Land ho! Shiver me timbers! Spring break ahoy! Pieces of eighteen year olds!
We've shown you many George Gross covers, all brilliant. This one is a little different for him. Morgan the Pirate was published by Dell in 1961 as a tie-in for the Italian adventure film Morgan il pirata, starring Steve Reeves, that indispensable icon of the sword and sandal era of the ’50s and ’60s. We haven't seen the movie, but this illustration has tempted us to queue it up. More than that, it makes us want to go raise hell somewhere. Actually, we had this one ready to go last year around this time when we had a trip planned, but we cancelled the travel and warehoused the image, figuring, okay, spring 2021. But the gag still doesn't really work, because there aren't any spring breaks (for careful people). But we don't want to sit on the cover another year, so here it is. Come on vaccinators, get to innoculating, so we can get to vacationating. Wooo! Shots! Shots! Shots!
I'm hiding right here until every living human has forgotten that terrible, terrible cannibal flick I starred in.
Here we have a photo of an angry—well, is she actually angry, or it more like murderous watchfulness? Anyway, Italian actress Sabrina Siani. She's flown to the most secluded tropical island on Earth, then for good measure hidden herself under a pier until people stop asking her what level of financial desperation she reached that made her star in La Dea Cannibale, one of the worst movies of 1980. We understand she wants to move on, but the world will never forget that film, in part because bad people like us won't let that happen. Look here.
You probably can't pull this look off but there's no harm in dreaming.
Above you see a photo of U.S. actress Rosalind Cash modeling what we like to think of as the classic afro, an image we've posted today because recently we ran across a story on Simone Williams, official Guinness World Record holder for largest afro in existence. We don't know if hers is actually the largest, regardless of what Guinness says, but it's a majestic 'do, beyond doubt. It got us thinking about the hairstyle, which in our book is the coolest of all time.
There are different types of afros beside just the classic. We wanted to feature all styles, and we also bent the definition a little to include what might be categorized more accurately as large perms. We've labeled all the variations below, which will help when you start on the long, winding, and ultimately fruitless road toward your own blowout. We're aware, of course, that there were many male celebs who had afros, but we're sticking with women today. Your journey begins below.
The pure joy afro, as modeled by Gloria Hendry, who appeared in such films as Live and Let Die and Savage Sisters. The regal, by Diahann Carroll, crown not included The bohemian, by Esther Anderson, who appeared in flims like Genghis Khan and A Warm December. The aquatic, by Camella Donner, who's a true water sprit, as we've shown you before. The iconic, by Pam Grier, who did as much to popularize the afro as any film star in history. The tall and proud afro, worn by trans b-movie actress Ajita Wilson. The wild child, seen here atop Italian actress Iris Peynado. The supreme afro, seen here on Diana Ross. The lovely innocence afro, by Brenda Sykes. The you-could-be-bald-and-still-be-smokin'-hot, demonstrated by Get Christie Love star Teresa Graves. The afro-warrior by Cleopatra Jones star Tamara Dobson. Definitely more in the category of a large perm, but she pioneered the high fashion afro, so she's earned some latitude. The too-cool-for-you afro/perm by Vonetta McGee. The action afro, seen here on Jeannie Bell. This barely qualifies, but she had one of the largest afros in the history of cinema, so we can cut her some slack. Check her screen shot in this post to be amazed. The bright-eyed and bushy, by Carol Speed. The action afro again, this time by Trina Parks, who sported this look in Diamonds Are Forever. Is it technically an afro? Tell her it isn't and see what happens. And lastly, the too-big-to-be-real afro, worn by Azizi Johari, whose actual hair you can see here.
There are numerous other afro shots in our website, but we can't possibly remember where they all are, so you'll just have to find them yourself, maybe by clicking the blaxploitation link below. Besides those, we do recall one more afro you can check out. It's on Desirée West, and you'll need to gird yourself for probably the hottest shot in Pulp Intl. history. Ready? Look here.
1957 crime farce offers Slim pickings—at least until Dominique Wilms comes along.
We were busy little beavers last night. We watched a second vintage drama. At least, we thought it was a drama. Above you see an Italian poster for Slim Callaghan... il duro, which was originally made in France as Et par ici la sortie. It had no English title since it never had an English language release, but it was adapted from a novel by British author Peter Cheyney, who made a career of imitating American hard boiled detective novels. As many reviews of his fiction note, the vernacular was tricky for a guy who'd spent little if any time Stateside, making for some clunky prose at times.
When you watch Et par ici la sortie, it's clear that French filmmaker Willy Rozier picked up on the quirkiness of Cheyney's writing and decided to inject heavy doses of comedy into his film version. Thus in addition to gunplay there's a cream pie fight, a slapfest of attrition between Dany Dauberson and Pascale Roberts, a comedic brawl on a passenger airliner that almost results in a crash, and another brawl features that hoary vaudeville classic—seltzer water sprayed in the face. Much of this is hilarious, though not in the way Rozier and Co. intended—you'll laugh out of amazement.
The plot involves a Scotland Yard detective who is the virtual double of a criminal arms dealer, and decides he can infiltrate and bust the arms gang by relying upon this resemblance. But the arms dealer likewise realizes the resemblance and embarks on his own scheme to take advantage. Sounds positively scintillating, doesn't it? Erm... maybe not. But the movie isn't a total loss. Dominique Wilms gets a co-starring role here as the femme fatale Myrna de Maripasula. Think she isn't reason enough to watch? Think again. Et par ici la sortie premiered in France today in 1957.
In giallo it's not the final destination that matters. It's the endless journey in circles.
