Vintage Pulp Jan 12 2023
NO EXIT
The future is a dead Issue.

Once again we've chosen what we think is the best poster for a vintage film. In this case it's the urban drama Dead End with Humphrey Bogart, and the poster is one painted by Jean Mascii for the French release as La rue sans issue. Bogart features prominently in both the art and film, but the rest of cast includes Sylvia Sidney, Joel McCrea, Claire Trevor, and Wendy Barrie. We're talking good, solid actors—two of them future Academy Award winners—and they make Dead End an excellent movie. In addition it was based on a play by Sidney Kingsley, with the script penned by Lillian Hellman, more top talent. Kingsley had already won a Pulitzer Prize, and Hellman had written many hit plays.

The plot of Dead End covers a day on a slummy dead end street in Manhattan on the East River, and the characters that interact there. The area is in the midst of gentrification, with fancy townhouses displacing longtime residents mired by the effects of the Great Depression. Because of construction on the next block the cosseted owners of a luxury home must for several days use their back entrance, which opens onto the dead end street. Thus you get interaction between all levels of society. There are the lowliest streets punks, an educated architect who can't find work, a woman who intends to marry for security instead of love, a gangster who's returned to his old neighborhood hoping to reconnect with his first love, and the rich man and his family.

There's plenty going on in the film, but as always we like to keep our write-ups short, so for our purposes we'll focus on the gangster, Humphrey Bogart, and his former girl, Claire Trevor. Bogart has risen to the top ranks of crime through smarts and ruthlessness, but to him Trevor represents a cleaner past and possibly a better future. He waits on the street for a glimpse of her, and when that finally happens he's thrilled. Trevor is less so, but there's no doubt she still loves Bogie. When he says he'll take her away from the slum she balks. It soon dawns on Bogie that she doesn't intend to leave, and he's devastated and confused. Trevor is evasive at first, then, pressured by Bogart, finally shouts, “I'm tired! I'm sick! Can't you see it! Look at me good! You're looking at me the way I used to be!” With that she moves from shadow:

Into light:

 
Bogart takes a good look, from bottom to top:

And he realizes she is sick. Though it's unspoken, he realizes she has syphilis. All his dreams come crashing down in that devastating moment. He's disgusted, and it leads to an astonishing exchange of dialogue.

Bogart: Why didn't you get a job?

Trevor: They don't grow on trees.

Bogart: Why didn't you starve first?

Trevor: Why didn't you? Well? What did you expect?

Bogart escaped the poverty of that dead end street through organized crime, and killed on his rise to riches. Trevor had to survive through prostitution. Bogart thinks he's better than her; she tells him he's not. In his toxic male world, murder is less offensive than sex. He's the one who's twisted—not her. In addition to a great film moment, it's a clever Hays Code workaround. Nothing about sex, prostitution, or venereal disease could be stated, but through clever writing, acting, context, and direction—by William Wyler—the facts were clear to audiences. The rest of the story arcs are just as involving, and the movie on the whole is a mandatory drama. Dead End premiered in the U.S. in 1937, and in France today in 1938.
 
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Femmes Fatales Sep 3 2022
IT'S NOT ME, IT'S YOU
I thought about it and decided that an amicable break-up was letting you off too easy.


This striking promo image shows U.S. actress Sylvia Sidney and was made for her pre-Code gangster drama City Streets, in which she starred with Hollywood Legend Gary Cooper. The movie was based on a story idea by Dashiell Hammett. But back to Sidney, she was a legend too, who had an astonishingly long career that began with 1926's The Sorrows of Satan and ended well over a hundred screen and television credits later with thirteen guest spots on Fantasy Island in 1998 and 1999. In between she appeared in movies as diverse as 1988's Beetlejuice, 1932's Madame Butterfly, and 1945's Blood on the Sun. The above photo is from 1931.

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Vintage Pulp Nov 15 2015
STRANGER THINGS HAVE HAPPENED
I love you so much, money—er, I mean honey.

As long as we're on poster art today, here's a colorful promo for the 1947 victorian thriller Love from a Stranger, starring Sylvia Sidney and John Hodiak in an adaptation of the Agatha Christie short story “Philomel Cottage,” the second pass Hollywood had taken at the material after a 1937 version starring Ann Harding and Basil Rathbone. The movie is a cautionary example of the dangers of failing to be satisfied with a good thing when you have it. Sidney's character Cecily Harrington wins money in a lottery and instead of marrying her perfectly adequate fiancée decides to ditch him for life as a one-percenter. Cue Hodiak, a gold-digger who has already offed three previous wives and gotten away with it. He sets his sights on Cecily—and her pile of cash. She's oblivious at first, of course, but after the two marry disturbing clues start to pile up. Luckily her jilted fiancée cares enough about her wellbeing to keep a concerned eye on her from afar. Us, we'd never do that. We'd be like, “What? You get rich and then dump me for an obvious serial killer? ’kay, good luck. Have fun during your suspiciously isolated honeymoon.” Decent flick, excellent poster. Love from a Stranger V.2 premiered today in 1947. 
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Intl. Notebook Jan 11 2013
VISIONARY ART
They only have eyes for you.


We were researching our recent post on fascist-era femme fatale Isa Miranda when we stumbled across fourteen sets of eyes from some of the most famous starlets of the 1930s. They were on a Brazilian fashion blog called Cajon DeSastre, now defunct, and we gather they came from a book—Fashion at the Time of Fascism—which we’d love to read if we could find a copy. Anyway, just a little eye candy for Friday.

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Vintage Pulp Jul 29 2011
FILM SHORTS
Brief so they'll hold your attention.


Below, a July 1939 issue of the American cinema magazine Film Fun, with cover art by Enoch Bolles and interior images of Sylvia Sidney, Lya Lys, Paulette Goddard, and many others. Click keywords “Film Fun” at the bottom of the post to see more. 

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History Rewind
The headlines that mattered yesteryear.
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
May 24
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
May 23
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
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