What a nice surprise! Let's eat dinner then we'll dump his corpse in the woods.
Above, nice Charles Copeland art for Harry Whittington's 1957 thriller Married to Murder. There's nothing like the occasional thoughtful gift to keep a marriage fresh.
The list is long, cowboy, and you're nowhere on it.
There aren't quite enough dude ranch sleaze novels to consider them a distinct subset of mid-century fiction, but we've noticed a few books similar to Lee Thomas's 1963 effort A Woman's Desire. Like E.L Scobie's Man Handled, for example, which we talked about a while ago. A Woman's Desire deals with a group of guests at the Slashed Lightning Ranch, and the revolving affections of Lauri (nice girl), April (man eater), Bob (real cowpoke), and Craig (city slicker). Round and round it goes, and just like in rodeo whoever stays mounted the longest wins. Style points for getting out of the saddle without landing on your face. Charles Copeland cover art.
Membership is costing her the shirt off her back.
Charles Copeland is the brush behind this cover for The Friendship Club, and he's done his usual bang-up job. The book was written by Dean McCoy, which was a pseudonym used by Dudley Dean McGaughy for several novels, including Beach Binge and Juice Town, which also sound like winners. In this one a swinging couple puts together a swapping club for like-minded residents of their small town community, and everything goes well until one of the members decides swapping means woman on woman too. The guys are dismayed to learn their services aren't required, or for that matter desired, and countermeasures follow. Put this in the dangerous lesbians bin, 1963.
When the dean's away the wife will play.
Above, another entry in the school sleaze genre, The Dean's Wife, by Lee Thomas for Beacon Books. Thomas was a pseudonym used by author Lee Floren, who also wrote as Matt Harding, Will Watson, and possibly other entities. He didn't just write sleaze—he authored numerous westerns, and generally wrote those under his own name. The Dean's Wife is copyright 1963, and the art is by Charles Copeland.
When girl meets girl sparks fly.
Above and below is a small percentage of some of the thousands of lesbian themed paperback covers that appeared during the mid-century period, with art by Paul Rader, Fred Fixler, Harry Schaare, Rudy Nappi, Charles Copeland, and others, as well as a few interesting photographed fronts. The collection ends with the classic Satan Was a Lesbian, which you’ve probably seen before, but which no collection like this is complete without. Hopefully most of the others will be new to you. Needless to say, almost all were written by men, and in that sense are really hetero books reflecting hetero fantasies (fueled by hetero misconceptions and slander). You can see plenty more in this vein on the website Strange Sisters.
It's ironic they call this place the O.K. Corral, because things have not gone well since I came in here.
Above, Stag magazine published December 1957, with an uncredited cover and interior art from James Bama, Emile C. Shurmacher, Jay Smith, Charles Copeland, Jim Bentley, Lou Marchetti, and Mel Crair. We checked the auction sites this morning and saw this issue going for twenty dollars minimum, so we're feeling pretty smart because we got ours for four bucks. Probably the most interesting story is Bill Wharton's “Brother Chalmers,” about a pompous white missionary in Papua New Guinea who has very little in the way of morals. But it has a happy ending—he gets his brains bashed out.
Climb up just a bit higher. The part of you I’m planning to shoot isn’t out of the water yet.
Interesting Charles Copeland cover art for Victor Canning’s 1955 adventure thriller Twist of the Knife, published outside the U.S. as His Bones Are Coral. It’s the story of a drug smuggler flying contraband from Sudan to Egypt who crash lands near the town of Suabar, gets involved in a caper to raise gold from the waters of the Red Sea, and of course beds the only white girl within sight. This was actually made into a really bad Burt Reynolds movie called Shark! in 1970.
What do you call forty dead men? A good start.
Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy.
The Male capacity for violence.
Above is a Mort Kunstler cover for Male painted for the January 1965 issue. Kunstler was famed for his war panoramas, as we’ve discussed before, and if you click his keywords below you’ll see several more martial covers from him that we’ve shared. Inside Male you also get art from Charles Copeland, Samson Pollen, and Gil Cohen. The model feature is Susan Radford, who is described as a starlet but who we’d never heard of. Turns out it wasn’t just us. We checked the usual databases and found no mention of Radford anywhere, so it seems Male editors were premature in dubbing her a major riser.
Male focused on all kinds of violent adventures, but especially those dealing with warfare. This issue has four war stories dealing with the Soviet Union, China, and the Nazis, but the most notable entry is South African author Anthony Trew’s gripping Two Hours to Darkness, published here as booklength fiction. The tale is described in the contents as “the nightmarish spine-tingler that will be the movie blockbuster of 1965,” but it looks like Male was wide of the mark again, because no film based on the book was ever released. So Trew had to settle for selling a measly 3.5 million copies of the novel in sixteen languages, the hack. We have a dozen scans below.
The headlines that mattered yesteryear.
1930—Selassie Becomes Emperor
Haile Selassie I, whose birth name Tafari Makonnen and title "Ras" give the Rastafarian religion its name, is proclaimed emperor of Ethiopia. Selassie would become one of the most important leaders in African history, and earn global recognition through his resistance to Italy's illegal invasion of Ethiopia in 1935. Selassie died in August 1975 under disputed circumstances.
1984—Marvin Gaye Dies from Gunshot Wound
American singer-songwriter Marvin Gaye, who was famous for a three-octave vocal range which he used on hits such as "Sexual Healing" and "What's Going On," is fatally shot in the chest by his father after an argument over misplaced business documents. Gaye scored forty-one top 40 hit singles on Billboard's pop singles chart between 1963 and 2001, sixty top 40 R&B hits from 1962 to 2001, and thirty-eight top 10 singles on the R&B chart, making him not only one of the most critically acclaimed artists of his day, but one of the most successful.
1930—Movie Censorship Enacted
In the U.S., the Motion Pictures Production Code is instituted, imposing strict censorship guidelines on the depiction of sex, crime, religion, violence and racial mixing in film. The censorship holds sway over Hollywood for the next thirty-eight years, and becomes known as the Hays Code, after its creator, Will H. Hays.
1970—Japan Airlines Flight 351 Hijacked
In Japan, nine samurai sword wielding members of the Japanese Communist League-Red Army Faction hijack Japan Airlines flight 351, which had been en route from Tokyo to Fukuoka. After releasing the passengers, the hijackers proceed to Pyongyang, North Koreas's Mirim Airport, where they surrender to North Korean authorities and are given asylum.
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