Entry by special invitation only.
Above, a really nice cover for Beach Party by Peggy Gaddis, aka Joan Sherman, Joan Tucker, Pearl Gaddis, Peggy Dern, et al. This was published in 1950 by Venus Books, and the art is uncredited.
All these books are on our bucket list.
When you look at paperback covers every day it's interesting the common elements you notice. Of late, we've noticed buckets. They pop up on backwoods and rural sleaze novels, usually in amusing fashion, often in the possession of hardworking women going about difficult chores while nearby men don't do dick. We'll just tell you—that's not the way it works around our place.
Citywide virus lockdown continues, with exceptions made for essential workers.
Who constitutes an essential worker is really a matter of opinion, isn't it? In pulp terms, a city without vice can't claim to be a functioning city at all. And since they say prostitution is the oldest profession, it follows it would be the last to shut down. Brothels in various cities are now requiring customers to wear masks when having sex, and the international gimp crowd is like: “Right? You see? It's hella fun. You should try it with leather.” We wonder what happens when the brothels run out of masks (The international gloryhole crowd is like, “You can't guess? Really?”). You won't find any such dickulous variations in Women of the Evening, written by Peggy Gaddis and published by Belmont Books in 1962. In fact, you won't find much sex at all, if our previous Gaddis experiences are an indication. We just finished a Gaddis a few days ago—Once a Sinner, which she wrote as Gail Jordan—and it was more like a romance novel. Well, we'll keep looking. She wrote not only as Gaddis and Jordan, but as Peggy Dern, Sylvia Erskine, Roberta Courtland, Perry Lindsay, et al. One of those alter egos has to be the dirty version of Peggy. We'll find her. She can't hide. Not from us. See more from her extensive bibliography here, here, here, and here.
Gee, I wonder what it would be like if I were in a novel with a good plot and interesting supporting characters?
About fifty percent of the time we choose books by the cover art, and about twenty-five percent of the time the author draws us. The other twenty-five percent? Those are books that are bundled in lots. We end up with them because we have no choice if want the other books in the group. Gail Jordan's, aka Peggy Gaddis's Once a Sinner is one of those. The cover art is blah, and we don't seek out Jordan especially. But we dutifully read it. It's a melodrama about a war veteran who gets married overseas in England, much to the chagrin of his longtime sweetheart waiting back home. When the vet shows up with his new bride Heather, the other woman, Drusilla, sets about trying to ruin the marriage by any means necessary. Dru is stubborn, spoiled, arrogant, and sneaky, yet we liked her more than any of the other characters. That's probably not what Jordan intended, and is definitely a symptom of a book not executed to the highest level. But for all that, it isn't bad. Maybe we'll try another effort from her down the line. Then again, maybe not.
It looks amazing, baby. Er... aaaand should look even better on my lovely wife. Thanks for letting me test it on your neck.
Sometimes when you're caught you're caught. You can try and brazen the moment out, but it usually does no good, at least in mid-century fiction. From there it's just a short distance to mayhem, murder, trials, prison, and all the other fun stuff that makes genre fiction worth reading. From James M. Cain's iconic The Postman Always Rings Twice to J.X. Williams' ridiculous The Sin Scene, infidelity is one of the most reliable and common plot devices. What isn't common is cover art that depicts the precise moment of being caught. Of all the cover collections we've put together, this was the hardest one for which to find examples, simply because there are no easy search parameters. We managed a grand total of sixteen (yes, there's a third person on the cover of Ed Schiddel's The Break-Up—note the hand pushing open the door). The artists here are L.B. Cole, Harry Schaare, Tom Miller, Bernard Safran, and others. And we have two more excellent examples of this theme we posted a while back. Check here and here.
It wasn't until I met you that I realized what marriage really meant. I'll demand a divorce from my wife tomorrow.
Tropical night, sea shore, full moon, convertible roadster, and sneaky adultery. This is a pretty nice cover for Perry Lindsay's, aka Peggy Gaddis's digest paperback Shameless Woman, which was published in 1948 for Knickerbocker Books' sub-set Regular Books. It originally appeared as Sin Cinderella, which is maybe a better title. It's about a divorcée who wants to get back at the millionaire husband who cast her aside, so she recruits an unsuspecting sixteen-year-old, teaches her how to be alluring, and sends her to ruin the ex. Of course, with a ’48 copyright date you know this doesn't get too crazy, but that didn't stop us from buying five other digests from the same period. We'll give them careful reads and report back in more detail a bit later. The art on this, by the way, is uncredited.
I know it's high. It used to be lower, but I spent a summer in D.C., and lemme tell ya, those guys taught me a lot about whoring.
We featured a Charles Rodewald cover last year and loved it, so we're bringing him back today, this time on the front of Ecstasy Novel Magazine, which is showcasing Paula Has a Price!, written by Perry Lindsay, aka prolific pulp author Peggy Gaddis. There's confusion online about the copyright on this, but it was published in January 1949. Top effort from Rodewald, and you can see another here.
There's nothing quite like a roll in the hay.
You'd think we'd eventually run out of themes in mid-century paperbacks, but the possibilities are seemingly endless. We can add illicit love in the hayloft to the many other time honored subjects exploited by paperback publishers. We've already shared several covers along these lines, such as this one, this one, and this one, but today we have an entire set for your enjoyment. Personally, we've never had sex in a hayloft—in fact, we've never even had the opportunity—but we imagine that once you get past the smelly manure and the scratchy hay and the jittery animals it's pretty fun. Or maybe not. There are also numerous books, incidentally, that feature characters trysting by outdoor haystacks, but for today we want to stay inside the barn. Thanks to all the original uploaders of these covers.
My pa shouldn't be back for hours. But just in case he does show up, do you prefer burial or cremation?
A double shot of rural sleaze today, Norman Bligh's Once There Was a Virgin, 1950 from Exotic Novels, and Gail Jordan's The Affairs of a Country Girl, 1952 from Cameo Books. George Gross provided the art for these covers, which are cropped differently, but between the two you see pretty much the entirety of the original piece. We think this is one of his better efforts. We're putting together a small collection of paperback covers set in barns and haylofts, so consider this a preview, along with the covers here, here, and here.
And as for you leaving... *gulp* *swallow* ...we'll discuss that in twenty-four to seventy-two hours.
If you swallow a key does it become a pass key? Just wondering. Whatever you call it, you won't be seeing it again for up to three days, according to what we read about human digestion. But we digress. Above is a beautiful cover for Call Girl by Gail Jordan, aka Peggy Gaddis, for Quarter Books, copyright 1949 with uncredited art. If you've never visited the blog Sleazy Digest Books, we suggest heading over there for a look at this cover and many others in the same style.
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