Vintage Pulp Nov 9 2020
UNDER COVER OF NIGHT
When the sun's away the crooks will slay.


And speaking of the film noir starring Aldo Ray and Anne Bancroft, we watched it right after finishing the book, and though the novel was pretty dark, the filmmakers decided a little upbeat mood music was on order, so they got the immortal jazz crooner Al Hibbler to sing a theme song. Everybody knows this one. Join right in: Nightfaaaaaaall... and youuuuuuuuuuu... lovely you... underneath the wreath of heaven's pale blue... you are poetry (possibly haiku)... you are melody (maybe in d minor, the saddest of keys)... You get the idea. Don't let us turn you off this film. The theme song is nothing the mute button won't fix.

As we mentioned in the post above, Nightfall was directed by Jacques Tourneur, the heavyweight talent behind the film noir monument Out of the Past, and he has the kind of skills that make an early shot of co-star James Gregory getting on a bus an artistic achievement. Gregory plays an insurance investigator on the trail of $350,000 of missing heist loot, and, as in the novel, the innocent schmuck who accidentally got stuck with it lost it and doesn't remember how or where. That person is played by Ray, who's great in this, as he relates his dilemma in flashbacks and desperately tries to deal with the two murderous robbers who originally stole the cash.

Nightfall is no Out of the Past, but it's a solid film noir entry, well worth watching. Besides Ray and Gregory, the two robbers Brian Keith and Rudy Bond are good, and honey-voiced Bancroft as the femme fatale handles her pivotal role nicely. Credit here also goes to Burnett Guffey, who photographed the movie, and added to his long list of beautiful film noir achievements—Johnny O'Clock, Night Editor, In a Lonely Place, The Sniper, Private Hell 36, Screaming Mimi, and a portfolio of other films. Put Nightfall in your queue. It'll be worth it—once the theme song is over. It premiered in the U.S. today in 1956

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Femmes Fatales Jul 7 2019
ONCE THE SMOKE CLEARS
Gloria Grahame's three-step plan for dealing with a problem—aim, fire, assess.


These photos of U.S. actress Gloria Grahame come from one of our favorite old movies, the film noir The Big Heat, in which she starred with Glenn Ford. How many good films was Grahame in? Plenty, including The Bad and the Beautiful, Crossfire, the amazing In a Lonely Place, Human Desire, The Glass Wall, and Odds Against Tomorrow. Outside the drama/noir genres, she was also in It's a Wonderful Life, which is one of the most watched U.S. films of all time, and Oklahoma!. In The Big Heat she plays the prototypical film noir bad girl who wants to be good but has a hard time getting there. We won't say more. Just check it out. The photo is from 1953. 

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Vintage Pulp Jan 3 2017
A BALLESTER QUINTET
Anselmo Ballester helped set the artistic standard in the competitive world of Italian movie illustrators.

Anselmo Ballester is yet another virtuoso poster artist from Italy, where cinema promos were taken perhaps more seriously as art pieces than anyplace in the world. We've documented many of these Italian geniuses, including Mafé, Luigi Martinati, Sandro Symeoni, Mario de Berardinis, and others. Ballester, born in 1897, predated nearly all of his colleagues (only Martinati was born earlier) and enjoyed a fifty year career working for studios such as Cosmopolis, Titanus, Twentieth Century Fox, and RKO Radio Pictures. He also worked in commercial and political advertising. For the titles of the above works just check the keywords below. They're in top-to-bottom order in Italian and English.

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Vintage Pulp Dec 4 2016
HEY THERE LONELY GIRL
Caught between the dark and a hard place.

This 1949 Pocket Books paperback of In a Lonely Place by Dorothy Hughes is a rarity. The novel is abundantly available today, but the first edition paperback you see above is hard to find. The story was made into a 1950 movie starring Humphrey Bogart and Gloria Grahame, but the final product bears little resemblance to the novel. Actually, the movie is a lesson in how source material can be completely cannibalized yet still made into a superior product. In a Lonely Place the movie, after all, is considered one of the best of the mid-century noirs. We said the same about it last year. But unlike the film, Hughes' novel leaves no doubt that main character Dixon Steele is a murderer. In fact, it's the central plot device—he kills a wealthy man and assumes his identity. The novel is said to be an inspiration for Patricia Highsmith's famed murderous grifter Tom Ripley. The nice art on In a Lonely Place was painted by Frank McCarthy, a prolific illustrator of paperbacks and magazine covers who toward the end of his career moved into fine art with frontier and western themes. We haven't featured him before but he'll doubtless pop up again. 

