|Vintage Pulp||Nov 25 2018|
We did a double-take before reaching an inescapable conclusion—this is Jack Palance on the cover of the thriller L'assassin anonyme, published by the French group Éditions du Champ de Mars for its Collection Moulin Noir. After recognizing the face it was easy to find the photo you see below, a promo shot made for the 1950 movie Panic in the Streets. We thought the book might be a novelization of the film, but nope—it's straight up unlicensed usage of Palance's mug. The book was written by J. Scotland, which is of course a pseudonym, in this case for the prolific Viviane Cambon, who also wrote as Liane Méry, César Valentino, and—our definite favorites—Harry Mitchum and Mickey Spolane. Rumor has it she created or shared up to forty pen names. This effort is copyright 1959, and the art is uncredited.
|Vintage Pulp||Mar 21 2018|
|Mondo Bizarro||Jan 19 2017|
|Femmes Fatales||Sep 21 2016|
Above, a nice femme fatale style shot of Scottish actress Mary Ure, seen here brandishing a silenced pistol in an MGM promo from Where Eagles Dare, 1968. Sadly, her career was hampered by alcohol and mental illness until she fatally overdosed in 1975 aged forty-two.
|The Naked City||Aug 28 2015|
How many slayings over the years have been called “jigsaw murders”? Plenty. All a killer has to do is cut up the body and “jigsaw” becomes the go-to nickname. The particular jigsaw murders referred to on the cover of this August 1947 True Police Cases are ones committed in Lancashire, England during the late 1930s. A doctor named Buktyar Rustomji Ratanji Hakim—“Buck” for short, and aka Buck Ruxton—strangled his wife Isabella. And in a sad but classic case of wrong-place-wrong-time, a maid who had the misfortune of witnessing the event was also strangled.
Because the police used newly developed forensic techniques to help solve the crime—for instance, superimposing photos of Isabella’s face over the decomposed head to aid identification—the case generated a lot of attention. True Police Cases scribe Alan Hynd wasn’t the only journalist with an interest. Many true crime writers wrote about it, and the story eventually became an entire book by T.F. Potter in 1984 called The Deadly Dr. Ruxton: How They Caught a Lancashire Double Killer. All these years later, of the many jigsaw murderers, Buck Ruxton remains among the most famous.
|Mondo Bizarro||Aug 10 2013|
The London Metropolitan Police’s 150-year-old collection of crime artifacts, currently held in room 101 at New Scotland Yard, may open to the public in the near future if the recommendations of the Greater London Authority are followed. The GLA’s report says charging the public to view the collection could generate millions of pounds—for example, even a 90 day exhibition at could raise £4.5 million if visitors were charged £15 each. What exactly does the Met have in its possession that's worth £15 a pop? The collection, begun in 1874 as a teaching tool for rookie officers, and then called the Black Museum, contains weapons, death masks, and assorted criminal tools, as well as unique items such as the umbrella and ricin pellet used to assassinate Bulgarian dissident Georgi Markov in 1978, the pots serial killer Dennis Nilsen used to boil his victims, along with some sludgelike human remains, Jack the Ripper’s infamous “From Hell” letter, and another letter he sent to London’s Central News Agency in September 1888 in which he gloated, “I am down on whores and I shan’t quit ripping them till I do get buckled.” The Museum also contains artifacts from other serial killers, including John George Haigh, John Christie, and Dr. Neil Cream. We think the items should be displayed for their historical value, but the opening of the collection is by no means a foregone conclusion. Only time will tell if the GLA’s recommendations will be met. If you want to read a detailed account of a visit to the Museum, we recommend visiting the London blog greatwen.com, where we found the above photo.
|Mondo Bizarro||Apr 8 2013|
Upcoming on Sunday is the eightieth anniversary of the first modern sighting of the Loch Ness monster, which occurred April 14, 1933 when a couple claimed to have seen what they described as an enormous animal in the loch. In honor of the occasion, yesterday at the Edinburgh International Science Festival in Scotland, Nessie scholars held a symposium debating the creature’s existence.
