 Painter Owen Smith is at the top of his form.    
These may look like new Dashiell Hammett book covers, but they’re actually promotional posters painted by the brilliant Owen Smith for the San Francisco Arts Commission’s Art on Market Street 2008 Program. If you read our post on author Daniel Chavarría you know we love Smith’s work. When we see it we immediately think pulp, but we aren’t particularly reminded of any other pulp artist’s work. To be fair, we don’t know if Smith considers himself a pulp artist, but we do think his paintings are lurid and mysterious in way that make them a fit for the genre. Moving on from the Hammett pieces, the painting chosen for the cover of Maureen Dowd’s Are Men Neccesary? is also great, though we don’t think it belongs on a collection of essays. Below that, The Forgotten Arm is an Aimee Mann album, and the pairing is also a bit square peg/round hole. If it has to be music, we’d rather see Smith’s work on a José James cd; if on a book, then where better than on the next James Ellroy? But the art remains brilliant regardless, and we look forward to Smith’s future creations. You can see more here, and the write-up we mentioned on Chavarría is here.
 Daniel Chavarría's Cuban crime novels evoke the island as only a longtime resident could.  
Uruguayan author Daniel Chavarría was a miner, a model, and a museum guide, before landing in Cuba and launching a literary career. He’s since won the Dashiell Hammett Award for his novel Gijón and the Edgar Award for Adios Muchachos. His fiction is political, comical, and suspenseful, but most of all it is palpably tropical, the product of a languid and overheated island where material riches are few but passions run high. Read Chavarría and you’ll immediately perceive the difference between fiction written by foreign authors who maybe spend six weeks in Cuba, and a man who has lived there for decades and calls it home. For instance, what foreign author could hope to explain the concept of bicycle hookers, and all the subtleties associated with their trade? Chavarría does exactly that in Adios Muchachos. In fact, he writes primarily about hookers. They’re his obsession, his muses, and he depicts them both unflinchingly and reverently. We won’t tell you more—except that we very much enjoyed the above two books. The English versions commissioned from Carloz Lopez and the award winning translator Peter Bush have all the flavor of the originals. And as a bonus, illustrator Owen Smith’s cover paintings serve as perfect encapsulations of the strange, dark beauty of Chavarría’s prose. More on Smith later.
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The headlines that mattered yesteryear.
1928—Soviets Exile Leon Trotsky
Leon Trotsky, a Bolshevik revolutionary, Marxist theorist, and co-leader of the Russian October Revolution, is exiled to Alma Ata, at the time part of the Soviet Union but now located in Kazakhstan. He is later expelled entirely from the Soviet Union to Turkey, accompanied by his wife Natalia Sedova and his son Lev Sedov. 1933—Hitler Becomes Chancellor
Adolf Hitler is sworn in as Chancellor of Germany in President Paul Von Hindenburg's office, in what observers describe as a brief and simple ceremony. Hitler's first speech as Chancellor takes place on 10 February. The Nazis' seizure of power subsequently becomes known as the Machtergreifung. 1916—Paris Is Bombed by German Zeppelins
During World War I, German zeppelins conduct a bombing raid on Paris. Such raids were rare, because the ships had to fly hundreds of miles over French territory to reach their target, making them vulnerable to attack. Reaching London, conversely, was much easier, because the approach was over German territory and water. The results of these raids were generally not good, but the use of zeppelins as bombers would continue until the end of the war.
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