It's not comfortable, but it's reliable.
We're back to men's adventure mags today with an issue of Male from this month in 1962, with cover art by Mort Kunstler illustrating the tale, “The Hell-Raising Yank and His Remarkable Flying Sub.” We gave the story a read and it tells of Walter R. Cook, a U.S. soldier stranded in Burma who, with the aid of a local beauty (of course), finds and refurbishes an abandoned Catalina seaplane, which has attached to it a two man submarine. The sub was a type used during World War II that the operators rode like horses while breathing through scuba gear. Cook uses it to disrupt Japanese supply lines.
The story is a standard sort for an adventure magazine, but educational, since we'd never heard of rideable submarines. The illustration makes clear exactly what form it took. The magazine also offers stories set in China and New Zealand, and contains a detailed piece on an escape from Alcatraz, the very escape that inspired the Clint Eastwood film Escape from Alcatraz, involving the inmate Frank Morris, who may or may not have actually succeeded. The art throughout the issue is from the usual suspects—Charles Copeland, Samson Pollen, and Bruce Minney—and is tops as always. We have seventeen scans below.
Leave it to Nazis to turn phys ed from your favorite class into the worst experience of your life.
This cover of Male from this month in 1967 has cover art of history's worst gym class, painted by the great Mort Kunstler, and leave it to Nazis to ruin the one thing you can get a good grade in just by showing up. Another thing ruined is the magazine. When it arrived it turned out some pages were razored out of the center. Probably the most interesting pages. It's an occupational hazard, we suppose. We generally assume the seller had no idea, as these mags are so often the leftovers of fathers and grandfathers, but if it was in fact deliberate, well then, cocks on their house! That's the saying, right? Or it pox? Doesn't matter. The silver lining was that we didn't have to worry keeping the magazine intact while scanning. We just ripped it apart, which sort of felt good.
There's still plenty of interesting material inside this mutilated Male. There's fiction and fact, art from Gil Cohen and Bruce Minney, plus more from Kunstler, a screed against motorcycles, a lot of pro Vietnam War content, with lots of digs at peace activists and draft fugitives. The magazine works especially hard to convince readers that draftees who fled to Canada faced lives worse than if they'd gone to Southeast Asia. We doubt quite seriously that anything could be worse than dying in a hot jungle for no rational purpose 10,000 miles from home. But maybe we're biased—our fathers were war vets, and they had one wish in life: that the military never get its mitts on us. Also that we never do hard drugs. Well, one out of two isn't bad. Twenty scans below.
You better hurry up. At the top of the hour I turn back into a housewife and hand you a list of chores.
Jason Hytes' 1960 sleazer Sex Before Six is about a married twenty-something who uses her body to climb all the way from nowheresville to the cusp of a career in professional filmdom. She's willing to lie, connive, and serially cheat on her mild mannered husband to reach her goal but is disturbed when she discovers film people are depraved. What's their depravity, exactly? Some of them are gay and lesbian. The word “evil” occurs more than once. If you were to read this with your anti-regressive filter activated you might find a thrill or two sandwiched around the homophobia and Bible style retribution, but we wouldn't go so far as to recommend the book. The best thing about it is the brilliant cover femme fatale painted by Bruce Minney. We've seen magazine art from him before but this is the first paperback front we've come across. Top work.
War is hell, but being a prisoner of war can be worse.
This January 1959 copy of Stag is an example of the joys of collecting old magazines. We bought it for three dollars, but it's being auctioned on Ebay right now for $100. Mort Kunstler handles the cover chores, illustrating Edward Newman's story “The P.O.W.s Who Broke Out of Rat Hell Stockade,” which deals with a group of Union soldiers during the U.S. Civil War who tunneled their way out of Richmond's Libby Prison. The story is true. The escape was one of the most successful breakouts of the war. The escapees were highly motivated due to the fact that Libby Prison was a hellhole that generated high mortality rates due to abuse, starvation, exposure to severe weather, and terrible overcrowding.
A contemporary newspaper had this to say: “They are huddled up and jammed into every nook and corner; at the bathing troughs, around the cooking stoves, everywhere there is a wrangling, jostling crowd; at night the floor of every room they occupy in the building is covered, every square inch of it, by uneasy slumberers, lying side by side, and heel to head, as tightly packed as if the prison were a huge, improbable box of nocturnal sardines.” Inside Stag is art from James Bama, Kunstler again, Joe Little, Al Rossi, and Bruce Minney. You also get model/actress Irène Tunc, who was Miss France of 1954 and appeared in about thirty films during a three-decade film career. All this and more below, in twenty-three scans.
Update: we got the following e-mail from James N:
The cover of Stag, January 1959 was painted by James Bama. The credit to Mort Kunstler as printed in the magazine was an editorial error. Bama has confirmed this. For the sake of historical accuracy it would be nice if you changed your Jan. 9, 2017 post to reflect Jim Bama's true credit.
We've talked a lot about how official credits can be wrong, so we're inclined to believe the cover was mistakenly attributed by editors because we already know they were human and made these types of goofs. But the process of collecting and curating vintage art offers the chance to get things right. So we're calling this cover a Bama, and thanks to James N. for taking the effort to write us.
Southeast Asia escape epic features murder, sex and everything between.
