemp's Intimate Nurse deals with a highly sexed live-in medical professional who brings trouble to an unsuspecting family. You know the drill—the healing lasts until the hurting begins.

Kemp was a pseudonym used by Gilbert Fox, who wrote such sleaze classics as Operation: Sex and Illicit Interlude. Those sound fun, but we especially love nurse novels. And who wouldn't, with examples like this and this out there? We'll have more from Kemp later. The above effort was published in 1962, and the art is uncredited. 

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Vintage Pulp Jul 31 2019
MAKING A MARK
You'll need to use some deodorant before I do anything like that again.


1964's The Mark of a Man tells the story of a mill worker in a dead end town who has simple desires, but whose girlfriend wants him to show more ambition. You know that's a recipe for trouble. Collier's prose is better than normal for Midwood, according to one review we read, but we're more interested, as usual, in artist Paul Rader, who was showcased on scores of Midwood covers and is great here as well. We've featured him often, but if you're unfamiliar with his work we suggest you behold his genius here, here, here, and here. You'll be glad you did. 

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Vintage Pulp Apr 14 2019
FLOPPY SECONDS
You know what? Don't worry about it. The first time wasn't that great anyway.


Above, a Paul Rader cover for Twice with Julie by Jason Hytes, aka John Plunkett. The lesson here? Every man has his limitations. Copyright 1962. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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