Vintage Pulp Feb 28 2017
THE HUMAN STAINED
Nothing is harder to wipe off than otherness.

If you're in the mood for a movie built around a martyr complex Tarnished is just the ticket. In this one a man from a shunned smalltown family returns to his home after seven years to find everyone has heard he's been in prison. He's mistreated by nearly every resident in this backwater burg, but the thing is, he was never in prison. He was actually in the marines, was wounded on Tarawa, and spent a long period in a military hospital. But he won't tell anyone this. Even though all sorts of trouble results, not only for him, but for anyone who dares to treat him kindly, he still maintains silence about his past. Was this character wounded in the brain? No—he's just infected by a 1950s morality that existed mainly in the movies.

American morals changed due to the human slaughterhouse of World One I, the degradation of the Great Depression, and a return to the slaughterhouse during World War II. These shocks weakened previous social strictures. For example, by 1950 most women were having sex before marriage, though less so in small towns. That's why Tarnished is such an interesting film. People watching in New York City or Chicago in 1950 were probably almost as annoyed by these Podunkville values as viewers are today. And that's really the point. The movie creates a retrograde, antagonistic community, adds to this a protagonist stained by otherness but who has true integrity, and pits town against hero to show how self-destructive small-mindedness can be.

If there's a serious flaw in Tarnished, it's is that the internal logic falters somewhat when the protagonist actually does, in fact, admit that he was in the marines to one of his antagonists by way of explaining why he's about to commit a heroic act. If he'd left the man with no explanation for the subsequent heroism, the movie's point would have been even sharper. The screenplay was adapted from a novel by a twenty-five year old author named Eleanor Mayo, and we have a suspicion she had more interesting things to say in her narrative. Maybe we'll try to track it down. Tarnished, with Arthur Franz as the strong but silent hero and Dorothy Patrick as his love interest, premiered in the U.S. today in 1950.

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Vintage Pulp Jan 30 2013
TOP GUN
When you get on his wrong side, it’s the other side of a marksman’s scope.

A few days ago we mentioned the Noir City Film Festival and waxed nostalgic about San Francisco. The festival schedule reminded us of noirs we haven’t seen in a while, and revealed others we’ve never seen. On the Noir City bill this evening is a film from the latter category, Edward Dmytryk’s 1952 thriller The Sniper. We watched it last night and it more than deserves a slot in a prestigious festival like Noir City. The film was shot in San Francisco, and stars Arthur Franz as a former mental patient named Eddie Miller who is gripped by murderous impulses. Perching in windows and on rooftops, he uses a carbine and scope to target unsuspecting victims. As yet the gun isn’t loaded, but his sexual feelings for a female acquaintance catalyze his urges. The expert marksman begins killing, ultimately slaying four women (that’s not a spoiler, given the four scoped targets on the poster art). Eddie Miller treads similar ground as hundreds of other cinematic lost souls, but film historians say he was first—American film’s first serial killer. This one is worth it both for the movie and for its usage of San Francisco exteriors, which are so expertly and extensively intergrated into the production, we have a feeling Bay Area audiences will marvel over that more than the actual plot. But they should pay close attention to both. Dmytryk is the same director who gave the world Murder, My Sweet and Crossfire. This is top tier filmmaking. 

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History Rewind
The headlines that mattered yesteryear.
December 12
1968—Tallulah Bankhead Dies
American actress, talk show host, and party girl Tallulah Bankhead, who was fond of turning cartwheels in a dress without underwear and once made an entrance to a party without a stitch of clothing on, dies in St. Luke's Hospital in New York City of double pneumonia complicated by emphysema.
December 11
1962—Canada Has Last Execution
The last executions in Canada occur when Arthur Lucas and Ronald Turpin, both of whom are Americans who had been extradited north after committing separate murders in Canada, are hanged at Don Jail in Toronto. When Turpin is told that he and Lucas will probably be the last people hanged in Canada, he replies, “Some consolation.”
1964—Guevara Speaks at U.N.
Ernesto "Che" Guevara, representing the nation of Cuba, speaks at the 19th General Assembly of the United Nations in New York City. His speech calls for wholesale changes in policies between rich nations and poor ones, as well as five demands of the United States, none of which are met.
2008—Legendary Pin-Up Bettie Page Dies
After suffering a heart attack several days before, erotic model Bettie Page, who in the 1950s became known as the Queen of Pin-ups, dies when she is removed from life support machinery. Thanks to the unique style she displayed in thousands of photos and film loops, Page is considered one of the most influential beauties who ever lived.
December 10
1935—Downtown Athletic Club Awards First Trophy
The Downtown Athletic Club in New York City awards its first trophy for athletic achievement to University of Chicago halfback Jay Berwanger. The prize is later renamed the Heisman Trophy, and becomes the most prestigious award in college athletics.
1968—Japan's Biggest Heist Occurs
300 million yen is stolen from four employees of the Nihon Shintaku Ginko bank in Tokyo when a man dressed as a police officer blocks traffic due to a bomb threat, makes them exit their bank car while he checks it for a bomb, and then drives away in it. Under Japanese statute of limitations laws, the thief could come forward today with no repercussions, but nobody has ever taken credit for the crime.
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