This issue of Male magazine published this month in 1958 features James Bama cover art illustrating Richard Farrington's story “The Incredible 'Blood and Bamboo' Escape,” which is the true tale of Dutchman Klaus van Tronk's flight from a Japanese internment camp in Malaysia during World War II. The story is a book-length special, and one of the more harrowing and interesting details involves one of the prisoners being tied spread-eagled on a bamboo mat elevated six inches above the ground. Beneath the mat were living bamboo shoots. As Farrington tells it (via van Tronk's account), “The shoots are tough, the tips as sharp as honed steel, and they can push through a plank floor [two inches thick]. They grow rapidly in the Pacific sun, about six inches on a good hot day. It had been a hot day.” When van Tronk's work detail came back that evening from a long grind of slave labor in the jungle the bound man already had bamboo shoots growing through his chest, and was still alive, screaming.
We did a verification check on this arcane torture and found that no cases confirmed to scholarly standards exist, but that it is well known in Asia, and experiments on substances approximating the density of human flesh have shown that it would work. As little as forty-eight hours would be needed to penetrate an entire body. Fascinating stuff, but what you really want to know in terms of veracity is whether scantily clad women helped the escapees paddle to freedom like in Bama's cover art, right? Well, this depiction is actually a completely accurate representation of what van Tronk described, or at least what biographer Farrington claims van Tronk described. The women were the daughters of a sympathetic Malay farmer, and indeed they wore virtually nothing, and were considered quite beautiful by the prisoners, save for the minor detail of having red teeth from the local tradition of chewing betel nuts.
The risk taken by these women was extraordinary. Other women who had helped van Tronk and his companions during their months-long odyssey were tortured and raped, and at one point a village was machine-gunned. Why would these Malays take up the foreigners' cause if the risks were so high? Van Tronk attributes it to a cultural requirement to help strangers in need, but we'd note that people have taken these sorts of risks everywhere, cultural norms or no. Often the suffering of others simply brings out the best in people. A historical check on Klaus van Tronk turned up nothing, though, so maybe the entire true story is a piece of fiction. If so, it's a very good one. We have some scans below with art by John Kuller, Joe Little, Al Rossi, Mort Kunstler, and Bruce Minney, and more issues of Male magazine at the keywords.
When in Rome kill as the Romans do.
forty thirty-nine issues of Australia’s Adam magazine, but none since March. That isn’t because we’re running out, but merely because we decided to focus on American men’s magazines for a while. But Adam is the king as far as we’re concerned. For us, it’s the most attractive, most interesting, and—because of its penchant for stories set in the Aussie outback and wilds of South Asia—the most exotic of all the publications from the late mid-century period. Maybe that’s why we have more than 1,200 scans from the magazine tucked inside Pulp Intl.
Today’s issue, number
forty-one forty we’ve scanned and uploaded, has a typically lurid cover illustrating James McQueen’s story “Blood on the Sand,” which is one of the better pieces we’ve read in Adam. McQueen spins a yarn about a Roman gladiator named Marcellus who faces his best friend Helvius in the Colossuem. Helvius loses, but is spared by a thumbs-ups from the emperor. But the two friends have to fight again, they know Marcellus will win again, and they know the emperor never spares a life twice. The bulk of the story is set in the few days of contemplation and partying between the two battles. It's a very effective little tale.
Elsewhere in Adam you get nice spreads from Samson Pollen and Bruce Minney, lots of thrilling fiction, and lots of naked women, including one in a soap foam bikini that reminds us of when Reiko Ike did the same. On a different subject, moving forward you may notice a break in our magazine scanning activities. Could be days or months. We have to replace our reliable old Mac with a new one and we’ll be losing our Adobe programs—i.e. no more Photoshop for cleaning scans, and we aren’t going to buy it for $1,500 because, as much as we like being one of the sites that uploads new, original content to the web, that price tag is just insane. We can still scan individual pieces of art and not need to use Photoshop on them, but magazines require retouching because the way they're bound means the scans come out skewed. If you've ever scanned one you know what we mean. We’ll see what we can do to work around the problem. In the meantime enjoy this Adam. Twenty-six images below.
Update: Forty issues, thirty-nine, who can keep count? Well, we actually went back through the website and today's makes forty. Still plenty. Plus we have twenty-one more issues in reserve. Look for those down the line.
The headlines that mattered yesteryear.
1964—Mass Student Arrests in U.S.
In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents' decision to forbid protests on university property.
1968—U.S. Unemployment Hits Low
Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again.
1954—Joseph McCarthy Disciplined by Senate
In the United States, after standing idly by during years of communist witch hunts in Hollywood and beyond, the U.S. Senate votes 65 to 22 to condemn Joseph McCarthy for conduct bringing the Senate into dishonor and disrepute. The vote ruined McCarthy's career.
1955—Rosa Parks Sparks Bus Boycott
In the U.S., in Montgomery, Alabama, seamstress Rosa Parks refuses to give her bus seat to a white man and is arrested for violating the city's racial segregation laws, an incident which leads to the Montgomery Bus Boycott. The boycott resulted in a crippling financial deficit for the Montgomery public transit system, because the city's African-American population were the bulk of the system's ridership.
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