The photo above, shot by Robert Wilson on April 19, 1934, remains arguably the most famous Nessie image, and for years was touted as proof something large lived in the loch, until 1984 when the British Journal of Photography published an analysis by Stewart Campbell concluding that the object in the water measured three feet—not nearly long enough to be the famed Nessie. Years later, a big game hunter named Marmaduke Wetherell, who you see here, was fingered as the brain behind an elaborate hoax resulting in the photo. But true believers have disputed the account.
Subsequent sightings and photos have all been inconclusive, which means of course that nothing was decided at the Edinburgh symposium. Those who believe in the creature have no hard evidence to prove their position, and those who disbelieve can’t prove it doesn’t exist. The latter isn’t a surprise, as it’s logically impossible to prove anything doesn’t exist, whether monsters and deities, Kang and Kodos of Rigel IV, or the chair you're sitting on right now.
Doubtless those involved in the symposium knew that, which means the event was probably just a good excuse to shoot the shit for an afternoon then adjourn to the raucous Edinburgh bars. From there it’s just a few pints until someone drops his pants and screeches, “Watch out! The monster is out of the loch!” So be forewarned—the next Nessie photo you see will probably be someone’s pale cock, and if photo analysis proves it’s three feet long that’ll be one proud scientist.
|Sex Files||Jan 4 2013|
There’s an interesting item making the rounds today, not strictly pulp, but worth a mention. Apparently a 1684 sex manual entitled Aristotle’s Compleat Master Piece will be offered for sale by Lyon and Turnbull auctioneers in Edinburgh, Scotland. The book, which was written in English and published there but banned until the 1960s, is part reference guide, part medical manual, and part anti-sex screed. For example, while the text offers suggestions for sexual enjoyment, and contains medical style drawings, it also warns couples what can happen if children are conceived in sin—namely that it would be born covered with hair or that Siamese twins would result. The author of the Compleat Master Piece is not known, but it's clear nothing Aristotle wrote made it into the text. Which could be considered a good thing. Great thinker and all, certainly smarter than we’ll ever be, but nobody’s perfect, and he whiffed badly a few times when it came to sex. Like for instance, he believed testicles were merely weights, and semen was produced from blood via body heat, with the best stuff coming from the area around the eyes. Given the choice, maybe we’ll take our sex advice from the anonymous hack. Auctioneers expect the book to fetch up to $650.
|Vintage Pulp||Jan 3 2013|
Walter Brooks isn’t mentioned as one of the great paperback illustrators, and he probably wasn’t, but certainly this cover for Harold R. Daniels’ The Girl in 304 is dynamite. From the angled, ominous male shadow, to the stylish font, and the blue color palette with checks of red and a splash of pink flesh and yellow fabric, this one is a winner in all categories. Brooks, who was born in Glasgow, served as president of NYC’s Society of Illustrators, wrote books about painting, and designed U.S. postage stamps. And notably, he was the art director at Dell Publishing in 1958 when he was shown the work of Robert McGinnis by agent Don Gelb. Brooks assigned McGinnis his first two covers, thus helping to launch a legendary career. He also gave William Teason, who illustrated more than 150 Agatha Christie covers, his first shot that same year. So even if Brooks was not a great himself, he certainly knew talent when he saw it. This piece dates from 1956.
|Vintage Pulp||Nov 20 2012|
Mort Kunstler nicely captures the chaos of a storm hitting the beaches of northern France on this D-Day-themed cover of Stag from November 1964. Kunstler was a master at this sort of sprawling composition, and Stag in particular published many similar pieces of his. Today Kunstler bills himself as America’s Artist and paints U.S. Civil War scenes that sell as limited editions. To say that his reputation as an artist is assured is an understatement. He has had countless exhibitions, been added to the permanent collections of numerous museums, and been profiled in the New York Times.
Below are some interior scans from Stag, including more Kunstler, as well as a spread from Walter Popp. Kunstler’s illustration for George Raffey’s “House of the Pleasure Dolls” is a brilliant bit of adolescent sexual fantasy, with its naked girl holding off a group of armed men. That probably never happened in the entire history of the world (despite the “True Book Bonus” label on the story), but it’s just another day in the pages of a vintage men’s magazine. Also in this issue you get a few photos of 1961 Miss Universe semi-finalist, Scottish model Susan Jones. More Kunstler here.