There are precious few movies that truly age well, and far fewer series. But like the Clint Eastwood spaghetti western series colloquially known as the Man with No Name Trilogy, these Japanese posters have stood the test of time. From top to bottom they are for A Fistful of Dollars, aka Koya no yojimbo, For a Few Dollars More, aka Yuuhi no ganman, and The Good, the Bad, and the Ugly, aka Zoku yuuhi no ganman. There are some who say Eastwood’s character actually has a name in these films, but we beg to differ. In the first he’s referred to once as Joe, which is a name, yes, but more likely is a tag, like calling him “hotshot,” or “buddy.” In the second he’s referred to as Manco, which colloquially means “one armed” in Spanish. And in the third film he’s referred to as Blondie. But whatever his real name was, probably everyone thought of him the same way—as trouble. 

When we saw this great poster for Chiedi perdono a Dio... non a me, aka May God Forgive You… But I Won’t, we just had to check out the film. As you might guess, it’s a spaghetti western. It features an all-Italian cast led by George Ardisson playing a character with the unlikely name Cjamango MacDonald. Cjamango and the rest of the MacDonald family reside on a ranch, but they don’t own it. They’re sort of leasing to buy from the evil Smart family and they’re behind on the payments. Eventually the Smarts and a few henchmen raid the MacDonald homestead, shooting everyone dead except Cjamango, who isn’t there at the time. That of course means he’s around to seek bloody revenge, which he does with much mayhem and cruelty. During the course of the rampage Ardisson at first seems to be as expressionless in his role as a Madame Tussaud’s wax mask, but soon we learn to read him and, beneath the gilstening sheen of 40-weight motor oil that coats his face, we begin to recognize such varied emotions as anger:


Contempt:


Vague doubt:


Possible sexual panic:


Deep existential confusion:


Doubt, but a little less vague this time since someone is shooting at him. Also some possible disappointment and hurt mixed in there:


Just trying to keep a straight face really:


Pleasure at how cool he looks in a hat:


Utter denial over the loss of his hat:


Acceptance that his hat is gone and just isn't coming back:

After seventy minutes or so of Ardisson's emotional rollercoaster we barely had enough breath remaining in our bodies for a climax, but hearts be still, we got it in the form of a machine gun massacre designed to decimate the Smart clan and their hired goons. When the smoke clears, Cjamango then demonstrates the basic principles of non-forgiveness to the most evil Smart of all in a grunting, dirt-throwing, whatever-weapons-happen-to-be-handy mano a mano. Did we mention the guy’s name is Dick Smart? So really, there’s another reason to watch the movie right there—assuming Ardisson’s acting clinic isn’t enticement enough. Final note: in case you’re wondering about the title of the movie, it comes from a snippet of dialogue, although the line as delivered actually goes, “God may forgive you… not me.” We echo that sentiment to Ardisson and director Vincenzo Musolino regarding the making of this film.