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Vintage Pulp Jan 25 2016
BOGART THE BUZZKILL
He's the guy who always ruins the party.


Bogart has an anger problem. You know someone just like him. He claims to be unaffected by the human condition and would have you believe all others are weaklings and he is strong. But of course when things don't go his way he flies into a rage, showing that he's actually frailer than most. Indifference and anger—two sides of the same coin for those unable to cope with the world as it is. When a female acquaintance of Bogart's is murdered his uncaring attitude makes the cops suspect he's a killer. Did he do it? Maybe—he's too indifferent to bother convincing the police otherwise. But when he meets his beautiful neighbor Gloria Grahame and the two become involved we see his defense mechanism fall away and be replaced by a renewed interest in life. Grahame becomes the receptacle for all Bogart's hopes, but can she deal with that level of need? More to the point—should she? Critics liked Bogart in this role at the time, and In a Lonely Place is today considered one of the best noirs. We have to agree. It's a psychological study of a personality type that has probably proliferated in America since 1950, which makes it relevant viewing in 2016. Highly recommended.

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Intl. Notebook Jan 22 2016
THE ART OF KILLING
San Francisco welcomes murder and mayhem for the fourteenth time.

San Francisco's Noir City Film Festival remains one of the best of its type in the U.S. Its fourteenth incarnation kicks off today in San Fran with Rear Window and The Public Eye. The first isn't a noir, but fits comfortably on the festival program; the second is a sort of noir, though a newer one, and is an inspired choice, in our opinion. We just wonder whether people who pay for two films noir will be happy with those two selections on opening night. In any case, we take a peek at both films below. Other offerings this year include the Bogart vehicles The Two Mrs. Carrolls and In a Lonely Place, Screaming Mimi, Corridor of Mirrors, The Dark Corner plus more than twenty other titles, and we'll be taking a look at some of these films throughout the next week.

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Femmes Fatales Jan 28 2015
GOLDEN GRAHAME
It was a wonderful Life.

An ethereal Gloria Grahame poses for a promo photo during a session that would produce a famous cover for Life. Grahame was a true great of acting who starred in the classics It’s a Wonderful Life, The Bad and the Beautiful, Human Bondage, and Oklahoma!, but who we prefer to remember for her film noir roles—among them: In a Lonely Place, The Big Heat, Crossfire, Sudden Fear, and Naked Alibi. Born and raised in Los Angeles, she took the town by storm and made an indelible mark in film. The above photo and cover below are from 1946.
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History Rewind
The headlines that mattered yesteryear.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
May 17
1974—Police Raid SLA Headquarters
In the U.S., Los Angeles police raid the headquarters of the revolutionary group the Symbionese Liberation Army, resulting in the deaths of six members. The SLA had gained international notoriety by kidnapping nineteen-year old media heiress Patty Hearst from her Berkeley, California apartment, an act which precipitated her participation in an armed bank robbery.
1978—Charlie Chaplin's Missing Body Is Found
Eleven weeks after it was disinterred and stolen from a grave in Corsier near Lausanne, Switzerland, Charlie Chaplin's corpse is found by police. Two men—Roman Wardas, a 24-year-old Pole, and Gantscho Ganev, a 38-year-old Bulgarian—are convicted in December of stealing the coffin and trying to extort £400,000 from the Chaplin family.
May 16
1918—U.S. Congress Passes the Sedition Act
In the U.S., Congress passes a set of amendments to the Espionage Act called the Sedition Act, which makes "disloyal, profane, scurrilous, or abusive language" about the United States government, its flag, or its armed forces, as well as language that causes foreigners to view the American government or its institutions with contempt, an imprisonable offense. The Act specifically applies only during times of war, but later is pushed by politicians as a possible peacetime law, specifically to prevent political uprisings in African-American communities. But the Act is never extended and is repealed entirely in 1920.
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