Spasmo is what you used to call your little brother, but amazingly it's also the name of an Italian giallo flick, and like other giallos, this one comes with sly looks, loaded dialogue, appearing mannequins, disappearing bodies, creepy bit players, coincidences that aren't really coincidences, and baffling extraneous events. The plot here here is set into motion when Robert Hoffman shoots an intruder. The body disappears and he spends the rest of the film trying to figure out what happened. Which is impossible, of course, because in giallo the plots are often nonsensical and the characters behave irrationally in ways both minor and major. At one point co-star Suzy Kendall, who needed a long soak in a tub after this torturous journey, says, “I don't understand. I don't understand anything!” And that neatly sums up the film. But giallos (or gialli for you purists) aren't usually meant to be understood. They're puzzles with no solutions. Extremely self-conscious and stylish mindfucks. Some are better than others, but for us, everything about this one falls short except the three excellent, creepy promo posters you see above. Spasmo premiered in Italy today in 1974 I am a normal... and well adjusted... adult female... human being. Hide? Heh-heh. What makes you think I have anything to hide? I just pop up and scare the shit out of people when they least expect it. I'm really good at it, too. I'm like the Hendrix of that. Giuseppe said my plaid leisure suit was ugly and now he must die.
Usually they're pretty bold but these are impossible to find.
It's rare for us to be unable to find a U.S. or European movie, but it happens. We didn't let it stop us from sharing this amazing poster, though, which was made for the French thriller La loups chassent la nuits, known in English as Wolves Hunt at Night. It's a spy flick set in Trieste and Venice, and stars Jean-Pierre Aumont and Italian actress Carla del Poggio. The poster was designed by Léo Houper using a photo of del Poggio as its central element. We'll keep looking for this film and maybe one day we'll get lucky. It premiered in France today in 1952.
5,000 volts, amps, ohms—whatever. The point is I'm gonna blow your mind.
Volts, joules, watts, kilowatts, jigawatts—we get units of energy mixed up. But this cover is electric however you measure it. William (undoubtedly a pseudonym) Bentley's 1964 thriller Amore a 5000 volts is another example of Edizioni MA-GA's Il Cerchio Rosso series, which has produced consistently excellent cover art. This one is uinsigned, but probably by Franco Picchioni. Click the keywords below and you'll see what we mean.
Edit: the art is confirmed by Picchioni, plus we found the original.
Hepburn has to overcome blindness, bad guys, and the script.
Above are three beautiful posters for the suspense film Gli occhi della notte, which is better known as the Audrey Hepburn classic Wait Until Dark. You've doubtless heard of it. Hepburn plays a blind woman terrorized by a sociopath. The film also starred Richard Crenna and Alan Arkin, and was directed by Terence Young, who had previously helmed the James Bond movies Dr. No, From Russia with Love, and Thunderball, so there's plenty of star power here, in front of and behind the camera.
And as often happens when a movie supposedly can't miss, this one goes wide of the mark. The main problem is recurring plot unbelievability, perhaps best exemplified by the fact that Hepburn, who lives in a building where there are other apartments, and has an ally who lives in one of those flats, doesn't simply hole up at the neighbor's when the crazy man targets her. She can get there without being seen, but she doesn't take the easy escape available to her.
In real life people don't always see the best solution to a problem, but in a movie, if the filmmakers want the audience to be fully invested, the heroine or hero should make smart choices, which ratchets up the fear when those choices still fail. We wrote an essay touching on that theme a while back. Hepburn's lack of survival instinct is a pretty big issue, but okay, she's great in the film, of course, and if you really immerse yourself it will still scare you once or twice. Just don't let anyone tell you it's perfect. After opening in the U.S. in 1967 Wait Until Dark premiered in Italy today in 1968.
The hat doesn't match the swimsuit, but it'll come in handy if she needs to be spotted by air rescue.
You saw a photo of Italian beauty Nuccia Cardinali not long ago, but when you make shots as nice as hers a return engagement is mandatory. The last one showed her lighting up the French Riviera as a blonde, while this brunette image shows her— Well, we have no idea where she is, and maybe she doesn't either. The shot was only published, as far as we know, as part of a series of cheesecake postcards in the mid-1960s. Cardinali thrived in unusual media. She began her career in photo novels, which were a mainly European phenomenon, and basically were comic books with posed photos instead of illustrations. She karate chopped and headlocked her way through sixty-nine of those, then graduated to singing and released several singles in 1968. She had already acted sporadically beginning in 1964, and had a steady run on the silver screen from 1971 to 1975, when she had eight credited roles, including in 1974's Lo strano ricatto di una ragazza perbene, aka Blackmail, and 1975's La tigre venuta dal fiume Kwai, aka Tiger from the River Kwai. We have a few other interesting photos of her, so maybe we'll get back to her in a bit.
A rag is a gown, 'til a man comes around.
Above is an Italian poster for Il vestito strappato, better known as The Tattered Dress, starring Jeff Chandler, Jack Carson, Jeanne Crain, Gail Russell, and the lovely Elaine Stewart. The art, depicting an evening gown reduced to a useless rag by a disembodied male hand, is actually accurate in terms of the film's visuals. We mean a dress is ripped and you don't get a good look at who's attached to the hand. We talked about it a while back. Shorter review: disorder in the court. |
The headlines that mattered yesteryear.
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
1944—G.I. Bill Goes into Effect
U.S. president Franklin D. Roosevelt signs the Servicemen's Readjustment Act into law. Commonly known as the G.I. Bill of Rights, or simply G.I. Bill, the grants toward college and vocational education, generous unemployment benefits, and low interest home and business loans the Bill provided to nearly ten million military veterans was one of the largest factors involved in building the vast American middle class of the 1950s and 1960s.
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
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