We love it when a plan comes together. We told you we hoped to watch this movie, and luckily it premiered today in 1971, mere weeks after we featured co-star Dominique Badou and her bizarro butt stripe. What you're seeing is a poster for the spaghetti western Anche per Django le carogne hanno un prezzo, known in English—amazingly—as Django's Cut Price Corpses. But a unique and snazzy title does not a good movie make. Pardner, this is by far the worst western we've ever seen. It has to be a satire. It absolutely must. But as we've discussed before with satire, if it's poorly made you often lose the ability to discern whether the filmmakers actually are just inept.

Spaghetti westerns earned their name because they generally premiered in Italy and the studios that financed them were usually Italian, but the films were often predominantly shot in Spain. The climax of The Good, the Bad and the Ugly, with its unforgettable three-way gunfight between Clint Eastwood, Eli Wallach, and Lee Van Cleef, was shot outside the town of Santo Domingo de Silos, Spain, in the province of Burgos, in a unique circular cemetery put together by set builders. In the script it was called the Sad Hill Cemetery. After the shoot Sad Hill was abandoned, and soon nature began to overtake the set.

That would have been the end of the story, but a group of film fans calling themselves the Sad Hill Cultural Association decided Sad Hill was a historic film treasure deserving of resurrection, and pledged to rescue it from oblivion. Toiling in their spare time, they labored with pick, hoe, and shovel to clear the site. They needed money to accomplish the work, so they set up a crowdfunding campaign with a unique enticement—those who contributed would have their names inscribed on the restored grave markers. The restoration efforts are finally complete, and the famous graveyard has been returned to its former state.

Spanish filmmaker Guillermo de Oliveira shot a documentary about the salvation efforts, and hopes to release a film titled Sad Hill Unearthed. He's now trying to raise money to pay for the rights to clips and music from The Good, the Bad and the Ugly, with the plan to premiere thefinished product at film festivals and share the restorer's unique dedication with the world. Meanwhile Sad Hill will become not only a tourist attraction for people passing through the province of Burgos, but a destination for those who contributed to its renewal. As Oliveira commented, “It’s the only cemetery in the world where you can visit your own grave.”

Above, two more posters for the spaghetti western Blindman, starring Tony Anthony and Ringo Starr. We talked about the movie last month on the day of its 1972 Japanese premiere. Its Italian premiere was a year earlier, today in 1971. These two great pieces were painted by Rodolfo Gasparri, yet another top notch Italian poster artist, whose work you've seen before on his nice promo for Klute. We'll have more from him later.

There are precious few movies that truly age well, and far fewer series. But like the Clint Eastwood spaghetti western series colloquially known as the Man with No Name Trilogy, these Japanese posters have stood the test of time. From top to bottom they are for A Fistful of Dollars, aka Koya no yojimbo, For a Few Dollars More, aka Yuuhi no ganman, and The Good, the Bad, and the Ugly, aka Zoku yuuhi no ganman. There are some who say Eastwood’s character actually has a name in these films, but we beg to differ. In the first he’s referred to once as Joe, which is a name, yes, but more likely is a tag, like calling him “hotshot,” or “buddy.” In the second he’s referred to as Manco, which colloquially means “one armed” in Spanish. And in the third film he’s referred to as Blondie. But whatever his real name was, probably everyone thought of him the same way—as trouble.