British author Sax Rohmer, aka Arthur Henry Ward, wrote many novels but made his reputation with the Fu Manchu series. Tales of Chinatown doesn’t feature that famous character, but instead deals in short story form with other characters and various unsavory goings-on in the Chinese underworld of London’s Limehouse district. There are problems with Rohmer’s depictions of Chinese, Jews, and other groups, but the writing is more than a century old, so no surprise there.

In terms of execution, there’s a sinister mood of a type here that's quite effective. "The Daughter of Huang Chow," the opening tale, deals with a series of fatal poisonings among the Limehouse criminal set, and the mysterious contents of an ornamental coffin. "The Hand of the Mandarin Quong," from which the cover is derived, is set in Singapore and London, and tells the story of a man who loses a hand in a failed attempt to rescue his kidnapped wife, but whose severed body part continues to haunt and hunt the kidnapper.

Tales of Chinatown is an atmospheric collection, well written and imaginatively conceived. It's easy to see why Rohmer became an international sensation. Many of his tropes are by now familiar if not hackneyed (and his racialized musings are deservingly excoriated), but back when his ideas were fresh they must have given his readers the megacreeps. Crime, suspense, mystery, mysticism, horror—Tales of Chinatown has all that. It first appeared in 1922, and this Popular Library edition with art by Rudolph Belarski is from 1949.

Hangover House was originally conceived as a stage play and was written by Sax Rohmer, aka Arthur Henry Ward, and his wife, Elizabeth Sax Rohmer, who obviously borrowed his pseudonym. We haven't read the play, but the novel is one of those fun British murder mysteries where everyone is stuck in a mansion as cops try to solve the crime. But the police are secondary. The main guy here is private investigator Storm Kennedy, also stranded in Hangover House after being hired to keep an eye on one of the guests, the young and beautiful Lady Hilary Bruton. In his efforts to protect Lady Hilary, Kennedy becomes the prime murder suspect. By 1949, when this was originally written, guys like Cain and Hammett had taken crime fiction to violent, depraved places, so Hangover House may seem to some readers both overly genteel and too romantic—“Oh, Storm, will you save me from myself!”—but we liked it anyway. The surprise ending actually did surprise us. This Graphic Books paperback appeared in 1954, and the cover artist is uncredited.