| Vintage Pulp | Dec 1 2021 |
Evelyn Keyes goes from jewel thief to disease vector in The Killer That Stalked New York.
Above are a couple of excellent posters for the drama The Killer That Stalked New York, one of which features Evelyn Keyes on a high ledge. The movie is sometimes classified as a film noir, and we really don't mean to act like pain-in-the-ass purists, but we don't consider it a film noir. Plotwise, it deals with a jewel smuggler who unknowingly brings smallpox from Cuba to New York City. Keyes smuggled the jewels in for her boyfriend, but when she turns them over to him the sneaky fucker absconds. Keyes knows he has to sell them in the city, so she tries to track him down and prevent him from stiffing her, even as doctors notice that people are falling ill, manage to identify the culprit as smallpox, and try to decide how to stop the spread of the virus. Obviously, there are numerous parallels and ironies involved in watching this in the COVID-19 era. Carl Benton Reid as NYC's health commissioner: “Anyone not vaccinated is liable to get the disease. If they still refuse to submit, then tell them what they face.”
Of course, smallpox had a 30% per-case death rate compared to 1.6% in the U.S. for COVID-19, but mention that difference to people who've watched others die and see what reaction you get. What 1.6% represents, aside from a death rate, is a level of suffering at which tens of millions of adults shrug and refuse to take a shot to help save lives—at least 775,000 dead in the U.S. and counting, each of them a real person, not just a statistic. We've lost two close friends to this virus, neither in a so-called high risk category, and so has PI-1—whose friend spent weeks on a ventilator only to finally succumb to brain death. She had a six-year-old daughter. That kind of disaster kills not just the victim, but quite possibly forever harms families and loved ones.
Keyes reaches the point where her smallpox makes her like a dead woman walking, but she won't drop until she's found that chiseler of a boyfriend and made him pay for crossing her. What The Killer That Stalked New York ends up being is a crime procedural-turned medical thriller-turned double-layered chase movie. Keyes is a great, unsung star, and her willingness to uglify herself shows her commitment to the art of storytelling, but even so, the movie could be better. The two layers of story are required, because it's only Keyes' criminal status that causes her to run around dodging the cops—and by accident spreading the virus—however the film maybe should have done away with its framing narration and public service feel. At least it has Keyes. Nothing dims her luster for us—not even a mediocre script, dark rings under her eyes, and a layer of fever sweat. The Killer That Stalked New York premiered in the U.S. today in 1950.
Killer virus? Whatever. I'll take my chances.
Hi, is it too late for big government to save my ass?
Update: It's illuminating to lurk on the Facebook pages of COVID skeptics. The farther we get from the height of the epidemic—when there were literal mass graves in New York City—the more people seem to think they're smarter than doctors and virologists. Someone we know put up a photo of a convenience store with a plexiglas screen separating them from the clerk, and railed against the precaution, calling it dumb and all the rest: "What's the point? She touches my stuff anyway when she scans it! God, people are such stupid sheep!"
People in the comments agreed. It was illustrative of social media bubbles, and how self-centered people are, and how ego shapes their thinking. It never occurred to anyone in the thread that the plexiglas screen is not for customer, but for the clerk.
The customer comes and goes, and, in their genius, scoffs at the screen and determines that it's useless. But after this genius has left, the clerk they've forgotten is exposed to another customer, and another, and another, up to hundreds a day. Some of those customers probably carry COVID, but the screen will at least prevent them from coughing or sneezing on the clerk. The upshot of the entire Facebook thread was, “I don't see how this plexiglas screen helps me!” Well, it doesn't help you. It helps the person who does the essential work that keeps you fed—and skeptical. One has to marvel at people.
CubaNew York CityThe Killer That Stalked New YorkEvelyn KeyesCharles KorvinDorothy MaloneLola AlbrightCarl Benton Reidposter artcinemamovie review
